761 – Jurassic World

timespace coordinates: 2010’s Isla Nublar, off the Pacific coast of Costa Rica / Northern California


Jurassic World (2015)

jurassic_world_poster_by_stevencormann-d7235tyJurassic World is a 2015 American science fiction adventure film, the fourth installment of the Jurassic Park film series, and the first film in a planned Jurassic World trilogy.tumblr_p9u63clqCt1tdmwb4o1_1280Set 22 years after the events of Jurassic ParkJurassic World takes place on the same fictional Central American island of Isla Nublar, which is located off the Pacific coast of Costa Rica, where a theme park of cloned dinosaurs has operated for nearly a decade. The park plunges into chaos when a genetically-engineered dinosaur escapes from its enclosure and goes on a rampage.

Lego Jurassic World: The Indominus Escape (2016)   /   Lego Jurassic World: Employee Safety Video (2016)

Themes and analysis   /   Scientific accuracy   / imdb


Jurassic World: Fallen Kingdom (2018)

fallen-kingdom-poster-t-rexJurassic World: Fallen Kingdom is a 2018 American science fiction adventure film and the sequel to Jurassic World (2015). Directed by J. A. Bayona, it is the second installment of a planned Jurassic World trilogy. Derek Connolly and Jurassic World director Colin Trevorrow both returned as writers, with Trevorrow and the original Jurassic Park director Steven Spielberg as executive producers. (wiki)

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544 – In the Heart of the Sea (2015)

spacetime coordinates: 1850 > 1820 Massachusetts / Atlantic / Pacific Ocean / AtacamesEcuador /  Henderson Islandin-the-heart-of-the-sea-posterIn the Heart of the Sea is a 2015 adventure-drama film directed and produced by Ron Howard and written by Charles Leavitt. It is based on Nathaniel Philbrick‘s non-fiction book of the same name, about the sinking of the American whaling ship Essex in 1820, an event that inspired the novel Moby-Dick. An international co-production between the United States and Spain, the film stars Chris HemsworthBenjamin WalkerCillian MurphyTom HollandBen Whishaw, and Brendan Gleeson.

http://www.imdb.com/title/tt1390411/

370 – A Plastic Ocean (2016)

plastic ocean posterA PLASTIC OCEAN begins when journalist Craig Leeson, searching for the elusive blue whale, discovers plastic waste in what should be pristine ocean. In this adventure documentary, Craig teams up with free diver Tanya Streeter and an international team of scientists and researchers, and they travel to twenty locations around the world over the next four years to explore the fragile state of our oceans, uncover alarming truths about plastic pollution.

https://www.plasticoceans.org/

http://www.imdb.com/title/tt5203824/

345 – Pacific Rim (2013)

spacetime coordinates: 2020 – 2025 Alaska // Hong Kong // Manila // San Francisco // Pacific Ocean //  Tokyopacific_rim_coverPacific Rim is a 2013 American science fiction monster film directed by Guillermo del Toro and starring Charlie HunnamIdris ElbaRinko KikuchiCharlie DayBurn GormanRobert KazinskyMax Martini, and Ron Perlman. The screenplay was written by Travis Beacham and del Toro from a story by Beacham.Pacific-Rim-Quad-PosterPacificRim_DOM_RGB_3200x1600.inddThe film is set in the future, when Earth is at war with the Kaiju,  colossal sea monsters which have emerged from an interdimensional portal on the bottom of the Pacific Ocean. To combat the monsters, humanity unites to create the Jaegers,  gigantic humanoid mechas each controlled by at least two pilots, whose minds are joined by a mental link. Focusing on the war’s later days, the story follows Raleigh Becket, a washed-up Jaeger pilot called out of retirement and teamed with rookie pilot Mako Mori as part of a last-ditch effort to defeat the Kaiju.

Knifehead, the first Kaiju to appear in the film, is a tribute to the plodding kaiju of 1960s Japanese films, and is intended to look almost like a man in a rubber suit; its head was inspired by that of a goblin shark. Leatherback, the bouncer-like Kaiju which spews electro-magnetic charges, is a favorite of del Toro, who conceived it as a “brawler with this sort of beer belly”; the lumbering movements of gorillas were used as a reference.  The Kaiju Otachi homages the dragons of Chinese mythology. The director called it a “Swiss army knife of a Kaiju”; with almost 20 minutes of screen time, it was given numerous features so the audience would not tire of it. The creature moves like a Komodo dragon in water, sports multiple jaws and an acid-filled neck sack, and unfurls wings when necessary. It is also more intelligent than the other Kaiju, employing eagle-inspired strategies against the Jaegers.  Onibaba, the Kaiju that orphans Mako Mori, resembles a fusion of a Japanese temple and a crustacean. Slattern, the largest Kaiju, is distinguished by its extremely long neck and “half-horn, half-crown” head, which del Toro considered both demonic and majestic. 

Gipsy Danger, the American Jaeger, was based on the shape of New York City’s Art Deco buildings, such as the Chrysler Building and the Empire State Building, but infused with John Wayne‘s gunslinger gait and hip movements. Cherno Alpha, the Russian Jaeger, was based on the shape and paint patterns of a T-series Russian tank, combined with a giant containment silo to give the appearance of a walking nuclear power plant with a cooling tower on its head. Crimson Typhoon, the three-armed Chinese Jaeger, is piloted by triplets and resembles a “medieval little warrior”; its texture evokes Chinese lacquered wood with golden edges. Striker Eureka, the Australian Jaeger, is likened by del Toro to a Land Rover; the most elegant and masculine Jaeger, it has a jutting chest, a camouflage paint scheme recalling the Australian outback, and the bravado of its pilots.

Rather than popular culture, the director drew inspiration from works of art such as The Colossus and George Bellows‘s boxing paintings.

The classic Japanese woodblock print  The Great Wave off Kanagawa by Hokusai was a common motif in the ocean battles; Del Toro recalled, “I would say ‘Give me a Hokusai wave’… we use the waves and weather in the movie very operatically.”  The director asked that Knoll not necessarily match the lighting from shot to shot: “It’s pretty unorthodox to do that, but I think the results are really beautiful and very artistically free and powerful, not something you would associate with a big sci-fi action movie.” Del Toro considers the film’s digital water its most exciting visual effect: “The water dynamics in this movie are technically beautiful, but also artistically incredibly expressive. We agreed on making the water become almost another character. We would time the water very precisely. I’d say ‘Get out of the wave [on this frame].'”

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https://en.wikipedia.org/wiki/Pacific_Rim_(film)

http://www.imdb.com/title/tt1663662/

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255 – Lost (TV Series 2004–2010)

lost 1

Lost is an American drama television series that originally aired on the American Broadcasting Company (ABC) from September 22, 2004, to May 23, 2010, over six seasons, comprising a total of 121 episodes. The show contains elements of supernatural and science fiction, and follows the survivors of a commercial jet airliner crash, flying between Sydney and Los Angeles, California, on a mysterious tropical island somewhere in the South Pacific Ocean. The story is told in a heavily serialized manner. Episodes typically feature a primary storyline set on the island, augmented by flashback or flashforward sequences which provide additional insight into the involved character(s).

lost 2lost 4The television show Lost includes a number of mysterious elements that have been ascribed to science fiction or supernatural phenomena, usually concerning coincidencessynchronicitydéjà vu, temporal and spatial anomaliesparadoxes, and other puzzling phenomena. The creators of the series refer to these as part of the mythology of the series. (read more: https://en.wikipedia.org/wiki/Mythology_of_Lost)lost 5Lost, Evangeline Lilly Freckles Kate Austen, Matthew Fox Jack Shepard, Jorge Garcia Hurley Hugo Reyes, Elizabeth Mitchell Juliet Burke, Yunjin Kim Sun Kwon, Terry O Quinn John Locke, Josh Holloway Sawyer James Ford, Naveen Andrews Sayid Jarrah, Emilie de

http://www.imdb.com/title/tt0411008/

https://en.wikipedia.org/wiki/Lost_(TV_series)

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176 – Kon-Tiki expedition

spacetime coordinates: 1947 journey by raft across the Pacific Ocean from South America to the Polynesian islands

Kon-Tiki (1950  documentary)

Kon-Tiki is a Norwegian-Swedish documentary film about the Kon-Tiki expedition led by Norwegian explorer and writer Thor Heyerdahl in 1947.

http://www.imdb.com/title/tt0042650/

Kon-Tiki (2012 film)

Kon-Tiki is a 2012 historical drama film directed by Joachim Rønning and Espen Sandberg about the 1947 Kon-Tiki expedition. The film was mainly shot on the island of Malta. The role of Thor Heyerdahl is played by Pål Sverre Valheim Hagen. The film is an international co-production between Norway, Denmark, Germany, Sweden, and the United Kingdom. It was the highest-grossing film of 2012 in Norway and the country’s most expensive production to date

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Historical accuracy

While much of the story is historically accurate, screenwriter Petter Skavlan and director Joachim Rønning both felt the need to make the story more exciting for their two-hour feature film. The fictionalized elements have been criticized; as film critic Andrew Barker commented, “It’s frustratingly ironic that Kon-Tiki’s most outrageously fantastical sequences are completely verifiable, and its most predictable, workaday conflicts are completely made up.”

kon-tiki 1

The film focuses on Heyerdahl’s theory that Polynesia was first populated with humans from Peru, but it ignores the Norwegian’s more ethnocentric speculations that the original Kon-Tiki voyage was undertaken by a race of tall white bearded people with red hair. Heyerdahl conjectured that Amerindian civilizations like the Aztecs and the Incas only arose with the help of advanced technical knowledge brought by early European voyagers, and that these white people were eventually driven out of Peru and fled westward on rafts.

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The portrayal of the raft’s second-in-command, Herman Watzinger, proved controversial in Norway. Colleagues and relatives say Watzinger in the film is unlike the real-life Watzinger, physically or in his actions. Actor Baasmo Christiansen acknowledged the physical differences with a smile. “Watzinger was tall, dark, and Norwegian Youth Champion in the 100 meter. He was everything I’m not.” In the film, Watzinger disobeys Heyerdahl’s direct order and throws a harpoon at a whale shark under the boat, but it was actually Erik Hesselberg who harpooned the whale shark, with the crew cheering him on. The film’s Watzinger, worried about the hemp ropes’ ability to hold the balsa logs together for the entire voyage, tearfully begs Heyerdahl at sea to add steel cables Watzinger smuggled aboard but Heyerdahl’s book contains no such scene and Watzinger’s daughter has stated it never happened: “My father was a stout and confident man, and he never thought that way about the balsa logs and the ropes.” Thor Heyerdahl, Jr., who worked with Watzinger, concurred in the criticism of the film’s portrayal of Watzinger.

http://www.imdb.com/title/tt1613750/