Seven Worlds, One Planet is a documentary series from the BBC Natural History Unit. The seven-part series, in which each episode focuses on one continent, debuted on 27 October 2019 and is narrated and presented by naturalist Sir David Attenborough. Over 1,500 people worked on the series, which was filmed over 1,794 days, with 92 shoots across 41 different countries. (wiki)
One Strange Rock is an American television documentary series, produced by Nutopia in conjunction with Darren Aronofsky, which premiered on National Geographic on March 26, 2018. On July 25, 2018, National Geographic renewed the series for a second season, which is set to premiere sometime in 2019.
One Strange Rock tells the story of how life survives and thrives on planet Earth, as told by eight astronauts from their unique perspective of being away from Earth (for about 1000 days). Hosted by actor Will Smith, One Strange Rock features contributions from astronauts Chris Hadfield, Nicole Stott, Jeffrey A. Hoffman, Mae Jemison, Leland Melvin, Mike Massimino, Jerry Linenger, and Peggy Whitson. (wiki)
Our Planet is a British nature documentary series made for Netflix. The series is narrated by David Attenborough and produced by Silverback Films, led by Alastair Fothergill and Keith Scholey, who also created BBC documentary series Planet Earth, Frozen Planet and The Blue Planet, in collaboration with the conservation charity World Wildlife Fund (WWF).
The series addresses issues of conservation while featuring these disparate animals in their respective home regions, and has been noted for its greater focus on humans’ impact on the environment than traditional nature documentaries; centering around how climate change impacts all living creatures. It marked the first nature documentary Netflix has ever made. All episodes were released on 5 April 2019. A behind the scenes documentary was released onto Netflix on 2 August 2019.
timespace coordinates: 2018 – 2038 New York City, Washington, D.C., the far side of the Moon, AntarcticaIron Sky (imdb) is a 2012 Finnish-German-Australian comic-science-fiction action film directed by Timo Vuorensola and written by Johanna Sinisalo and Michael Kalesniko. It tells the story of a group of Nazi Germans who, having been defeated in 1945, fled to the Moon, where they built a space fleet to return in 2018 and conquer Earth. (wiki)
Iron Sky: The Coming Race (imdb) is a Finnish-German comic science fiction action film directed by Timo Vuorensola, released on 16 January 2019 in Finland. It is the sequel to Vuorensola’s 2012 film Iron Sky. The film was crowdfunded through Indiegogo.
Like its predecessor, the movie refers to several motifs of post-war Esoteric Nazism, such as the Hollow Earth theory. The movie’s title is most likely a reference to Edward Bulwer-Lytton‘s novel The Coming Race (1871) that is commonly regarded as the origin of the so-called Vril myth. The film teaser features the Vril symbol that was designed by the Tempelhofgesellschaft in the 1990s. (wiki)
Home is a 2009 French documentary film by Yann Arthus-Bertrand. The film is almost entirely composed of aerial shots of various places on Earth. It shows the diversity of life on Earth and how humanity is threatening the ecological balance of the planet. The English version was read by Glenn Close.The film was financed by Kering, a French multinational holding company specializing in retail shops and luxury brands, as part of their public relations strategy. (wiki)Yann Arthus-Bertrand said in a TED talk that the movie has no copyright.
As the world around us increases in technological complexity, our understanding of it diminishes. Underlying this trend is a single idea: the belief that our existence is understandable through computation, and more data is enough to help us build a better world.
In reality, we are lost in a sea of information, increasingly divided by fundamentalism, simplistic narratives, conspiracy theories, and post-factual politics. Meanwhile, those in power use our lack of understanding to further their own interests. Despite the apparent accessibility of information, we’re living in a new Dark Age.
From rogue financial systems to shopping algorithms, from artificial intelligence to state secrecy, we no longer understand how our world is governed or presented to us. The media is filled with unverifiable speculation, much of it generated by anonymous software, while companies dominate their employees through surveillance and the threat of automation.
In his brilliant new work, leading artist and writer James Bridle surveys the history of art, technology, and information systems, and reveals the dark clouds that gather over our dreams of the digital sublime. (VERSO)
man always makes it clear to himself: “You are using things which have the intention of not being penetrable.” 1180