1168 – Starship Troopers

timespace coordinates: the 23rd century,  Buenos Aires / Terran Federation > Klendathu, the “Bugs’” home planet / Planet “P”/ remote outpost on a planet inhabited by Arachnids / agricultural planet Roku San / classified planet OM-1 /

Starship Troopers (1997)

MV5BNWExNzg3MmMtYjc3MS00MzFlLWJiOWQtNWYxZTgxNjhlZTQ2XkEyXkFqcGdeQXVyNzkwMjQ5NzM@._V1_Starship Troopers is a 1997 American satirical military science fiction action film directed by Paul Verhoeven and written by Edward Neumeier. It originally came from an unrelated script called Bug Hunt at Outpost Nine, but eventually licensed the name Starship Troopers from a science fiction novel by Robert A. Heinlein. The story follows a young soldier named Johnny Rico and his exploits in the Mobile Infantry, a futuristic military unit. Rico’s military career progresses from recruit to non-commissioned officer and finally to officer against the backdrop of an interstellar war between mankind and an insectoid species known as “Arachnids”.

(Relationship to novel) Because the film originated from an unrelated script, with names and superficial details from the novel being added retroactively, there are many differences between the two. While the novel has been accused of promoting militarism, fascism, and military rule, the film satirizes these concepts by featuring bombastic displays of nationalism as well as news reports that are intensely fascisticxenophobic, and propagandistic.  Verhoeven stated in 1997 that the first scene of the film—an advertisement for the Mobile Infantry—was adapted shot-for-shot from a scene in Leni Riefenstahl’s Triumph of the Will (1935), specifically an outdoor rally for the Reichsarbeitsdienst. Other references to Nazism in the movie include the Wehrmacht-inspired uniforms and insignia of field grade officers, M.I. working uniforms reminiscent of Mussolini’s BlackshirtsAlbert Speer‘s style of architecture, and its propagandistic dialogue (“Violence is the supreme authority!”). 

In a 2014 interview on The Adam Carolla Show, the actor Michael Ironside, who read the novel as a youth, said that he asked Verhoeven, who grew up in Nazi-occupied Netherlands, “Why are you doing a right-wing fascist movie?” Verhoeven replied, “If I tell the world that a right-wing, fascist way of doing things doesn’t work, no one will listen to me. So I’m going to make a perfect fascist world: everyone is beautiful, everything is shiny, everything has big guns and fancy ships, but it’s only good for killing fucking Bugs!” 

(Themes) … In his DVD commentary, Verhoeven stated his intentions clearly: the film’s message is that “War makes fascists of us all”. He evoked Nazi Germany’s fashion, iconography, and propaganda because he saw it as a natural evolution of the United States after World War II, and especially after the Korean War. “I’ve heard this film nicknamed All Quiet on the Final Frontier“, he said, “which is actually not far from the truth.” Edward Neumeier (who had previously worked with Verhoeven on RoboCop) broadly concurs, although he sees a satire on human history rather than solely the United States. Verhoeven says his satirical use of irony and hyperbole is “playing with fascism or fascist imagery to point out certain aspects of American society… of course, the movie is about ‘Let’s all go to war and let’s all die.'” (wiki)

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Starship Troopers 2: Hero of the Federation (2004)

MV5BOWNiNzRlOWMtNzY2Yi00M2MzLWE0MGEtYzM0NmZhODk3NjUyXkEyXkFqcGdeQXVyNDc2NjEyMw@@._V1_Starship Troopers 2: Hero of the Federation is a 2004 military science-fiction action television film directed by Phil Tippett and starring Richard BurgiLawrence Monoson, and Colleen Porch. It is a sequel to Starship Troopers (1997) and the second installment of the Starship Troopers film series. (wiki)

Made for 5% of the cost of Starship Troopers (1997). (imdb)


Starship Troopers 3: Marauder (2008)

1146
01:33:47,715 –> 01:33:51,617
I got religion, Dix. I got it bad.

starship_troopers_3_marauder-813828742-largeStarship Troopers 3: Marauder is a 2008 American military science fiction film written and directed by Edward Neumeier and starring Casper Van Dien who returned as Johnny Rico from the original film, along with Jolene Blalock and Boris Kodjoe. It is a sequel to Starship Troopers (1997) and Starship Troopers 2: Hero of the Federation (2004) (which were both written by Neumeier) and the third installment of the Starship Troopers film series. The film was released directly to DVD in the U.S. on August 5, 2008. (wiki)

starship-troopers-3-marauder_075730Joe Leydon of Variety stated:

“Die-hard fans of Starship Troopers, Paul Verhoeven’s notorious 1997 cult-fave sci-fi spectacle, will be pleased to note that its second made-for-vid sequel gamely attempts to replicate the original pic’s over-the-top style and self-satirical tone. (…) the latest episode reprises Verhoeven’s love-it-or-hate-it mix of gruesome mayhem, overstated melodrama, peek-a-boo nudity and tongue-in-cheek fascist aesthetics.”

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Starship Troopers: Invasion (2012)

Starship Troopers: Invasion –imdb– (スターシップ・トゥルーパーズ インベイジョン) is a Japanese-American 2012 computer-animated military science fiction film directed by Shinji Aramaki. It is the fourth installment of the Starship Troopers film series.

The film was followed by


Starship Troopers: Traitor of Mars (2017) 

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Starship Troopers (video game) 

Starship Troopers: Terran Ascendancy 


remake

1146 – Baraka (1992)

Baraka is a 1992 non-narrative documentary film directed by Ron Fricke. The film is often compared to Koyaanisqatsi, the first of the Qatsi films by Godfrey Reggio for which Fricke served as the cinematographer. It is also the most recent film to be photographed in the 70mm Todd-AO format, and the first film ever to be restored and scanned at 8K resolution. (wiki)

Named after a Sufi word that translates roughly as “breath of life” or “blessing,” Baraka is Ron Fricke‘s impressive follow-up to Godfrey Reggio‘s non-verbal documentary film Koyaanisqatsi. Fricke was cinematographer and collaborator on Reggio’s film, and for Baraka he struck out on his own to polish and expand the photographic techniques used on Koyaanisqatsi. The result is a tour-de-force in 70mm: a cinematic “guided meditation” (Fricke’s own description) shot in 24 countries on six continents over a 14-month period that unites religious ritual, the phenomena of nature, and man’s own destructive powers into a web of moving images. Fricke’s camera ranges, in meditative slow motion or bewildering time-lapse, over the Church of the Holy Sepulcher in Jerusalem, the Ryoan-Ji temple in Kyoto, Lake Natron in Tanzania, burning oil fields in Kuwait, the smoldering precipice of an active volcano, a busy subway terminal, tribal celebrations of the Maasai in Kenya, chanting monks in the Dip Tse Chok Ling monastery…and on and on, through locales across the globe. To execute the film’s time-lapse sequences, Fricke had a special camera built that combined time-lapse photography with perfectly controlled movements of the camera. In one evening sequence a desert sky turns black, and the stars roll by, as the camera moves slowly forward under the trees. The feeling is like that of viewing the universe through a powerful telescope: that we are indeed on a tiny orb hurtling through a star-filled void. The film is complemented by the hybrid world-music of Michael Stearns. ~ Anthony Reed, Rovi (rottentomatoes)

imdb   /   on YouTube

923 – Home (2009)


Home is a 2009 French documentary film by Yann Arthus-Bertrand. The film is almost entirely composed of aerial shots of various places on Earth. It shows the diversity of life on Earth and how humanity is threatening the ecological balance of the planet. The English version was read by Glenn Close.000001151886The film was financed by Kering, a French multinational holding company specializing in retail shops and luxury brands, as part of their public relations strategy. (wiki)mv5bmtewnwe3mwetntmxms00ymmylwexzdqtzgfmnwzkodkwngzlxkeyxkfqcgdeqxvymtqxnzmzndi@._v1_Yann Arthus-Bertrand said in a TED talk that the movie has no copyright.

imdb

676 – Zama (2017)

timespace coordinates: 18th century in a remote South American colony

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Zama is a 2017 Argentine period drama film starring Daniel Giménez Cacho, Lola Dueñas, and Matheus Nachtergaele & directed by Lucrecia Martel. It is based on the 1956 novel of the same name by Antonio di Benedetto, on Don Diego de Zama, a Spanish officer of the 18th century settled in Asunción, Paraguay, who awaits his transfer to Buenos Aires.

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499 – Rirkrit Tiravanija

“THE DAYS OF THIS SOCIETY IS NUMBERED”

Rirkrit Tiravanija (Thai: ฤกษ์ฤทธิ์ ตีระวนิช, pronunciation: [rɯk-rit tira-wanit] or Tea-rah-vah-nit) is a contemporary artist residing in New York City, Berlin, and Chiang Mai. He was born in Buenos Aires, Argentina in 1961. His installations often take the form of stages or rooms for sharing meals, cooking, reading or playing music; architecture or structures for living and socializing are a core element in his work. (wiki)

Tiravanija’s second feature film, Lung Neaw Visits His Neighbours was released in 2011. The documentary features a retired farmer that lives in a tranquil village in Chiang Mai, far from the recent political turmoil in Bangkok. At a moment when many people are demanding equality, opportunity, and democracy, we see in Lung Neaw an existence marked by compassion for his environment and his fellow villagers. The film offers a contemplative look at one man’s humble dialogue with his surroundings.

poster-3a-FINAL

“It is not what you see that is important but what takes place between people.”

187 – La antena (2007)

spacetime coordinates: nameless city “in the year XX”

La Antena (English: The Aerial) is a 2007 Argentine dystopian drama/fantasy film, written and directed by acclaimed film director Esteban Sapir.

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This near-silent black and white film from Argentina tells the story of a city that has lost its voice, stolen by Mr. TV, and the attempts of a small family to win the voice back. Similar in design to early German expressionist films.

1+Tapala antena

TRAILER

IMDB, WIKI

126 – Jauja (2014)

spacetime coordinates: 1882, remote outpost in PatagoniaArgentina

jauja 1

Jauja is a 2014 historical drama film / art-house Western directed by Lisandro Alonso. The film stars Viggo Mortensen who also co-produced it and co-wrote the musical score. This is a period film that involves realistic costumes and the kind of beautifully crafted tools used by explorers and the military in the 1800s.

jauja 2

read about Jauja & the legend of the Land of Cockaigne.

http://www.imdb.com/title/tt2514338/