documentary

1852 – Coded Bias (documentary by Shalini Kantayya 2020)

official

When MIT Media Lab researcher Joy Buolamwini discovers that facial recognition does not see dark-skinned faces accurately, she embarks on a journey to push for the first-ever U.S. legislation against bias in algorithms that impact us all.

This is probably one of the most important documentaries to address many issues that are not any longer strictly the domain of SF. Cod Bias is definitely within the bounds of any socially inflected SF worlds u can think of. Maybe it used to be just the figment of dystopian – Cold War tinged imagination, but now it is very much part of ours. Made me actually mentally revisit theat primordial Silicon Valley 1984 promo – the ad for Apple Macintosh PC released in December 1983. Feels puzzling how this new televised technological muscle was part of a much wider and concerted Reaganite response to the -(still) Socialist East. ‘Free World’ computing as easily turned and facing off the eponymous Orwellian 1984 villain, a drab, grey, docile citizenry of the standardized monolithic solid-state, the ideological ‘other’ where a repressive & monstrous surveillance apparatus – (be it Securitate/Stasi) enforced obedience & ‘rightminding’. Only that, in retrospect, the newly competitive Silicon Valley product was a launch-pad for a much wider privacy Dragnet and much more insidious scope and certainly fancier in looks & design. Buying into a system of personal, automated & generalized consumer surveillance that also brought the pretense of neutral, un-biased coding.

Coded Bias documentary is the strongest advocacy of algorithmic justice i have seen, watched or heard of. A critical introduction to the current algo-capitalistic trends & as well as some of the ways needed to counter act AI-supported disparities & disenfranchisement. It is no mystery that you actually need people from across the board, including industry ppl (call them what u want, ex- Quants/former flash trading brokers, tech renegades, whistle-blowers, technological deserters, industry watchdogs, etc). Yes, not only EFF members, STEMs, geeks and blerds, but also people from the social housing blocks, the hood, the street corner youngsters and those with migrant-background – those that are primary targets and have been already mis-measured, data stripped and data mined and whose bodies and faces are literally the training grounds of computational modernity. Most of them, are the unwilling informants and unpaid trainers of emerging tech deployments that under-girds surveillance capitalism.

One of the most important takes from this documentary – was for me the counter-intuitive demonstration that goes against old cyberpunk sayings (paraphrasing: ‘the future is already here but it is just unequally distributed’). In the 21st c we learn time and time again, that the 1%, or 10% or the rich, powerful and wealthy are not the future’s bleeding knife- since they have mostly lived live of unfettered privacy and non data retention. They are not a tested minority, and clearly not the ones who get first unwanted access beforehand and do not suffer the effects of those things that will get distributed later one a vast scale. In fact (as one of the participants of Coded Bias points out) – the post-apocalyptic poor, the unprotected, those with previous histories of discrimination, enslavement, incarceration, abusive family background, profiling etc those already under some state of surveillance, registration and control (ID checked mostly in terms of constituting some form of risk), are the ones who suffer the blunt of these new technologies.

They are the un-glamorized testers of unequal futures, and not the privileged rich beta testers that mostly seem to opt-out of their own companies technological wonders. Accordingly, technological transformation is so important that it should not be defined just in terms of access – or left at the whim of company board members, Big Tech, Innovation hubs or ‘smart’ city planners & cheerleaders. It is not just a question of ‘users’ – since it is about the ‘used’ more than the users nowadays. It is – without nostalgia or pre-technological naivity in tow, that in spite – of these tremendous and complex planetary changes, legislation and lobbying for digital rights & accountability seems to lag behind, since both public attention and consciousnesses gets bypassed. Direct oversight and regulation or consciousness itself seems so trivial, and yet it is constantly remade into a threshold to be bypassed by the free markets & mantras hailing for ‘disruptive’ transgressions. Nonetheless, there is this incredible alliance and (as seen below) a lot of initiatives have sprung up, that espouse not just a neo-Luddite conviction, but one of tekk-savvyness, informed by the above ‘renegades’and industry insiders and/or burnouts as well, by previous historical black liberation examples as by the new empowering SF alternate histories (i see some clear signs of Wakanda there) having been written (thinking about Solomon Rivers,Nalo Hopkins and Nisi Shawl & others here) or waiting to be written in collaboration with automated text generators or not.

There is emerging calls from both government and by popular demand to at least be able to opt-out of these technologies in the US and EU (face recognition being just the most obvious case), altough I’m not sure about the vast majority of the world (which is clearly not from the Global North) or even the accelerating use & deployment of drone wars & DARPA abroad in the wake of protracted but inevitable US retreat from Afghanistan. There of course the possibility to learn how optical governance works or is put to use/abused in other parts of the world, since the West does not hold the monopoly over AI. China, in particular is an interesting divergence, since machine vision has been widely rolled out by the CCP via its social credit score, as well as being repurposed from below during the Pandemic response. SF has been historically very wary with attempts to modulate or influence behaviors such as behaviourism, to tuning or pegging controls or strong emotional responses towards a common good (Just think of swath of movies from Equilibrium 2002 to Brave New World 2020 or the new Voyagers 2021). ‘Brainwashed’, ‘the Manchurian Candidate’ etc are just a few of the inherited standard fear responses churned by both Cold War warriors, strategists, Pentagon brass and the run of the mill Hollywood movie output whenever they tried to depict or describe actual, imagined or suspected ideological traitors and US army deserters. ‘Brainwashing’ especially was made up into a sort of explain-all – to cover a whole range of ‘enemy'(past & present) responses, as the only possible logical explanation for the divergent behavior of former US troops (many of them black) who decided to opt-out of the racist US capitalist system after living as POW (during Korean War). When former army personnel decided to question, defect & live outside their bounds they must have been ‘brainwashed’, especially if they happened to be choosing Mao’s China for a while (a forgotten history detailed with tremendous wit in Julia Lowell’s fascinating book: Maoism: A Global History 2020) instead of racism back home or in the army. Change of mind and qualms about incoming orders also equals treason as we know from the case of Chelsea Elizabeth Manning or Edward Snowden.

In a rare and courageous move – The White Space (Machine/Ancestral Night duology) space opera universe of Elizabeth Bear avoids the usual ‘brainwashing’ suspicion of previous SF dystopian conventions by offering exactly what so much canonic SF eschews. It opens the possibility of a wide, non-coercive future galactic union where every human (altough the union is made by many non-sapient but sentient syster species) has the option to decide how much it alters, allows or wants to dial-down or fine-tune (what amounts to certain AI assisted ‘mindfulness’) a central nervous system evolved to automatize responses to emotional distress. Changing developmental patterns etc including universal non-coercive(!) access (called “bumping” in the novel) to what amounts to puberty blockers is not automatically a bad thing or a monstrous unnatural hybristic act(altough there’s libertarian privateers who think so in that universe like in ours)!

White Space opens up a way to modulate, discuss and deal in other ways with trauma, isolation, addiction, puberty, dysphoria, sex or gender assignment by birth etc bypassing automatic, hormonal or non-cognitive ‘habitual’ responses, being able to imaginatively limit violent behaviors at a minimum. Curbing willingly so much of what is anti-social behavior was apparently frowned upon even in that far future, but there’s room for so much more. It’s of course always important to pay attention to who decides what and when one misbehaves or when disobedience becomes accepted & when not. Of course there is a thin line, and there are those who want to skip and actively propagate opting out of the opting out. Body (non modification) extremists surely exist in that future that deem it sacrilegious to intervene or to dabble with ‘natural’ responses, while acting (on whole) quite egoistically and self-centered. In this galactic union – new forms of piratical freeports keep offshoring resources and escaping the central taxing authority, thus harboring non-mindfulness terrorism arising in response to a largely benefic mental & emotional tuning widely available. Even if coding bias into hardware based on white wetware bias is the main focus of Coded Bias, it ultimately supports a malleable wetware-hardware continuum that allows for modulation and even requires it.

Black-boxing of the operative logics of machine vision or acknowledging that machinic cognition or decisionality is essentially collaborative, not isolated, nor impervious to questioning, thus, cannot just settle for the human/nonhuman or creator/created, nonhuman/posthuman binaries. It feels very wrong, since it closes down our own sensitivity either to the same old repackaged as new, or to a newer wider & largely collaborative nonhuman ‘worldy sensiblity’ that is always risks being tipped towards whiteness and reactive toxicity if left unattended. Microsoft’s Tay 2016 chatbot that developed 24h a proclivity for hate speech is a test in case. It’s not just the simple powerful logic of trash in trash out, but of how easily this tipping point might be achieved today under trolling & targeted attacks. At the same time, one should never loose sight of other machinic bridges &conceptually as well as emotionally more progressive examples that developed as part of writing practices & modernist techniques such as automatic writing or Alan Turing’s automated Loveletter generator.

One cannot unbox anything in a straightforward way, since Shalini Kantayya’s diverse cast of protagonists and invited guests make clear that not even programmers or makers do not understand how the AI does what it does. One more thing cannot be remedied with just more data, simply more information. Even acknowledging that we can fully understand those internal processes, we can still feel trh results, see the hard facts and harsh reality whenever these AIs tend to ignore black and brown or female faces. AIs do need some deep unlearning in order to ‘re-educate'(not such a bad word) themselves and make sure they will not act out just the mathematical sums of the worst of the worst and select by default for the chosen few while deselecting everybody else.

Pushing the logic of this documentary, it is time to find out more about how decisions, ‘chance’, contingency may still be directed so as to redistribute luck on a more equal way in an increasingly unequal world economy. Economy is itself futurism served frozen & pre-cooked, and different debt ridden lives and widely different futures are being handed down, bent along pre-selected trajectories, trajectories that are being doctored (who cares if knowingly or unknowingly, intentionality is always ulterior anyway) actively make impossible the lives of a majority. A ‘pan-selectivity’ needs yo be developed that refuses yo be ‘gamed’ easily and influenced only by the influent few armed with predictive algorithms – at the tip of a capitalistic drive that actualizes every potential out there, no matter how horrific and brutal as long as it pays dividends.

Like probably any ideological formation – bias is not just invisible, it probably maybe impossible to completely eliminate, but this should not stop us trying to change it and actively imagine what’s to be done. Bias seems to work and act by being unspecified, invisibilized, left out of the loop. Again, like ideology, it is the missing mass that bends everything according to its set of preemptive expectations, almost like a constant enactment of a single, unilateral inner experience, making itself ubiquitous. Bias is not simply an apparently whimsical conceit, it is not just a pre-programmed part of the system, but something that needs to be enforced, hard-coded and programmed at every level of future decision making, at ever threshold of resistance.

Bias is made seemingly non-existent each time output and prediction is put at a premium. If if blaring, it feels like an itch you cannot scratch, because it starts to seem so intrinsic & para-systemic. Technology or AI is not neutral nor is inherently bad it gas been often said, and it is getting as bad or worse or as good as the whole context/environment allows it, or the drift promoting it keeps on pushing it, or as long as the coded ideals and values are what they are. Remember even if everything is being turned into ‘driver-less’-everything, it’s not less of driven- market economy.

We can not see it and measure it because its effects are measured on those who are made to matter less and less, on those ‘others’ that even the states, law or constitution does not seem to ‘notice’ or care for any longer. It is easier to wave bias aside, to bring undigested misconstructions on board and heap them on top of those being distributed the loosing lots, the bad seats(if any), and even if those stories just give you bad dreams, goosebumps, depression or severe need to disconnect from another’s catastrophic or already dystopian reality. So this necessitates different, collective and directed research approaches & coordinated effort to ‘black boxing’ so many current decisional processes. There’s also a different venue (not tackled in Coded Bias) – a sort of related QWERTY bias, of path dependencies whenever we have historically & incrementally built conventional (man-made) computational infrastructures. This ‘convention’ not only only stands in the way of more evolutionary – developmentally inclusive, unconventional approaches to computation & computing, but might leave out or blind us to other venues or other modes of problem solving existing or evolved (as those investigated by Andrew Adamatsky studying maze-solving slime molds). While most computation & research nowadays follows old & certainly well-tested arhitectures, it only builds upon existing & specific constraints – all too human ones we might add, moreover a very restrictive & biased account of what counts as ‘human’ (amply documented throughout Coded Bias), one that both engineering and coding seems to take as granted. ‘Worth’ – in a constantly devalorizing environment becomes constantly threatened, at the same time we should welcome the erosion of old, gendered biased and individualistic notions of singular genius(unmoved mover?) and farcical ‘great men’ through our plural AI – human interactions.

Coded Bias gets the highest marks in advocating for an A.I.X -research, attempting to build an explainable artificial intelligence, a research that should be aware of ‘artificial unintelligence'(Meredith Broussard), as well as to demands that humans hone their response-ability (Haraway), both allowing for aesthetic, epistemologic and ethical responsiveness whenever technological 21st upgrades and optimizations start pouring in.

Algorithmic Justice League (AJL)

AJL TW

AI fairness 360

Big Brother Watch UK

Algorithmic Equity Toolkit

Recidivism Risk Assessment

Association for Computing Machinery code of ethics

Silicon Valley Rising

Critical Race and Digital Studies Syllabus

No Biometric Barriers Housing Act of 2019

A Toolkit on Organizing Your Campus against ICE

stopping big data plan to flag at risk students

Responsible Computing Science Challenge

Hacking Discrimination hackaton

Protest Surveillance: Protect Yourself toolkit from Surveillance Technology Oversight Project (S.T.O.P.) for safety recommendations

AI Now Institute at New York University is a research center dedicated
to understanding the social implications of AI.

Fight for the Future is a group of artists, activists, engineers, and technologists
advocating for the use of technology as a liberating force.

Our Data Bodies is a human rights and data justice organization.

Data & Society studies the social implications of data-centric technologies & automation.

AJL logo

You do not need to be a tech expert to advocate for algorithmic justice. These basic terms are a good foundation to inform your advocacy. For a more detailed breakdown of how facial recognition works, see the guide titled Facial Recognition Technologies: A Primer from the AJL. For more on surveillance, see the Community Control Over Police Surveillance: Technology 101 guide from the ACLU.

GLOSSARY OF TERMS (extracted from Coded Bias Activist Toolkit)

Algorithm. A set of rules used to perform a task.

Algorithmic justice. Exposing the bias and harms from technical systems in order to safeguard the most marginalized and develop equitable, accountable, and just artificial intelligence.

Benchmark. Data set used to measure accuracy of an algorithm before it is released.

Bias. Implicit or explicit prejudices in favor of or against a person or groups of
people.

Artificial intelligence (AI). The quest to give computers the ability to perform
tasks that have, in the past, required human intelligence like decision making,
visual perception, speech recognition, language translation, and more.

Big data. The mass collection of information about individuals who
use personal technology, such as smartphones.

Biometric technology. Uses automated processes to recognize an individual through unique physical characteristics or behaviors

Black box. A system that can be viewed only through its inputs and outputs, not its internal process.

CCTV. Closed-circuit television cameras are used by institutions to record activity on and around their premises for security purposes.

Civil rights. A broad set of protections designed to prevent unfair treatment or
discrimination in areas such as education, employment, housing, and more.

Code. The technical language used to write algorithms and other computer programs.

Data rights. Referring to the human right to privacy, confidentiality, and
ethical use of personal information collected by governments or corporations through technology

Data set. The collection of data used to train an algorithm to make predictions.

Due process. The right not to be deprived of life, liberty, or property without
proper legal proceedings, protected by the Fifth and Fourteenth Amendments to the US Constitution.

General Data Protection Regulation
(GDPR).
A data rights law in the European Union that requires technology users consent to how their data is collected and prohibits the sale of personal data.

Facial recognition. Technologies – a catchall phrase to describe a set of technologies that process imaging data to perform a range of tasks on human
faces, including detecting a face, identifying a unique individual, and assessing demographic attributes like age and gender.

Machine learning. An approach to AI that provides systems the ability to learn
patterns from data without being explicitly programmed.

Racism. The systematic discrimination of people of color based on their social
classification of race, which disproportionately disadvantages Black and
Indigenous people of color.

Recidivism risk assessment – Automated decision making system used in
sentencing and probation to predict an individual’s risk of future criminal behavior based on a series of data inputs, such as zip code and past offenses.

Sexism. The systematic discrimination of women and girls based on their social
categorization of sex, which intersects with racism for women and girls of color.

Social credit score. An AI system designed by the Communist Party of China
that tracks and analyzes an individual’s data to assess their trustworthiness.

Surveillance. The invasive act of monitoring a population to influence its
behavior, done by a government for law and order purposes or by corporations for commercial interests.

Value-added assessments. Algorithms used most commonly to evaluate teachers by measuring student performance data.

Voice recognition. An application of AI technology that interprets and carries out spoken commands and/or aims to identify an individual based on their speech patterns.

imdb

movies

1650 – Possessor (2020)

timespace coordinates: alternate 2008 London

MV5BMjBlYTlhMDctNTQ3ZC00MjM4LWIxNjctNDI4NjA3NDc3Yzc5XkEyXkFqcGdeQXVyMTEyMjM2NDc2._V1_

Possessor, known in the United States as Possessor: Uncut, is a 2020 science fiction horror film written and directed by Brandon Cronenberg. An international co-production of the United Kingdom, the United States, and Canada, the film stars Andrea RiseboroughChristopher AbbottRossif SutherlandTuppence MiddletonSean Bean, and Jennifer Jason Leigh. (wiki)

<< 882 – The Minds of Men (2018 Documentary)

ORTIZ_Possessor_Lg

imdb   /   rottentomatoes

books, theory, Uncategorized

1588 – books by Tatiana Bazzichelli

1586005862

Title: Networking. The Net as Artwork

Year of publication: 2008

https://networkingart.eu/2009/09/networking-the-net-as-artwork/

Language: English | Pages: 336. Download (PDF, 3.10 MB).
Language: Italian | Pages: 317. Download (PDF, 3.9 MB)

Buy the book: www.bod.com

I came upon this book via a post by Edmund Berger – Turning On the Enternal Network. A hyperlink joy (open tab collapse) – pushing towards further art historical anarcheologies of networks and cyberculture lost continents, taking the cue from “Autodidact’s Guide to Accelerationism”, a guide recently compiled by Aly that manages to circumvent the usual Daddy-Os.

There has never been a better moment to wade trough and unleash the occult strains of tightly woven cyberfeminisms that pulses amongst Australian VNS Matrix manifesto towards the Xenofeminist Laboria Cubonics manifesto translated in Romanian by Alina Popa. Berger also points to another important strain: the Italian netwokerist connection. This chunk of countercultural non- pre- proto- cyber prehistory in Italy gets its wider historical context in a book by Tatiana Bazzichelli linked above. Tatiana excellent book comes close to what Ernst Bloch’s Aristotelian Left materialism traced in the 50s in regards to the anticipations and proclivities of a restless materialism in the Islamic Middle Ages. Antecedents, traces (Spuren – as in E Bloch pointed by a friend) crumbs left and picked up by the new artist-as matrix networker, historical precedents that link mail-art, autonomist Marxism and cyberpunk in Italia as forged within artistic practices (FLUXUS), pirate radio enclaves, feats of pranksterism, incipient hacktivism and ludic anonymization via active depersonalization. The Italian connection also comes up recently in the I WANT TO BELIEVE book by A. M. Gittlitz and the later-day Italian scion of the Posadist UFO communist heresy: the MIR Men in Red radical ufological unit (a big highlight for me in these quarantined 2020s). NIRVANA the italo-cyberpunk 1997 cinematic classic also nicely dovetails with this prehistory of the network.

To this vibrating & cryptic history of the cyber I would like to add another (unrelated) but important lead (I will repeat this and continue to do so), this time in the realm of affective networking – the inescapable net- weirding we are all living trough, a sort of survivalist journal by Steven Shaviro’s from 2003 CONNECTED: Or What It Means to Live in the Networked Society that makes Sci-fi the eminent stalker leading us towards the outer regions of our Zone of distraction.

From the abstract of Tatiana Bazzichelli’s book:

Networking means to create nets of relations, where the publisher and the reader, the artist and the audience, act on the same level. The book is a first tentative reconstruction of the history of artistic networking in Italy, through an analysis of media and art projects which during the past twenty years have given way to a creative, shared and aware use of technologies, from video to computers, contributing to the creation of Italian hacker communities.

The Italian network proposes a form of critical information, disseminated through independent and collective projects where the idea of freedom of expression is a central theme. In Italy, thanks to the alternative use of Internet, during the past twenty years a vast national network of people who share political, cultural and artistic views has been formed.

The book describes the evolution of the Italian hacktivism and net culture from the 1980s till today. It builds a reflection on the new role of the artist and author who becomes a networker, operating in collective nets, reconnecting to Neoavant-garde practices of the 1960s (first and foremost Fluxus), but also mail art, Neoism and Luther Blissett. A path which began in BBSes, alternative web platforms spread in Italy through the 1980s even before the Internet even existed, and then moved on to Hackmeetings, to Telestreet and networking art by different artists such as 0100101110101101.ORG, [epidemiC], Jaromil, Giacomo Verde, Giovanotti Mondani Meccanici, Correnti Magnetiche, Candida TV, Tommaso Tozzi, Federico Bucalossi, Massimo Contrasto, Mariano Equizzi, Pigreca, Molleindustria, Guerriglia Marketing, Sexyshock, Phag Off and many others.

More books by Tatiana Bazzichelli

Networked Disruption

Disrupting Business

animation, Uncategorized

1489 – Flight of Dragons (1982)

Flight of Dragons was a Japanese-US co-production 982 long feature animated fantasy film produced and directed by Jules Bass and Arthur Rankin, Jr. (of The Hobbit and other 70s 80s animations).

There is a deeply personal connection with this animation and its cheesy song bring back dead media memories. This being one of the illegal VHS tapes I watched as an enthralled kid with Andrei Ciubotaru my high school friend (artist and art teacher now) and few others in 80s Romania. Pirated VHS where the only way to get such material, or via neighboring countries TV station depending where you were (Serbia, Hungary or in my case Bulgaria). Most of these VHS were dubbed by one single person – film critic Irina Nistor who did voices for all characters and for hundreds if not thousands tapes. This one was a rare EN copy.

Apart from being a childhood artefact it still stands the test of time for me. It is one of the great animations of the 80s and has this strange bizarre effect of mediated arrival via a winded move; a hybrid of US based D & D material content drawn by the top of the art blooming Japanese anime industry of the times.

It is also interesting in other regards. It is a animation based on a speculative evolution book from 1979 by Peter Dickinson with the same name, inspired itself by the speculative biology theories developed inside the Earthsea Cycle by Ursula K LeGuin (1968-2001), who I didn’t know much about at the time.

It is a sort of scientific explanation (or pseudo-scientific, take it how you want) that naturalizes these mythical monsters – the dragons. All those probable explanation of the dragon physiology, metabolism and chemical peculiarities (such as the hydrochloric acid thesis) from the movie are all present in this earlier book. The impetus to rationalize or to give scientific importance to various legendary, fables or superstitions may seem naive or misleading but I think there is great merit to that. Not only does it blur otherwise highly patrolled borders around what is a proper object of science but it also shows the deep interplay btw science, occultism, alchemy and Enlightenment. It also show that fictions have becoming shaping forces on their own, no matter if false of true, they are living their imprint on the world we live in. There is also the point of the peculiar history of the history science itself, especially the Scientific Revolution in its hermetic or esoteric threads. Thinking here of Frances Yates books in particular but also about the admirable work done by Erik Davis in his new book High Weirdness and at https://techgnosis.com/ in widening and following a fertile mutual interplay. A particularity of the animation is its emphasis on magic rather than religion or even sorcery.

The Flight of Dragons could not be more actual than nowdays in an age where flat earthers and hollow earthers and neo-barbarians co-exist with Netflix and where fictions and in particular, seemingly fringe creepy pasta fictions have definitely a life of their own. When the fringe is center stage, one is now aware both of the magical powers of science and of the “meme magic” (the infamous #memewarfare or CCRU hyperstitions), and more disturbingly of the big exploitable reservoirs and operational powers of online and offline hate. Otherwise it is an early example of D & D and plays on the fact that it is all a big animated board game. This fact reappears several time during the movie. Once played by the former scientist P. Dickinson and game board designer that actually plays the movie characters in a pawn shop setting were with the owner trying to get him to invest in his new gaming enterprise. Another time it is Ommadon himself, the dark wizzard that uses it as surveillance technology, like Sauron, monitoring the various characters in their moves towards his domain. It is never clear who is playing who and who is being written by whom – as much as thethe animated character Dickinson seems to be precisely the author f thethe dragon speculative evolution book.

I will focus on a few incredible moments from this animation. The first is the setting of a (board game) meeting of the ruling multicultural wizzards and their panic response; Carlinus the Green Wizzard (power of life, growth, everything green), Solaris the Blue Wizzard (sea, heavens) and Golden Wizard Lo Tae Zhao(ether, light) and Ommadon (black magic and evil) to discuss the need to protect and basically make invisible the magical realm. It is basically deterritorialization and reterritorialization in action. In particular this disenchantment manifests itself in an eco-primitivist context, the water wheels of particular nasty bunch of humans (looking more like goblins) kills a swan that is revived by Carolinus. To be honest I also get the slight feel of a sort of white collar vs working class polluters going on, but it is just me maybe. The aim is to protect this fantasy world from (guess what) Entzauberung aka the encroaching rationalism of Science and Technology that starts to limit, actively debunk and eliminate magic.

Here something happens that sort breaks the magic alliance – Ommadon is pretty sure that the palliative, pacifist and protectionist methods of the three other wizzards are doomed in the face of relentless progress. Here he exhibits a ruthless proto- accelerationist plan: to turn humans against themselves, to use hate, and the vicious destructive power of machinery to annihilate forests and thus human life support systems as such. Also capital in the form of accumulation and greed seems to be part of Ommadon’s answer to the challenge posed by progress to magic.

At the face of these, the three ‘good’ wizards resort to an apparently self-defeating tactic, they recruit a human from the future. It is probably exactly the opposite as the first Terminator. But then the anachronism works, not only does a Yank at King Arthur’s court miraculously solve medieval problems but he is actually more susceptible to the charm or lost magic, more retro, more into princesses like Melisande and unreal dragons. We could go endlessly on, with the end fact being that the modern skeptic is somehow enchanted with (also very modern) love in the end- the most powerful of magic that keeps him connected with the magic realms. There is a bit of Luceafarul material in there too. They bring somebody disenchanted with science and the dryness of it all – an escapist but with a science background to smuggle him to their world and make him start a quest against Ommadon. This is indeed the fulcrum of their argument – that he can be re-enchanted by what just seem his to own game creations which are in fact somehow ‘real’ and consequaential, make him part of an existing fragile world that needs his help.

Second spoiler moment and one of my favorites is the final confrontation, where everything seems lost and all the various allies (a wolf, a knight, archer, dwarf etc) are being killed by the evil dragon Bryagh in a desperate final battle. In the end only Peter, the nerd, geek and scientist faces the immensely more-than-human inhuman Ommadon that aims to squash all opposition. Here comes science into play – as counter spell against the evil black magic. Astronomy, particle physics and Einsteinian relativity theory formulas are being deployed and invoked exactly like magical spells, as ways to mercilessly dispel and even mock the darkest of the darkest magic. In the effect, while actually accomplishing what the good wizzards feared most, they also show the peculiar new magic of science that is as deeply operational as magic is supposed to have been even more so.

Lastly, not to be ignored is the fact that Peter’s mind is being transferred into the body of a dragon. In the beginning he is just cosplaying a young knight in a quest, then things go terribly wrong (or perfect depending on who is who). I consider this one of the greatest episodes in any speculative fiction – be it film, books or animation. It posits the fact that there is some mutual discomfort, that his mind and all its knowledge is not just being uploaded into another imaginary body. It does not even matter if it is an imaginary body or not, and this is the high speculative tenor of it. This body is actually quite substantial, it does work – it is a fire breathing, gas belching, flying dragon by the name of Gorbash. Gorbash is not gone, he actually sleeps inside the same head. You will have to discover the details of this unwanted body swap. This is a great experiment in dragon embodiment. It is not enough to write, to think and love dragons, one should also feel dragon, one should also switch places with them and see things from their perspective.

Suffice to say that Peter is thus forced to explore ‘scientifically’ the peculiarities of his new dragon (actually Gorbash’s) body. This has all sorts of unintended consequences, including how the others perceive him, befriend him or not or how he learns from the old dragon to be a dragon or the fact that he has still to master and practice his fire metabolism and hone his flying skills. Being a brainy does not help in this case, his geeky mind is still actually relatively harmless in the most terrifying body of all. He is basically almost learning like a person who had a stroke – how to move, what and when to eat, and how know it’d strengths amd weaknesses, how to handle the various compartments of his body.