timespace coordinates: In the autumn of 1810, the French forces of Marshal Masséna are invading Portugal and are temporarily halted by the Anglo-Portuguese army under Viscount Wellington at the Battle of Bussaco. As a bitter winter approaches, Wellington withdraws his troops towards the fortifications he has prepared in secret at the Lines of Torres Vedras. Using a scorched earth defence, he forces the inhabitants to evacuate the land in front of the Lines and destroys all supplies which could be useful to the French. The film illustrates these dramatic events by a series of vignettes which show the effects on combatants, both regular soldiers and guerrillas, and on the civilian population.Lines of Wellington (Portuguese: Linhas de Wellington) is a 2012 Franco-Portuguese epic war film and television series prepared by Chilean director Raúl Ruiz and completed by his widow Valeria Sarmiento. (wiki)
As Edith, you’ll explore the colossal Finch house, searching for stories as she explores her family history and tries to figure out why she’s the last one in her family left alive. Each story you find lets you experience the life of a new family member on the day of their death, with stories ranging from the distant past to the present day.
The gameplay and tone of the stories are as varied as the Finches themselves. The only constants are that each is played from a first-person perspective and that each story ends with that family member’s death.
Ultimately, it’s a game about what it feels like to be humbled and astonished by the vast and unknowable world around us.
“Large temptations will emanate from these machine-animals, produced by people themselves, and it will be the task of a spiritual science that explores the cosmos to ensure all these temptations do not exert any damaging influence on human beings.” —Rudolf Steiner
In an increasingly digitized world, where both work and play are more and more taking place online and via screens, Rudolf Steiner’s dramatic statements from 1917 appear prophetic. Speaking of “intelligent machines” that would appear in the future, Steiner presents a broad context that illustrates the multitude of challenges human beings will face. If humanity and the Earth are to continue to evolve together with the cosmos, and not be cut off from it entirely, we will need to work consciously and spiritually to create a counterweight to such phenomena.
In the lectures gathered here, edited with commentary and notes by Andreas Neider, Rudolf Steiner addresses a topic that he was never to speak of again–the secret of the geographical, or ahrimanic, Doppelganger. The human nervous system houses an entity that does not belong to its constitution, he states. This is an ahrimanic being that enters the body shortly before birth and leaves at death, providing the basis for all electrical currents needed to process and coordinate sensory perceptions and react to them.
Based on his spiritual research, Steiner discusses this Doppelganger, or double, in the wider context of historic occult events relating to spirits of darkness. Specific brotherhoods seek to keep such knowledge to themselves to exert power and spread materialism. But this knowledge is critical, says Steiner, if the geographical Doppelganger and its challenges are to be understood.
timespace coordinates: Europe at night (2008 – 2010)
Abendland is a 2011 observational documentary film by Nikolaus Geyrhalter. The documentary, which has only scenes at night, explores European obsession with technology and security. Manohla Dargis of The New York Times called Abendland a “visually precise and politically amorphous” portrait of an imagined community: “The overall impression is a vision of Europe as a mosaic, as an artful amalgam of perfectly framed, seemingly disconnected moments during a long shared night, give or take a time zone change or two.” (wiki)
Samsara is a 2011 American non-narrative documentary film of international imagery directed by Ron Fricke and produced by Mark Magidson. Samsara was filmed over a period of five years in 25 different countries around the world.
The official website describes the film, “Expanding on the themes they developed in Baraka (1992) and Chronos (1985), Samsara explores the wonders of our world from the mundane to the miraculous, looking into the unfathomable reaches of humanity’s spirituality and the human experience. Neither a traditional documentary nor a travelogue, Samsara takes the form of a nonverbal, guided meditation.” (wiki)
Ambient 1: Music for Airports is the sixth studio album by Brian Eno, released by Polydor Records in 1978. The album consists of four compositions created by layering tape loops of differing lengths, and was designed to be continuously looped as a sound installation, with the intent of defusing the tense, anxious atmosphere of an airport terminal.
Music for Airports was the first of four albums released in Eno’s Ambient series, a term which he coined to describe music “as ignorable as it is interesting” that would “induce calm and a space to think.” Although it is not the earliest entry in the genre, it was the first album ever to be explicitly created under the label “ambient music“.
Nineteen Eighty-Four, also known as 1984, is a 1984 British dystopian science fiction film written and directed by Michael Radford, based upon George Orwell‘s novel of the same name (published in June 1949). Starring John Hurt, Richard Burton, Suzanna Hamilton, and Cyril Cusack,
the film follows the life of Winston Smith, a low-ranking civil servant in a war-torn London ruled by Oceania, a totalitarian superstate. Smith (Hurt) struggles to maintain his sanity and his grip on reality as the regime’s overwhelming power and influence persecutes individualism and individual thinking on both a political and personal level. The film, which features Burton’s last screen appearance, is dedicated to him. (wiki)