timespace coordinates: automated bunker designed to repopulate humanity 38 years after an extinction event
I Am Mother is a 2019 Australian science fiction thriller film directed by Grant Sputore, (feature film directorial debut) from a screenplay by Michael Lloyd Green. It stars Clara Rugaard, Rose Byrne, and Hilary Swank. It was released in several countries on June 7, 2019, by Netflix, (wiki)
timespace coordinates: June, 1944 Nazi occupied France
Overlord is a 2018 American war horror / period Nazi zombie shoot-’em-up film directed by Julius Avery and written by Billy Ray and Mark L. Smith. It stars Jovan Adepo, Wyatt Russell, Mathilde Ollivier, John Magaro, Gianny Taufer, Pilou Asbæk, and Bokeem Woodbine. The film was produced by J. J. Abrams, through his Bad Robot Productions banner, and Lindsey Weber. The plot follows several American soldiers who are dropped behind enemy lines the day before D-Day and discover secret Nazi experiments. (wiki)
The title of the film is, no doubt, in reference to Operation Overlord, the codename for the Allied operation for the Battle of Normandy, which launched the successful invasion of Nazi-occupied Europe. This, alongside Operation Neptune, would become known as D-Day.
spacetime coordinates: 1940s Sweden
During World War II, more than 70,000 Finnish children were evacuated to neutral Sweden to avoid the conflict. 
Mother of Mine (Finnish: Äideistä parhain, Swedish: Den bästa av mödrar) is a 2005 Finnish film directed by Klaus Härö. The film is based on a novel by Heikki Hietamies.
spacetime coordinates: 2000’s New York
Cloverfield is a 2008 American found footage science fiction monster horror film directed by Matt Reeves, produced by J. J. Abrams and Bryan Burk, and written by Drew Goddard. The film, which is presented as found footage shot with a home camcorder, follows six young New York City residents fleeing from a gigantic monster and various other smaller creatures that attack the city while they are having a farewell party.
http://www.imdb.com/title/tt1060277/
spacetime coordinates: 2010’s Louisiana
10 Cloverfield Lane is a 2016 American science fiction horror film directed by Dan Trachtenberg, produced by J. J. Abrams and Lindsey Weber and written by Josh Campbell, Matthew Stuecken and Damien Chazelle. The film stars John Goodman, Mary Elizabeth Winstead, and John Gallagher Jr. It is the second installment in the Cloverfield franchise. The film was developed from a script titled The Cellar, but under production by Bad Robot, it was turned into a spiritual successor of the 2008 film Cloverfield. The film follows a young woman who, after a car crash, wakes up in an underground bunker with two men who insist that an event has left the surface of Earth uninhabitable. The film is presented in a third-person narrative, in contrast to its predecessor’s found-footage style.
http://www.imdb.com/title/tt1179933/
spacetime coordinates: 2028 Cloverfield Station
The Cloverfield Paradox is a 2018 American science fiction horror film directed by Julius Onah, written by Oren Uziel and Doug Jung, and produced by J. J. Abrams‘s Bad Robot Productions. It is the third installment in the Cloverfield franchise. The film stars Daniel Brühl, Elizabeth Debicki, Aksel Hennie, Gugu Mbatha-Raw, Chris O’Dowd, John Ortiz, David Oyelowo, and Zhang Ziyi, and follows an international group of astronauts aboard a space station who, after using a particle accelerator to try to solve Earth’s energy crisis, must find a way home after accidentally traveling to an alternate dimension.
The film was based on God Particle, a spec script from Oren Uziel which had the main plot of the space station crew but unconnected to Cloverfield. The script was acquired by Paramount Pictures and Bad Robot in 2012. It had been initially planned as part of Paramount’s low-budget InSurge distribution label, but following the folding of that label, its production was expanded as a Paramount-distributed film. Only during production did Abrams decide to link the film to Cloverfield, adapting Uziel’s screenplay and adding scenes to establish this connection, following the same approach used by 10 Cloverfield Lane from its original script, The Cellar. Abrams saw the ability to use the particle accelerator accident as a means for future events to cause changes in the past, establishing a way to narratively link the Cloverfield franchise together.
spacetime coordinate: 40’s > 90’s, Saint Petersburg > New York
When asked in an interview whether he ever intended to return to his Motherland, Joseph Brodsky replied: “Such a journey could only take place anonymously…”
The creators of this film imagined that the journey in question was undertaken after all, selecting the genre of an ironic fairytale. The poet sails to the country of his childhood, and with him we traverse not only geographical expanses, but travel through time as well; stringing together a number of facts from the Nobel Prize Laureate’s biography, we return to the USSR of the 50s and early 60s, soaking up the atmosphere of the “European” city of Petersburg, to this day Russia’s cultural center. Along with live-action sequences, the film features animation, as well as documentary footage concerning Brodsky and his milieu.
Some of the animated sequences — of winged horses and flying sleds, of Brodsky as a farm animal on all fours drawing a cart — suggest Chagall. Other, more elegant pictures — of pianos and other musical instruments flying in formation while framed against the heroic architecture of St. Petersburg — are closer to Magritte’s surrealism. Visually, it is an ode to St. Petersburg (its museums, architecture and statuary are lovingly photographed), and to the Neva River, which runs by the city.
With its unabashedly nostalgic glow, the film belongs to what might be called the “rosebud” school (after “Citizen Kane”) of film biographies that locate the essence of a life in childhood memories. Recurrent images in the film are visual representations of the family’s house cat. The youthful Brodsky (Evgeniy Ogandzhanyan) is shown conversing with his father in meows and later subverting the solemnity of a school anthem sung by a chorus by substituting cat cries for words. He later confides to a friend that he wants to be reincarnated as a cat in Venice.
