655 – The 12th Man / Den 12. mann (2017)

spacetime coordinates: 1943  Norway > Sweden, via Lyngenhalvøya and Manndalen

MV5BYzI1MzA0NjUtNWI2MC00NDg0LThiYmItN2RjZWRmN2E0MmVmXkEyXkFqcGdeQXVyODY3Nzc0OTk@._V1_SY1000_CR0,0,675,1000_AL_The 12th Man is a 2017 Norwegian historical drama directed by Harald Zwart and written by Petter Skavlan. The main role of Jan Baalsrud is played by Thomas Gullestad, who escapes from Germans in Rebbenesøya, via Lyngen Fjord and Manndalen, to neutral Sweden in the spring of 1943.

The film is based on the same historical events and has the same protagonist as the Arne Skouen Oscar-nominated film Nine Lives, in which Baalrud’s courage and stamina were also emphasized. The 12th Man is also based on the book Jan Baalsrud and Those Who Saved Him, written by Tore Haug and Astrid Karlsen Scott. Unlike the book, the film puts much emphasis on the efforts of those who helped Baalsrud escape, which was in line with Baalsrud’s own statements about the local population’s courage. The 12th Man’s plot also details the pursuit of Baalsrud from the Gestapo leadership’s perspective, with the escape being depicted as cat-and-mouse game between Sturmbannführer Kurt Stage and Baalsrud. According to German documents, the Nazis believed that the entire Resistance had perished in a blast, meaning that there are no reports indicating that the Germans even knew to hunt for Baalsrud. Baalsrud himself, however, claims that he killed two German soldiers in the fight, which would have definitely created a sharp German response. (wiki)

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609 – The Book Thief (2013)

spacetime coordinates: 1938 – 1945 Germany

The Book Thief is a 2013 World War II war drama film directed by Brian Percival and starring Geoffrey RushEmily Watson, and Sophie Nélisse. The film is based on the 2005 novel The Book Thief by Markus Zusak and adapted by Michael Petroni. The film is about a young girl living with her adoptive German family during the Nazi era. Taught to read by her kind-hearted foster father, the girl begins “borrowing” books and sharing them with the Jewish refugee being sheltered by her foster parents in their home. The film features a musical score by Oscar-winning composer John Williams. (wiki)

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580 – Watchmen (2009)

spacetime coordinates: 1985 New York City WatchmenTheatricalposterWatchmen is a 2009 American superhero film directed by Zack Snyder, based on the 1986–87 DC Comics limited series of the same name by Alan Moore and Dave Gibbons. It stars an ensemble cast of Malin ÅkermanBilly CrudupMatthew GoodeCarla GuginoJackie Earle HaleyJeffrey Dean Morgan, and Patrick Wilson. A dark satirical and dystopian take on the superhero genre, the film is set in an alternate history in the year 1985 at the height of the Cold War between the United States and the Soviet Union, as a group of mostly retired American superheroes investigates the murder of one of their own before uncovering an elaborate and deadly conspiracy, while their moral limitations are challenged by the complex nature of the circumstances.

The “Ultimate Cut” edition incorporated the animated comic Tales of the Black Freighter into the narrative as it was in the original graphic novel, lengthening the runtime to 3 hours and 35 minutes.

imdb   wiki

574 – Katyn (2007)

spacetime coordinates: September 1939 – January 1945  Poland / RussiaMV5BMjk3ODEzNzIwMl5BMl5BanBnXkFtZTcwMzM5Mjc1MQ@@._V1_SY1000_SX695_AL_Katyń (Polish pronunciation: [ˈkatɨɲ]) is a 2007 Polish film about the 1940 Katyn massacre, directed by Andrzej Wajda. It is based on the book Post Mortem: The Story of Katyn by Andrzej Mularczyk.

The events of Katyn are relayed through the eyes of the women, the mothers, wives, and daughters of the victims executed on Stalin’s orders by the NKVD in 1940.

controversy   imdb

558 – Synthetic Worlds: Nature, Art and the Chemical Industry by Esther Leslie

“Through coal’s carbon chemistry, and its waste product of coal-tar, a realm of synthetic colours and substances is unlocked from a dense and primitive blackness. The first magic act is coal-tar becoming colour, the first of thousands of substitutions. This magic is a black force. Gravity’s Rainbow lets loose its narrative strands amongst a world of acronyms and neologisms, fictional and actual. spqr, arf, mmpi, soe, spog,
cios, bafo, nta, shaef, pwd, cns, pisces, viam, tsagi, niso, bafo, okw, achtung, Kryptosam, Hexeszüchtigung, ctenophile, Oneirine. These clatter like the evil spells from a necromancer’s manual. These clotted words spell out the coordinates of military, economic and technological power. The most important of these cryptic formulae, the acronyms that generate the rainbow and allow the tracing of its arc,are the colour factory ig Farben and the German Second World War rocket weaponry known as v-1, v-2 or a4. Pynchon brings these two industrial-technological forces into proximity with magic, mysticism and alchemy.”

“Inside the arcades, the ur-architectural phenomenon of the nineteenth century, transitional colours, twinkle, glimmer and reflection danced, and all the more charmingly as night fell. In the early days the gas lighting, whose illumination was an uneven flickering, cast a sparkly sheen over everything. In the arcades, their historian Walter Benjamin claimed, ‘falser colours are possible’, and everything is doused in a special ‘glaucous gleam’, which is reminiscent of aquariums, as Friedrich Gerstäcker imagined in a fictional transposition and, after him, Aragon made so vivid in Paris Peasant. In Gerstäcker’s The Sunken City, the hero sees, to his amazement, that
with the gradual infusion of twilight, these undersea corridors just as gradually lit up by themselves. For everywhere in the bushes of coral and sponge were sitting broad-brimmed, glassy-looking medusas, which already at the outset had given off a weak,greenish phosphorescent light that quickly picked up strength at the approach of darkness and now was shining with great intensity.
The arcades are zones of special effects where optical illusions, tricks of the light and transformations readily occur. This is why the arcades appear so magical, but it also intimates something of their propensity to deception and delusion. The very magic of the space colludes with the commodity promises on sale.”

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Celestis offers space burials, with the ashes compacted in a capsule and sent into orbit (before re-entering) or fired to the moon or into deep space (for ever). That which is legally a ‘final deposition’ can be commodified further in an effort to afford a technologically guaranteed sublime.They also offer a star-naming service.   At the start of the twenty-first century, a Chicago company announced that it had created a new way to memorialize loved ones: by turning their charred remains into a gem. The ‘patent-pending’ LifeGem offers to press the cremated ashes of a lost one into a diamond. You can have your loved one with you whenever you choose, which is something that no other memorial product offers, remarks Greg Herro, LifeGem’s chief executive. ‘Nothing else quite offers that everlasting love.’ (…) ‘The proprietary LifeGem creation process creates diamonds from the true essence of our loved ones, the carbon.”

Synthetic Worlds: Nature, Art and the Chemical Industry by Esther Leslie

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Runge_M_80663

Der Bildungstrieb der Stoffe : veranschaulicht in selbstständig gewachsenen Bildern (Fortsetzung der Musterbilder)

by Runge, F. F., 1795-1867 (Includes 23 smaller chromatograms mounted on the title page surrounding the title, and 60 larger chromatograms mounted on 31 leaves. The chromatograms consist of concentric circles of color produced by applying a liquid chemical compound to filter paper.)

537 – All the Money in the World (2017)

spacetime coordinates:  Italy 1973 all_the_money_in_the_world_xlgAll the Money in the World is a 2017 crime thriller film directed by Ridley Scott and written by David Scarpa, based on John Pearson’s 1995 book Painfully Rich: The Outrageous Fortunes and Misfortunes of the Heirs of J. Paul Getty. It stars Michelle WilliamsChristopher PlummerMark WahlbergRomain DurisCharlie PlummerAndrew Buchan, and Timothy Hutton. The film depicts J. Paul Getty‘s refusal to cooperate with the extortion demands of a group of kidnappers from the organized crime Mafia group ‘Ndrangheta, who abducted his grandson John Paul Getty III in 1973. (based on actual events)

http://www.imdb.com/title/tt5294550/