spacetime coordinates: 2000 – 2006 Seoul
The Host (Hangul: 괴물; RR: Gwoemul; lit. “Monster”) is a 2006 South Korean monster film directed by Bong Joon-ho and starring Song Kang-ho, Byun Hee-bong, Park Hae-il, Bae Doona and Go Ah-sung. The film concerns a monster kidnapping a man’s daughter, and his attempts to rescue her. According to the director, his inspiration came from a local article about a deformed fish with an S-shaped spine caught in the Han River.
spacetime coordinates: remote Cumbrian mountain village 1348 >> 1980s New ZealandThe Navigator: A Medieval Odyssey is a 1988 feature film, an official Australian-New Zealand co-production, directed by Vincent Ward.
Ward and his production team based the look of the film on extensive research into the Middle Ages, particularly the mining industry, although this was then rendered imaginatively. The colours of the film are based on medieval art and, in particular, medieval and renaissance artists’ ideas about heaven and hell. The blues in many of the modern-day sequences are based on the inks in the Très Riches Heures du Duc de Berry, while the reds and oranges of the motorway lights and furnace fires evoke images of hell in the works of Hieronymous Bosch, Pieter Bruegel and Matthias Grünewald. Ward later said he had not achieved what he wanted to with the colour of the modern-day scenes due to the film’s short shooting schedule. Ironically, the colour in the medieval scenes, which were turned into black and white, was far better than that in the 20th century scenes. Some of the mining scenes were inspired by engravings from the German mining manual De re metallica, although it dates from two centuries after the time of those scenes. The angel of death seen flying across the moon at one point is based on a medieval engraving in Paris’ Père Lachaise Cemetery.
Mayhem is a 2017 American action horror comedy film directed by Joe Lynch. Rotten Tomatoes‘s critical consensus reads, “Mayhem delivers stylish violence by the bloody bucketful — and grounds all the titular chaos in sharp humor and surprisingly effective real-world economic angst”
Melanie Cross: My mother used to say that no one raindrop ever thought it caused the flood. I now know what she meant by that.
Land of the Dead (also known as George A. Romero’s Land of the Dead) is a 2005 post-apocalyptic horror film written and directed by George A. Romero; the fourth of Romero’s six Living Dead movies, it is preceded by Night of the Living Dead, Dawn of the Deadand Day of the Dead, and succeeded by Diary of the Dead and Survival of the Dead.
The story of Land of the Dead deals with a zombie assault on Pittsburgh, Pennsylvania, where a feudal-like government exists. The survivors in the film have fled to the Golden Triangle area of downtown Pittsburgh. The region is protected on two sides by rivers and on the third by an electric barricade that survivors term “the Throat”.
Dawn of the Dead (2004)
Dawn of the Dead is a 2004 American horror film directed by Zack Snyder in his feature film directorial debut. A remake of George A. Romero’s 1978 film of the same name, it was written by James Gunn and stars Sarah Polley, Ving Rhames, Jake Weber, and Mekhi Phifer. James Gunn labeled it a “re-imagining” of the original film’s concept.
Beware the Slenderman (stylized as _beware the slenderman) is a 2016 American documentary film directed by Irene Taylor Brodsky about the Slender Man stabbing.Lurking in the shadows of the Internet, a faceless modern-day bogeyman has attracted the attention and fear of a young generation who whisper his name online. Slenderman lives on the dark pages of the web, where impressionable youth create and cultivate his mythos in message boards, YouTube clips and various other digital incantations. But the online fairy tale becomes a shocking real-life horror as two 12-year-old girls, guided by their devotion to Slenderman, lure their friend into the woods to attempt a seemingly inexplicable, brutal murder.
Written by Rick Jaffa and Amanda Silver, it is 20th Century Fox’s reboot of the Planet of the Apes series, intended to act as an origin story for a new series of films. Its premise is similar to the fourth film in the original series, Conquest of the Planet of the Apes (1972), but it is not a direct remake of that film.