spacetime coordinates: 1964 – 2015 Florida / Houston / New York / ParisTomorrowland (subtitled A World Beyond in some regions) is a 2015 American science-fiction mystery adventure film directed and co-written by Brad Bird. Bird co-wrote the film’s screenplay with Damon Lindelof, from an original story treatment by Bird, Lindelof and Jeff Jensen. The film stars George Clooney, Hugh Laurie, Britt Robertson and Raffey Cassidy. In the film, a disillusioned genius inventor (Clooney) and a teenage science enthusiast (Robertson) embark to an ambiguous alternate dimension known as “Tomorrowland”, where their actions directly affect their own world.Walt Disney Pictures originally announced the film in June 2011 under the working title 1952, and later retitled it to Tomorrowland, after the futuristic themed land found at Disney theme parks. In drafting their story, Bird and Lindelof took inspiration from the progressive cultural movements of the Space Age, as well as Walt Disney‘s optimistic philosophy of the future, notably his conceptual vision for the planned community known as EPCOT.
spacetime coordinates: 2010’s Los AngelesBright is a 2017 American urban fantasy action crime film directed by David Ayer and written by Max Landis. The film stars Will Smith as a Los Angeles Police Department police officer who teams up with an Orc rookie police officer (Joel Edgerton) in a world of both human and mythical creatures. The film also stars Noomi Rapace, Lucy Fry, Édgar Ramírez and Ike Barinholtz, and was released worldwide on Netflix on December 22, 2017.
spacetime coordinates: summer of 1989, small town DerryIt (also known as It: Chapter One) is a 2017 American supernatural horror film directed by Andy Muschietti, based on the 1986 novel of the same name by Stephen King. The screenplay is by Chase Palmer, Cary Fukunaga and Gary Dauberman. A second installment is planned. The film tells the story of seven children in Derry, Maine, who are terrorized by the eponymous being, only to face their own personal demons in the process. The novel was previously adapted into a 1990 miniseries.
spacetime coordinates: Chicago, 2055 > the cretaceous
A Sound of Thunder is a 2005 science fiction thriller film directed by Peter Hyams, and starring Edward Burns, Catherine McCormack and Ben Kingsley. It is a co-production film between the United Kingdom, the United States, Germany, and the Czech Republic.
a classic example of “failed return” or “no return” cautionary tales is A Sound of Thunder by Ray Bradbury published in 1952. on a personal level i love both the EC comic book adaptation with artwork by Al Williamson and the 2005 movie adaptation by Peter Hyams that was a box office flop and has receive mostly negative reviews by critics. the original story features one of the first instances of the butterfly effect, in particular as applied to time travel paradoxes and uncontrollable evolutionary/ political outcomes. this was way before it became a meteorologic mainstay of chaos theory after its use by Edward Lorenz to describe stormy ripple-like effects on nonlinear systems, seemingly very sensitive to minute initial conditions. the movie A Sound of Thunder features a time travel tourist agency from the year 2055. Time Safari Inc. is a chronocapitalist enterprise that organizes prehistoric retro-hunting expeditions to far-off epochs where dinosaurs roamed the earth. in order to do that, mankind is cheating on the big dinosaur mass extinction. long after humankind has killed most of the big game life on earth it tracks down other, more elusive and ferocious megafauna. the whole ‘hunting’ for the ultimate predator T-Rex (or an Allosaurus in the movie) turns out to be a very complex business. the paleo-poaching is based on hiding your acts under the cover of natural occurrences, trophy hunting pretending to be a mass extimction event. in order to fake the killing shot one must plan ahead every retro-killing move. practically Time Safari Inc. is cheating evolutionary history by trying to synchronize with ‘naturally’ occurring death events and extract entertainment value out of impossible inter-species encounters, normally separated by enormous gulfs of time. (…)
geohistory becomes a perfect crime scene – where the time traveling expedition has to erase all traces – all influence that might otherwise impact the future with definite catastrophic (especially anthropic future) results. as often, humans are kind of role-playing hide and seek with natural selection. in this bizarre and strange inversion of the anthropocenic stratigraphic proof – masquerades as natural force, where a devious human causality is trying to hide behind a pre-human mass extinction event. it is almost the same principle guiding the climate denialist that pretends to hide behind previous catastrophic climate fluctuations.as one might expect, it’s a chronoclysm waiting to happen. all the clients of Time Safari Inc. are prone to making mistakes, and not only do they leave marks (the absolute no 1 rule of time travel is non-intervention) but they also bring back something (the 2nd most important rule) basically invariably smuggling the prehuman past into the future. somehow a prehistoric dead butterfly makes it through the biofilter (a great example of what I would call New Wallace Lines) that is scanning every living reentry into the present, every possibility of warping the timelines. the alteration of the past produces a chronoclysm that manifests itself as a rhythmic, rapidly accelerating ‘time waves’ that transform the city and its denizens. more to the point in the Peter Hyams movie, the first divergence is a sudden appearance of teeming swarms of beetles and a gigantic strangler fig-like tree bursting through a Chicago high rise building, while the main characters Ryan and Rand make a narrow escape. it is by no means accidental that swarms and insect swarms in particular are associated with time waves. multiply proliferating and and highly distributed, swarms are chronoclysmic purveyors that help carry and suffer the radical effects of timeline distortion. there are reports of global increases in temperature and humidity and plant life seems to prosper, while this time warped climate change suddenly seems to be echoing sweltering hot pre-human conditions of long gone geological epochs and dead jungles. (…)
stefan tiron – Cosm/c Dr/ft & T3mporal D/vergence (2016)- EXIT THE PORTAL: The Strange Comeback to a Weird Earth
Oxenfree is a 2016 supernatural mystery graphic adventure video game developed and published by Night School Studio. The game was released for Microsoft Windows, OS X and Xbox One in January 2016, with PlayStation 4 and Linux versions released later that year.
- OS: Windows 8.1 64-bit.
- Processor: Intel i5 2.5 GHz.
- Memory: 4 GB RAM.
- Graphics: NVIDIA GeForce GTX 460 / Radeon HD 6750 (or higher)
- DirectX: Version 11.
- Network: Broadband Internet connection.
- Storage: 3 GB available space.
- Sound Card: DirectX 9.0 Compatible.
The game itself also has an alternate reality counterpart. Within the game are radio frequencies that hint to a real phone number. This phone number led players to the Twitter account @xray9169363733. The account posted various cryptic, coded messages, all of which seemed to point to a real world location. On May 7, 2016, Youtuber Jesse Cox posted a video similar to the PS4 Oxenfree trailer, but with several letters highlighted in red. This led players to http://www.edwardsisland.com. Several messages were found, but most important was “MILNER IS WARD”, confirming that a special object would be hidden at Fort Ward, WA. The object was revealed to be a box with letters by Alex from all the possible timelines from the game warning her not to go to Edwards island, and a manually operated tape player with two paper music tapes of songs from the game soundtrack. (wiki)