timespace coordinates: 1843, Basque Country Based on a Basque folk tale, ”Patxi herrementaria,” collected by priest, archaeologist and anthropologist José Migel de Barandiarán, the story is set in the Basque region, in a universe inhabited by mythological diabolic creatures, battling to capture the souls of the unwitting.
timespace coordinates: alternative present-day version of Oakland, CaliforniaSorry to Bother You is a 2018 American absurdist dark comedy with aspects of magical realism and science fiction inspired by the world of telemarketing written and directed by Boots Riley, in his directorial debut. It stars Lakeith Stanfield, Tessa Thompson, Jermaine Fowler, Omari Hardwick, Terry Crews, Patton Oswalt, David Cross, Danny Glover, Steven Yeun, and Armie Hammer.
Boots has maintained that the film offers a radical class analysis of capitalism, rather than a specific analysis of America under President Trump, clarifying that he wrote the initial screenplay during the Obama administration, and that the target was never any specific elected official or movement, but rather a broader look at “the puppetmasters behind the puppets.” While the majority of the final script remained the same, minimal changes were made prior to shooting in order to avoid the film appearing to be a critique of Trump specifically, including removing a line where a character says “Worry Free is making America great again,” written before Trump would use the line in his 2016 presidential campaign.
The title of the film has a double meaning, referencing both the phrase’s use by telemarketers and its general usage when telling a person something you know they might not like to hear, such as the Communist themes present in the film. According to Boots, “…the other side of it is, is that often when you’re telling someone something that is different from how they view things, different from how they view the world, it feels like an annoyance or a bother. And that’s where that comes from.” The theme of the strike was used to reflect the need to “organize people in the workplace” and for workers to recognize their power. When asked on his choice to cast Armie Hammer as Steve Lift, Boots stated that Armie was a “lovable dude,” whose casting reflects the current state of “new capitalism,” where the realities of working conditions are hidden, referencing lines such as “I’m not your boss, I’m your friend.” (wiki)
Social studies of waste, pollution & externalities
Discard Studies 2.0
Discard Studies has been operating since 2007, mainly under the stewardship of one or two people. In the spirit of reflecting on what we, as editors, writers, and researchers in discard studies are including or not including in our posts, we’re looking to expand what the blog covers. We’re interested in posts on the waste the flows from virtual systems, collecting and discarding in archives and museums (including issues of repatriation and colonialism), heritage and building waste, noise (701) and light (713) pollution, but also in wider systems that order waste and wasting, such as the state, economies, legal orders, gender constructs, white supremacy, and models of resurgence, revival, and liberation. All have their discards.
If you think you have knowledge that can add to these conversations on Discard Studies,we’d love to hear a pitch from you.
timespace coordinates: 1496 Azpeitia, Basque Country / 1521 Pamplona / 1522, monastery of Santa Maria de Montserrat, town of Manresa (Catalonia) / 1527 SalamancaIgnacio de Loyola is a 2016 English-language Philippine historical biographical religious drama film directed by Paolo Dy & Cathy Azanza. It is based on the memoirs of Ignatius of Loyola, founder of the Jesuit order who was canonized as a saint in the Catholic Church. The film stars Andreas Muñoz, a Spanish actor who portrays the titular character in the film.
‘If you could hear the voice of God, would you want to keep it secret?’ This is the story of a soldier, a man of vice and violence who, in his attempt to turn to the light, was forced to wrestle with his inner demons to the very brink of death. The film chronicles his valiant but futile defense at the Battle of Pamplona, his struggles with depression and near-suicide, his trial before the Inquisition, and his ultimate vindication.
timespace coordinates: 1835 WallachiaAferim! (English: Bravo!) is a 2015 Romanian drama/western film directed by Radu Jude. The film is set in Wallachia in the early 19th century, when a local gendarme, Costandin, is hired by Iordache, a boyar, to find Carfin, a Gypsy slave who had run away from the boyar’s estate after having an affair with his wife, Sultana. Aferim! (2015) is only the second Romanian film to address the Roma slavery, which existed in Wallachia for almost 500 years until 1856. (The first one was the silent film Fata tigani in dormitor (1923). It has apparently been lost, with only a few stills surviving.)
The story is fictional, but director Radu Jude said in the NY Times (Sept. 8, 2015) that he drew on the historical record. Before shooting began, he held a script reading with 20 historians and made adjustments in response to their input.Publication The Hollywood Reporter describes Radu Jude’s film as “a harsh lesson of history, relieved by overlooked humor and classic Western elements”. Variety magazine writes that Aferim! is “an exceptional and extremely intelligent insight into a crucial period of history, a film equally inspired and furious” (wiki)
timespace coordinates: 80’s Transylvania, Romania > 1988 – 1999 Budapest, Hungary‘A Viszkis’/’The Whiskey Robber’ is a biographical crime-thriller written and directed by Nimród Antal and stars Bence Szalay as the notorious 1990s folk hero of Hungary, Attila Ambrus, who committed 27 bank and post office robberies from 1993 to 1999 until his eventual capture. The estimated amount of money stolen is more than 100 million HUF (approx. half a million USD) at the time.For the release in Hungary, a giant promotional billboard was placed above a bank in Budapest.