In the dense forests of South Asia, a native African tribe has been living in quiet obscurity for more than 500 years.
Tomb Raider is a 2018 action-adventure film directed by Roar Uthaug, with a screenplay by Geneva Robertson-Dworet and Alastair Siddons, from a story by Evan Daugherty and Robertson-Dworet. It is based on the 2013 video game of the same name, with some elements of its sequel by Crystal Dynamics, and is a reboot of the Tomb Raider film series. The film stars Alicia Vikander as Lara Croft, who embarks on a perilous journey to her father’s last-known destination, hoping to solve the mystery of his disappearance. Dominic West, Walton Goggins, Daniel Wu, and Kristin Scott Thomas appear in supporting roles.Producer Adrian Askarieh told IGN in an interview that he may oversee a film universe with Just Cause, Hitman, Tomb Raider, Deus Ex, and Thief. Askarieh however is not officially accredited with the production of this movie. (wiki)
The Falling Sky is a remarkable first-person account of the life story and cosmo-ecological thought of Davi Kopenawa, shaman and spokesman for the Yanomami of the Brazilian Amazon. Representing a people whose very existence is in jeopardy, Davi Kopenawa paints an unforgettable picture of Yanomami culture, past and present, in the heart of the rainforest–a world where ancient indigenous knowledge and shamanic traditions cope with the global geopolitics of an insatiable natural resources extraction industry.In richly evocative language, Kopenawa recounts his initiation and experience as a shaman, as well as his first encounters with outsiders: government officials, missionaries, road workers, cattle ranchers, and gold prospectors. He vividly describes the ensuing cultural repression, environmental devastation, and deaths resulting from epidemics and violence. To counter these threats, Davi Kopenawa became a global ambassador for his endangered people. The Falling Sky follows him from his native village in the Northern Amazon to Brazilian cities and finally on transatlantic flights bound for European and American capitals. These travels constitute a shamanic critique of Western industrial society, whose endless material greed, mass violence, and ecological blindness contrast sharply with Yanomami cultural values.
Bruce Albert, a close friend since the 1970s, superbly captures Kopenawa’s intense, poetic voice. This collaborative work provides a unique reading experience that is at the same time a coming-of-age story, a historical account, and a shamanic philosophy, but most of all an impassioned plea to respect native rights and preserve the Amazon rainforest. (amazon)
“When I come back from a trip among the white people, the dizziness leaves my eyes after a while and my thought be-comes clear again. I no longer hear cars, machines, or airplanes. I only lend an ear to the tooro toads and krouma frogs that call the rain in the forest. I only hear the rustling of the leaves in the wind and the rumbling of the thunders in the sky. The ignorant words of the city politicians gradually vanish in the quiet of my sleep. I become calm again by going to hunt and making my spirits dance.
The forest is very beautiful to see. It is cool and aromatic. When you move through it to hunt or travel, you feel joyful and your mind is slow-paced. You listen to the chirping of the cicadas in the distance, or the cries of the curassows and the agami herons, and the clamor of the spider monkeys in the trees. Your worries are eased. Your thoughts can then follow one another without getting obscured.”
Sic Parvis Magna
Uncharted is an action-adventure third-person shooter platform video game series developed by Naughty Dog and published by Sony Interactive Entertainment for PlayStation consoles. The series follows protagonist Nathan “Nate” Drake(portrayed by Nolan North through voice and motion capture) a charismatic yet obsessive treasure hunter who journeys across the world to uncover various historical mysteries. The main series began with Uncharted: Drake’s Fortune released on the PlayStation 3 in 2007, followed by its sequels Uncharted 2: Among Thieves (2009), Uncharted 3: Drake’s Deception (2011), with the final installment Uncharted 4: A Thief’s End released on the PlayStation 4 in 2016. A prequel, Uncharted: Golden Abyss, was released for Sony’s PlayStation Vita handheld system in 2011, followed by the card game spin-off Uncharted: Fight for Fortune in 2012. A standalone expansion to the series, Uncharted: The Lost Legacy, was released in 2017, with Chloe Frazer as the game’s playable protagonist.
spacetime coordinates: Yucatán, Mexico 2012
“According to the Mayan book of creation, the Mayan spoke of a species of lizard men who descended from the sky and captured their civilization. On December 21st, 2012 everyone expected the world to end but the ancient Mayan prophecy didn’t predict the end of the world. The prophecy was about a silent invasion, the plague of the reptilian aliens, the beginning of the end…”The Curse of the Mayans – aka Xibalba – is a 2017 Mexican science fiction horror film directed by Joaquin Rodriguez from a screenplay co-written with Alberto Haggar. The Lanczyner Films/Three Great Lights Films production stars Carla Ortiz, Olga Fonda, Steve Wilcox.Dr. Alan Green, an American archaeologist, leads Danielle Noble and her team of cave divers on an expedition searching the Mayan ancient records. the film is a mix of Mayan mythology, Nibiru and Annunaki lore, truth and storytelling introducing Reptilian Archons (AKA evil mirrored Chitarauri) as the exo planetary dopplegangers of every human soul, laying dormant until released by bumbling hands.
spacetime coordinates: 19th-century England, Yorkshire > the Amazon and its tributaries > the Andes of Peru and Ecuador
” Pushing against its scientific reputation as downright boring, moss in particular served to create some botanical, aesthetic sense of a setting that allowed for illicit sexual encounters and for primal yearnings. The reasons for this strange dual identity of bryophytes as both mundane and as primal are relatively clear: realistically, moss provided a soft bed for sexual romps that had to take place outside of stuffy Victorian homes. Serving, perhaps predictably, as a slang term for pubic hair, moss was understood to be consistently moist and jewel-like, glittering like emerald colonies under light. (…) Although tropes of sexual encounters occurring in gardens and forests far predated the nineteenth century, both realistically and literarily, these hidden moss grottoes conjured up an image of something semi-religious, some secret refuge from the trials of urban — and overwhelming imperial tropical — life.”