1247 – An Entertainment for Angels: Electricity in the Enlightenment – book by Patricia Fara (2002)

timespace coordinates: 18th century Europe / America

An Entertainment for Angels, rather than for Men, one observer called electricity, and it proved to be the most significant scientific discovery of the Enlightenment. Lecturers attracted huge audiences who marveled at sparkling fountains, flaming drinks, pirouetting dancers, and electrified boys. Flamboyant experimenters made chains of soldiers leap into the air, while wealthy women titillated their admirers with a sensational electric kiss. Optimists predicted that this strange power of nature would cure illnesses, improve crop production, even bring the dead back to life. An Entertainment for Angels tells the story of how electricity charged the eighteenth-century imagination. With contemporary illustrations and engaging prose, Patricia Fara vividly portrays the struggles to understand the unusual and exciting effects that electrical experiments were producing.  (goodreads)

1245 – Reign of Fire (2002)

timespace coordinates: London / Bamburgh Castle, Northumberland, England 2020 ADMV5BZTU1ZGE0NmUtZWZjYS00YTI2LTkyMDItNGJlNDM3NjhkMDEwXkEyXkFqcGdeQXVyNTAyODkwOQ@@._V1_SY1000_CR0,0,670,1000_AL_Reign of Fire is a 2002 post-apocalyptic science fantasy film directed by Rob Bowman and starring Matthew McConaugheyChristian Bale, Izabella Scorupco and Gerard Butler.

The film is set in England twenty years after London tunneling project workers inadvertently awakened dragons from centuries of slumber and the creatures have subsequently replaced humans as the dominant species on Earth. With the fate of mankind at stake, two surviving parties, led by Quinn Abercromby (Bale) and Denton Van Zan (McConaughey), find that they must work together to hunt down and destroy the beasts in a desperate attempt to take back the world. (wiki)

imdb   /   cancelled sequel

1242 -Les glaneurs et la glaneuse (2000 documentary)

The Gleaners and I (French: Les glaneurs et la glaneuse; “The gleaners and the female gleaner”, a reference to the director herself) is a 2000 French documentary film by Agnès Varda that features various kinds of gleaning. It was entered into competition at the 2000 Cannes Film Festival (“Official Selection 2000”), and later went on to win awards around the world. In a 2014 Sight and Sound poll, film critics voted The Gleaners and I the eighth best documentary film of all time. In 2016, the film appeared at No. 99 on BBC’s list of the 100 greatest films of the 21st century.   /   Cinematic significance   (wiki)

imdb: Les glaneurs et la glaneuse (2000)   /   Les glaneurs et la glaneuse… deux ans après (2002)

1237 – Goodbye Christopher Robin (2017)

timespace coordinates: 1916  – 1941 London / Cotchford Farm, the northern edge of Ashdown Forest in East Sussex, South East England.

Goodbye Christopher Robin is a 2017 British biographical drama film about the lives of Winnie-the-Pooh creator A. A. Milne and his family, especially his son Christopher Robin. It was directed by Simon Curtis and written by Frank Cottrell-Boyce and Simon Vaughan, and stars Domhnall GleesonMargot Robbie, and Kelly Macdonald. (wiki)

imdb

1216 – Sanatorium pod Klepsydra / The Hourglass Sanatorium (1973)

Among all the tales there is one, / which you haven’t heard / and which the night reclaimed long ago. / Have you enough patience to listen to it?

The Hourglass Sanatorium (Polish: Sanatorium pod klepsydrą) is a 1973 Polish film directed by Wojciech Jerzy Has, starring Jan Nowicki, Tadeusz Kondrat, Mieczysław Voit, Halina Kowalska and Gustaw Holoubek. The story follows a young Jewish man who visits his father in a mystical sanatorium where time does not behave normally. The film is an adaptation of Bruno Schulz‘s story collection Sanatorium Under the Sign of the Hourglass. It won the Jury Prize at the 1973 Cannes Film Festival. (Release)

MV5BMjIxMzBlNDgtMTM0Zi00MmEyLWIxMTAtYTFlNGE4OTMyZWVjL2ltYWdlXkEyXkFqcGdeQXVyNTAyODkwOQ@@._V1_timespace coordinates: The time period of the film is a mixture of elements from the turn-of-the-century Galicia where Schulz grew up, and Has‘ own pre-World War II memories of the same region

Joseph (Jan Nowicki) travels through a dream-like world, taking a dilapidated train to visit his dying father, Jacob, in a sanatorium. When he arrives at the hospital, he finds the entire facility is going to ruin and no one seems to be in charge or even caring for the patients. Time appears to behave in unpredictable ways, reanimating the past in an elaborate artificial caprice.

Though Joseph is always shown as an adult, his behavior and the people around often depict him as a child. He befriends Rudolf, a young boy who owns a postage stamp album. The names of the stamps trigger a wealth of association and adventure in Joseph. Among the many occurrences in this visually potent phantasmagoria include Joseph re-entering childhood episodes with his wildly eccentric father (who lives with birds in an attic), being arrested by a mysterious unit of soldiers for having a dream that was severely criticized in high places, reflecting on a girl he fantasized about in his boyhood and commandeering a group of historic wax mannequins. Throughout his strange journey, an ominous blind train conductor reappears like a death figure.

Has also adds a series of reflections on the Holocaust that were not present in the original texts, reading Schulz’s prose through the prism of the author’s death during World War II and the demise of the world he described. (wiki)

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“There are things than cannot ever occur with any precision. They are too big and too magnificent to be contained in mere facts. They are merely trying to occur, they are checking whether the ground of reality can carry them. And they quickly withdraw, fearing to loose their integrity in the frailty of realization. ”  (Bruno Schulz)