Pandora’s Promise is a 2013 documentary film about the nuclear power debate, directed by Robert Stone. Its central argument is that nuclear power, which still faces historical opposition from environmentalists, is a relatively safe and clean energy source which can help mitigate the serious problem of anthropogenic global warming. Richard Branson is credited as an executive producer, as are Paul and Jody Allen, whose production company, Vulcan Productions, helped provide financial support. A total of $1.2 million (US) was raised to finance the film, “particularly through Impact Partners, which provides documentary financing from individual investors. Mr. Stone said the money came mainly from wealthy “tech heads” who have worked in Silicon Valley.”
The New York Times: “You need to make an argument. A parade of like-minded nuclear-power advocates who assure us that everything will be all right just doesn’t cut it.” > Bulletin of the Atomic Scientists: “In the end, by dismissing the protesters and failing to engage them in significant debate about the pros and cons of nuclear energy, the film undermined its own message.” > Seattle Weekly: “But the doc’s bigger flaw is that no one is allowed to make a reasoned anti-nuclear argument. To the well-made film’s many statistics, graphics, and common-sense assertions, the lack of a rebuttal is deafening.”
“A four-year long journey in the Fukushima Daiichi nuclear disaster and twofold tragedy that befell Japan in the March 2011, directed by Matteo Gagliardi, written by Christine Reinhold, Matteo Gagliardi e Pio d’Emilia. (…) “Fukushima: A Nuclear Story” offers a completely original point of view on the tragedy, narrated by the actor Willem Dafoe in the English version.
Christine Reinhold and Matteo Gagliardi combine different elements in the film: The story of a journalist, Pio d’Emilia, who refused to abandon his job even when the nuclear danger was at its greatest; the doubts and fears of man in the days following the threefold tragedy; the search for the truth regarding what really happened inside the Fukushima Daiichi plant. The former prime minister Naoto Kan, in a previously unreleased interview, will reveal how Tokyo, and probably the whole of Japan, avoided a much bigger tragedy thanks to sheer luck.
The director describes the tragic events using Manga Drawings, to make them more comprehensible to our perception (…)” – vimeo
“Large temptations will emanate from these machine-animals, produced by people themselves, and it will be the task of a spiritual science that explores the cosmos to ensure all these temptations do not exert any damaging influence on human beings.” —Rudolf Steiner
In an increasingly digitized world, where both work and play are more and more taking place online and via screens, Rudolf Steiner’s dramatic statements from 1917 appear prophetic. Speaking of “intelligent machines” that would appear in the future, Steiner presents a broad context that illustrates the multitude of challenges human beings will face. If humanity and the Earth are to continue to evolve together with the cosmos, and not be cut off from it entirely, we will need to work consciously and spiritually to create a counterweight to such phenomena.
In the lectures gathered here, edited with commentary and notes by Andreas Neider, Rudolf Steiner addresses a topic that he was never to speak of again–the secret of the geographical, or ahrimanic, Doppelganger. The human nervous system houses an entity that does not belong to its constitution, he states. This is an ahrimanic being that enters the body shortly before birth and leaves at death, providing the basis for all electrical currents needed to process and coordinate sensory perceptions and react to them.
Based on his spiritual research, Steiner discusses this Doppelganger, or double, in the wider context of historic occult events relating to spirits of darkness. Specific brotherhoods seek to keep such knowledge to themselves to exert power and spread materialism. But this knowledge is critical, says Steiner, if the geographical Doppelganger and its challenges are to be understood.
timespace coordinates: Europe at night (2008 – 2010)
Abendland is a 2011 observational documentary film by Nikolaus Geyrhalter. The documentary, which has only scenes at night, explores European obsession with technology and security. Manohla Dargis of The New York Times called Abendland a “visually precise and politically amorphous” portrait of an imagined community: “The overall impression is a vision of Europe as a mosaic, as an artful amalgam of perfectly framed, seemingly disconnected moments during a long shared night, give or take a time zone change or two.” (wiki)
timespace coordinates: 1973 bank heist and hostage crisis in Stockholm (the Norrmalmstorg robbery)
timespace coordinates: 1986 – 2019 Santa Cruz, California
Us is a 2019 American psychological horror thriller film written and directed by Jordan Peele, starring Lupita Nyong’o, Winston Duke, Shahadi Wright Joseph, Evan Alex, Elisabeth Moss, and Tim Heidecker. The film follows a family who are confronted by murderous doppelgangers known as “the Tethered”.
Critic Jim Vejvoda related the Tethered to “urban legends” and “xenophobic paranoia about the Other”, (…) Journalist Noel Ransome viewed the film as being about “the effects of classism and marginalization”, writing “the Tethered are effigies of this same situational classism. They’re trapped—mentally and physically—and ignored”. Joel Meares of Rotten Tomatoes also noted that the Tethered, referencing the “we’re Americans” line, are representatives of the duality of American society, how some citizens can afford to live on top of the class system, while others are stuck in illiterate poverty. He also noted the title Us could mean “U.S.”, or United States.
The Tethered’s red jump suits and single glove were an allusion to Michael Jackson along with the “Thriller” shirt seen on young Adelaide, and Peele has stated that Jackson was “the patron saint of duality”. Peele referenced many other instances of 1980s culture, including allusions to The Lost Boys and Hands Across America, stating “Everything in this movie was deliberate, that is one thing I can guarantee you. Unless you didn’t like something and that was a complete accident”.
The film contains numerous references to Jeremiah 11:11, which reads: “Therefore this is what the Lord says: ‘I will bring on them a disaster they cannot escape. Although they cry out to me, I will not listen to them'” (NIV). Critic Rosie Fletcher commented on the context, with Jeremiah warning Jerusalem was facing destruction due to false idols, and expressed the opinion that the film’s characters also “worshiped the wrong things”… (wiki)