timespace coordinates: 2010’s U.S. / Colombia / Hungary
Gemini Man is a 2019 American action thriller film directed by Ang Lee. Starring Will Smith, Mary Elizabeth Winstead, Clive Owen, and Benedict Wong, the film follows a hitman who is targeted by a younger clone of himself while on the run from the government. (wiki)
Southland Tales is a 2006 science fiction comedy-drama thriller film and the second film written and directed by Richard Kelly. The title refers to the Southland, a name used by locals to refer to Southern California and Greater Los Angeles. Set in the then-near future of 2008, as part of an alternate history, the film is a portrait of Los Angeles, and a satiric commentary on the military–industrial complex and the infotainment industry. The film features an ensemble cast including Dwayne Johnson, Seann William Scott, Sarah Michelle Gellar, Mandy Moore, and Justin Timberlake. Original music was provided by Moby. The film is an international co-production of the United States, Germany and France.
timespace coordinates: On July 4th, 2005, in a fictionalized United States alternate history reality, two towns in Texas (El Paso and Abilene) were destroyed by twin nuclear attacks, killing thousands and triggering a catastrophe of unimaginable proportions, sending America into a state of anarchy and hysteria, as well as a Third World War (a fictionalized version of what the nation may have become under the War on Terror), with the US government re-introducing the draft. The PATRIOT Act has extended authority to a new agency known as US-IDent, which keeps constant surveillance on citizens—even to the extent of censoring the Internet and requiring fingerprints to access computers and bank accounts. In response to the recent fuel shortage in the wake of global warfare, the German company Treer designs a generator of inexhaustible energy, which is propelled by the perpetual motion of ocean currents, called “Fluid Karma”. However, its inventor Baron von Westphalen and his associates are hiding the fact that the generators alter the ocean’s currents and cause the Earth to slow its rotation, and that the transmission of Fluid Karma to portable receivers (via quantum entanglement) is ripping holes in the fabric of space and time.
In near-future 2008, Los Angeles (referred to as “The Southland” by locals) is a city on the brink of chaos overshadowed by the growth of an underground neo-Marxist organization. The film follows the criss-crossed destinies of Boxer Santaros, an action film actor stricken with amnesia; Krysta Now, a psychic ex-porn star in the midst of creating a reality TV show; and twin brothers Roland and Ronald Taverner, whose destinies become intertwined with that of all mankind.
Southland Tales was initially planned to be a nine-part “interactive experience”, with the first six parts published in six 100-page graphic novels that would be released in a six-month period up to the film’s release. The feature film comprises the final three parts of the experience. A website was also developed to intertwine with the graphic novels and the film itself. The idea of six graphic novels was later narrowed down to three. The novels were written by Kelly and illustrated by Brett Weldele. Kelly wrote them while making the film and found it very difficult as it pushed him “to the edge of my own sanity”, as he remarked in an interview.
- Part One: Two Roads Diverge (May 25, 2006)
- Part Two: Fingerprints (September 15, 2006)
- Part Three: The Mechanicals (January 31, 2007)
They have been collected together into one single volume:
- Southland Tales: The Prequel Saga (360 pages)
The titles of the parts in the film are:
- Part Four: Temptation Waits
- Part Five: Memory Gospel
- Part Six: Wave of Mutilation
The film remains enigmatic to many viewers and even some of its makers. In a 2011 interview, Justin Timberlake himself said, “To me, Southland Tales is performance art. I still don’t know what that movie is about [laughs].”
In a 2013 interview, Kelly said he considered this work as “the thing that I’m most proud of, and I feel like it’s sort of the misunderstood child or the banished child.” (wiki)
“Large temptations will emanate from these machine-animals, produced by people themselves, and it will be the task of a spiritual science that explores the cosmos to ensure all these temptations do not exert any damaging influence on human beings.” —Rudolf Steiner
In an increasingly digitized world, where both work and play are more and more taking place online and via screens, Rudolf Steiner’s dramatic statements from 1917 appear prophetic. Speaking of “intelligent machines” that would appear in the future, Steiner presents a broad context that illustrates the multitude of challenges human beings will face. If humanity and the Earth are to continue to evolve together with the cosmos, and not be cut off from it entirely, we will need to work consciously and spiritually to create a counterweight to such phenomena.
In the lectures gathered here, edited with commentary and notes by Andreas Neider, Rudolf Steiner addresses a topic that he was never to speak of again–the secret of the geographical, or ahrimanic, Doppelganger. The human nervous system houses an entity that does not belong to its constitution, he states. This is an ahrimanic being that enters the body shortly before birth and leaves at death, providing the basis for all electrical currents needed to process and coordinate sensory perceptions and react to them.
Based on his spiritual research, Steiner discusses this Doppelganger, or double, in the wider context of historic occult events relating to spirits of darkness. Specific brotherhoods seek to keep such knowledge to themselves to exert power and spread materialism. But this knowledge is critical, says Steiner, if the geographical Doppelganger and its challenges are to be understood.
timespace coordinates: 1986 – 2019 Santa Cruz, California
Us is a 2019 American psychological horror thriller film written and directed by Jordan Peele, starring Lupita Nyong’o, Winston Duke, Shahadi Wright Joseph, Evan Alex, Elisabeth Moss, and Tim Heidecker. The film follows a family who are confronted by murderous doppelgangers known as “the Tethered”.
Critic Jim Vejvoda related the Tethered to “urban legends” and “xenophobic paranoia about the Other”, (…) Journalist Noel Ransome viewed the film as being about “the effects of classism and marginalization”, writing “the Tethered are effigies of this same situational classism. They’re trapped—mentally and physically—and ignored”. Joel Meares of Rotten Tomatoes also noted that the Tethered, referencing the “we’re Americans” line, are representatives of the duality of American society, how some citizens can afford to live on top of the class system, while others are stuck in illiterate poverty. He also noted the title Us could mean “U.S.”, or United States.
The Tethered’s red jump suits and single glove were an allusion to Michael Jackson along with the “Thriller” shirt seen on young Adelaide, and Peele has stated that Jackson was “the patron saint of duality”. Peele referenced many other instances of 1980s culture, including allusions to The Lost Boys and Hands Across America, stating “Everything in this movie was deliberate, that is one thing I can guarantee you. Unless you didn’t like something and that was a complete accident”.
The film contains numerous references to Jeremiah 11:11, which reads: “Therefore this is what the Lord says: ‘I will bring on them a disaster they cannot escape. Although they cry out to me, I will not listen to them'” (NIV). Critic Rosie Fletcher commented on the context, with Jeremiah warning Jerusalem was facing destruction due to false idols, and expressed the opinion that the film’s characters also “worshiped the wrong things”… (wiki)
Yellow Submarine (also known as The Beatles: Yellow Submarine) is a 1968 British animated musical Fantasy film inspired by the music of the Beatles, directed by animation producer George Dunning, and produced by United Artists and King Features Syndicate.
The film received widespread acclaim from critics and audiences alike, in contrast to some of the Beatles’ previous film ventures. Pixar co-founder and former chief creative officer John Lasseter has credited the film with bringing more interest in animation as a serious art form. Time commented that it “turned into a smash hit, delighting adolescents and aesthetes alike”. Half a century after its release, it is still regarded as a landmark of animation. (wiki)