948 – A Private War (2018)

timespace coordinates: 2001- 2012 / Sri Lanka, Iraq, Afghanistan, Libya (Arab Spring), Syriaprivate_war_xlgA Private War is a 2018 American biographical drama film directed by Matthew Heineman and starring Rosamund Pike as journalist Marie Colvin. The film is based on the 2012 article “Marie Colvin’s Private War” in Vanity Fair by Marie Brenner. The film was written by Arash Amel and features Jamie DornanTom Hollander and Stanley Tucci. (wiki)

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875 – Ethnofuturismen (2018)

◊ The notion of a black secret technology allows Afrofuturism to reach a point of speculative acceleration. ◊ Blaccelerationism proposes that accelerationism always already exists in the territory of blackness, whether it knows it or not. ◊ Sinofuturism is a darkside cartography of the turbulent rise of East Asia; It connects seemingly heterogeneous elements onto the topology of planetary capitalism. ◊ Shanghai futurism ultimately depends on breaking free from the now common assumption about the nature of time. ◊ T he unfolding story of Gulf Futurism is a strange mitosis happening out of the sight of the master planners and architects; it’s the splitting of worlds, of then and later, us and them, real and unreal. ◊ The Dubaification of the world is already a thing of the present and the recent past, and has completed its ideological mission at lightning speed.

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Nick Land (born 17 January 1962) is an English philosopher, short-story horror writer, blogger, and “the father of accelerationism“. His writing is credited with pioneering the genre known as “theory-fiction”. A cofounder of the 1990s collective Cybernetic Culture Research Unit, his work has been tied to the development of accelerationism and speculative realism.  (Wikipedia)


 Dark Enlightenment


Left Accelerationism and Xenofeminism (Helen Hester+Nick Srnicek)


post-scarcity economy   /   Post-contemporary