timespace coordinates: late Victorian London 1891 / 1916
Dorian Gray is a 2009 British fantasy-horror drama film based on Oscar Wilde‘s 1890 novel The Picture of Dorian Gray. The adaptation is directed by Oliver Parker, and stars Ben Barnes as Dorian Gray and Colin Firth as Lord Henry Wotton. It tells the story of the title character, an attractive Englishman whose image is captured in an enchanted painting that keeps him from aging. (wiki)
timespace coordinates: 1919 Joplin, Missouri / Dreamland in New York City
the first of five live-action or photo-realistically computer-generated remakes of prior traditionally-animated films that Disney has slated for release in 2019, along with Aladdin, The Lion King, Maleficent: Mistress of Evil, and Lady and the Tramp. (wiki)
imdb / rt
timespace coordinates: 1916 – 1941 London / Cotchford Farm, the northern edge of Ashdown Forest in East Sussex, South East England.
Goodbye Christopher Robin is a 2017 British biographical drama film about the lives of Winnie-the-Pooh creator A. A. Milne and his family, especially his son Christopher Robin. It was directed by Simon Curtis and written by Frank Cottrell-Boyce and Simon Vaughan, and stars Domhnall Gleeson, Margot Robbie, and Kelly Macdonald. (wiki)
timespace coordinates: 1918 – 1933 – 1947 Tumbbad village, western India (British Raj) / Pune
“The world has enough for everyone’s needs, but not everyone’s greed,” Mahatma Gandhi (!)
Tumbbad is a 2018 Indian Hindi-language period horror film directed by debutant Rahi Anil Barve and co-directed by Adesh Prasad. Written by Barve, Prasad, Mitesh Shah and Anand Gandhi, who also served as the creative director, the film was produced by Sohum Shah, Aanand L. Rai, Mukesh Shah and Amita Shah. Starring Shah in the lead role as Vinayak Rao, it follows the story of his search for a hidden treasure in 20th century Maharashtra. Pankaj Kumar served as the director of photography while Sanyukta Kaza was its editor. Music. (wiki)
The movie was shot for 6 years. The scenes shown in the city of Tumbbad which gets rain throughout the year was shot over 4 monsoons.
imdb / trailer / ost
(…) What do we think of when we hear the word “meaning ether?” Probably not nearly enough — myself included! — for it is difficult to grasp what the term “meaning” signifies here. With respect to the chemical ether we had to refer to the numerical laws and to the Harmony of the Spheres. To the meaning ether, however, belongs the general and great harmony of the universe (as Kepler has expressed it). It can help us yet further if we consider a word which was used by the profound translator of many works of Chinese literature, Richard Wilhelm. He has chosen to translate the word “tao,” as used in the “Tao te Ching,” (“Tao” is translated into English as “way.”) with the German word “Sinn” (sense, or meaning). He points out that it had something of the same meaning as did the Greek word “logos” at the turning point of time, the beginning of the Christian era. If you consult a Greek dictionary, you will find a long list of meanings for the term “logos” — word, speech, computation, relationship, reason, etc. The mathematicians of 400 B.C. used the word “logos” when they stated a ratio, as 3:4. And when in the time of Plato it was established that there was no “logos,” or integral proportionality, between the diagonal and the side of a square, that was called an “a-logon,” or something without logos. Translated into Latin, logos became “ratio,” and something without “ratio” (or proportion) was something “irrational.” The discovery of the irrational in the time of Plato consisted in the proof that “irrationality” exists in the world of measure. That gives a faint indication of the paradox inherent in the deepest “sense of the word ‘sense’.”
But now you must understand that the negative mirror image of a mastery of the world of meaning, of the logos, must appear in our time, and where this negative image appears it is today called “information.” The “Science of Information” can only measure the quantitative aspect of information, and not that which is its true meaning.
by Georg Unger, 1978 (online)
“Large temptations will emanate from these machine-animals, produced by people themselves, and it will be the task of a spiritual science that explores the cosmos to ensure all these temptations do not exert any damaging influence on human beings.” —Rudolf Steiner
In an increasingly digitized world, where both work and play are more and more taking place online and via screens, Rudolf Steiner’s dramatic statements from 1917 appear prophetic. Speaking of “intelligent machines” that would appear in the future, Steiner presents a broad context that illustrates the multitude of challenges human beings will face. If humanity and the Earth are to continue to evolve together with the cosmos, and not be cut off from it entirely, we will need to work consciously and spiritually to create a counterweight to such phenomena.
In the lectures gathered here, edited with commentary and notes by Andreas Neider, Rudolf Steiner addresses a topic that he was never to speak of again–the secret of the geographical, or ahrimanic, Doppelganger. The human nervous system houses an entity that does not belong to its constitution, he states. This is an ahrimanic being that enters the body shortly before birth and leaves at death, providing the basis for all electrical currents needed to process and coordinate sensory perceptions and react to them.
Based on his spiritual research, Steiner discusses this Doppelganger, or double, in the wider context of historic occult events relating to spirits of darkness. Specific brotherhoods seek to keep such knowledge to themselves to exert power and spread materialism. But this knowledge is critical, says Steiner, if the geographical Doppelganger and its challenges are to be understood.
goodreads / amazon