In our race towards modernity, amidst all the technological innovation and the rapid growth of our cities, silence is now quickly passing into legend. Beginning with an ode to John Cage‘s seminal silent composition 4’33“, the sights and sounds of this film delicately interweave with silence to create a contemplative and cinematic experience that works its way through frantic minds and into the quiet spaces of hearts. As much a work of devotion as it is a documentary, IN PURSUIT OF SILENCE is a meditative exploration of our relationship with silence, with sound, and the impact of noise on our lives. (rottentomatoes)
“The etymological roots of the word silence
are somewhat contested. There are two words
in particular that people go back to. There’s the Gothic term ana-silan, and then</i> desinere. One of them has to do with
the wind dying down and the other has to do with
a kind of stopping of motion. They’re both to do with an
interruption, not just of sound, but the roots of silence
are also to do with the interruption of our own… The imposition of our own egos
on the world.” GEORGE PROCHNIK
Blood Tea and Red String is a stop-motion-animated feature film, directed by Christiane Cegavske. It was released on February 2, 2006 after a production time of 13 years, having been filmed in various places in the West Coast and in two studios. The musical score was composed and performed by Mark Growden. Cegavske says in the audio commentary to the DVD for this film that it is to be the first in a trilogy.
“A handmade stop-motion fairy tale for adults that tells the tale of the struggle between the aristocratic White Mice and the rustic Oak Dwellers over the doll of their heart’s desire.” imdb
timespace coordinates: 18th century in a remote South American colony
Zama is a 2017 Argentine period drama film starring Daniel Giménez Cacho, Lola Dueñas, and Matheus Nachtergaele & directed by Lucrecia Martel. It is based on the 1956 novel of the same name by Antonio di Benedetto, on Don Diego de Zama, a Spanish officer of the 18th century settled in Asunción, Paraguay, who awaits his transfer to Buenos Aires.
spacetime coordinates: 2002 – 2003, Grande Chartreuse, Chartreuse MountainsInto Great Silence (German: Die große Stille) is a documentary film directed by Philip Gröning that was released in 2005. It is an intimate portrayal of the everyday lives of Carthusian monks of the Grande Chartreuse, a monastery high in the French Alps.
The idea for the film was proposed to the monks in 1984, but the Carthusians said they wanted time to think about it. They responded to Gröning 16 years later to say they were willing to permit him to shoot the movie if he was still interested. Gröning then came alone to live at the monastery, where no visitors were ordinarily allowed, for a total of six months. He filmed and recorded on his own, using no artificial light. Gröning then spent two and a half years editing the film. The final cut contains neither spoken commentary nor added sound effects. It consists of images and sounds that depict the rhythm of monastic life, with occasional intertitles displaying selections from Holy Scripture. (wiki)
From the exhibition walls to the wonder and beauty of artists’ gardens like Giverny and Seebüll, the film takes a magical and widely travelled journey to discover how different contemporaries of Monet built and cultivated modern gardens to explore expressive motifs, abstract colour, decorative design and utopian ideas. Guided by passionate curators, artists and garden enthusiasts, this remarkable collection of Impressionists, Post-Impressionists, and avant-garde artists of the early twentieth century will reveal the rise of the modern garden in popular culture and the public’s enduring fascination with gardens today. Long considered spaces for expressing colour, light and atmosphere, the garden has occupied the creative minds of some of the worlds greatest artists. As Monet said, ‘Apart from painting and gardening, I’m no good at anything’. (exhibitiononscreen)
spacetime coordinates: 2046 – 1960s Hong Kong – Singapore
Paragraph 201 in the Passengers’ Guide warns that Area 1224- 1225 is especially cold. The train heating won’t be strong enough. Passengers are advised to hug each other to keep warm.2046 is a 2004 Hong Kong romantic drama film written and directed by Wong Kar-wai. It is a loose sequel to Wong’s films Days of Being Wild (1990) and In the Mood for Love (2000). It follows the aftermath of Chow Mo-wan’s unconsummated affair with Su Li-zhen in 1960s Hong Kong but also includes some science fiction elements and makes frequent references to the date of December 24 or Christmas Eve, on which many significant events in the film occur.The main character (Tony Leung) writes science fiction stories, in which 2046 is a popular year and place to which people travel through time. The stories are titled 2046 and later 2047 (a collaboration with Faye Wong’s character). The year 2046 has its own significance for Hong Kong. It is 49 years after the handover of Hong Kong by the British on 1 July 1997. At the time of handover, the Mainland government promised fifty years of self-regulation for the former British colony. The year 2046 references the moment before Hong Kong’s special, self-regulated status ends.
The title may also be a reference to the Twilight Zone episode “The Lonely“, about a man sentenced to solitary confinement on a distant asteroid beginning in the year 2046. The isolated inmate falls in love with a gynoid that was delivered to keep him company. This plot structure parallels some of the science fiction motifs in Wong’s 2046. (wiki)
spacetime coordinates: Australian outback, ten years after a global economic collapse.The Rover is a 2014 Australian dystopian drama film written and directed by David Michôd and based on a story by Michôd and Joel Edgerton. It is a contemporary western taking place in the Australian outback, ten years after a global economic collapse. The film features Guy Pearce, Robert Pattinson, and Scoot McNairy with Anthony Hayes, Gillian Jones, Susan Prior, Nash Edgerton, David Field and Tawanda Manyimo.