691 – The Wonder of Weeds (2011)

“…when something does get labeled alien, an entire industry will spring up dedicated to its destruction.”

The Wonder of Weeds

Blue Peter gardener Chris Collins celebrates the humble and sometimes hated plants we call weeds. He discovers that there is no such thing as a weed, botanically speaking, and that in fact what we call a weed has changed again and again over the last three hundred years. Chris uncovers the story of our changing relationship with weeds – in reality, the story of the battle between wilderness and civilisation. He finds out how weeds have been seen as beautiful and useful in the past, and sees how their secrets are being unlocked today in order to transform our crops.

Finally, Chris asks whether, in our quest to eliminate Japanese Knotweed or Rhododendron Ponticum, we are really engaged in an arms race we can never win. We remove weeds from our fields and gardens at our peril.

YOUTUBE


“What would the world be, once bereft
Of wet and of wildness? Let them be left,
O let them be left, wildness and wet;
Long live the weeds and the wilderness yet.”

Inversnaid (1881)

Gerard Manley Hopkins

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673 – The Babadook (2014)

91a50238813529.57707000b0257The Babadook is a 2014 Australian supernatural psychological horror film written and directed by Jennifer Kent in her directorial debut, and produced by Kristina Ceyton and Kristian Molière. The film stars Essie Davis, Noah Wiseman, Daniel Henshall, and Hayley McElhinney. It is based on the 2005 short film Monster, also written and directed by Kent.MV5BODE4ZWJjMDItYjc3Mi00MjlmLWE1NmEtNWJmZGQ4N2Q3ZGVkL2ltYWdlL2ltYWdlXkEyXkFqcGdeQXVyMTE2NzA0Ng@@._V1_SX1484_CR0,0,1484,999_AL_

Symbolism   //  popularity_in_the_LGBT_community

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https://www.imdb.com/title/tt2321549/

669 – The Shining (US. version) (1980)

spacetime coordinates: 1921 – 1980  the isolated historic Overlook Hotel in the Colorado Rockies.The_Shining_Poster_by_smalltownheroThe Shining is a 1980 horror film produced and directed by Stanley Kubrick and co-written with novelist Diane Johnson. The film is based on Stephen King‘s 1977 novel of the same name.

Response_by_Stephen_King

Social_interpretations: Native_Americans

Ambiguities_in_the_film

Sequel                imdb

612 – Davi Kopenawa, Bruce Albert, Alison Dundy – The falling sky – words of a Yanomami shaman

The Falling Sky is a remarkable first-person account of the life story and cosmo-ecological thought of Davi Kopenawa, shaman and spokesman for the Yanomami of the Brazilian Amazon. Representing a people whose very existence is in jeopardy, Davi Kopenawa paints an unforgettable picture of Yanomami culture, past and present, in the heart of the rainforest–a world where ancient indigenous knowledge and shamanic traditions cope with the global geopolitics of an insatiable natural resources extraction industry.the-falling-sky-1In richly evocative language, Kopenawa recounts his initiation and experience as a shaman, as well as his first encounters with outsiders: government officials, missionaries, road workers, cattle ranchers, and gold prospectors. He vividly describes the ensuing cultural repression, environmental devastation, and deaths resulting from epidemics and violence. To counter these threats, Davi Kopenawa became a global ambassador for his endangered people. The Falling Sky follows him from his native village in the Northern Amazon to Brazilian cities and finally on transatlantic flights bound for European and American capitals. These travels constitute a shamanic critique of Western industrial society, whose endless material greed, mass violence, and ecological blindness contrast sharply with Yanomami cultural values.

Bruce Albert, a close friend since the 1970s, superbly captures Kopenawa’s intense, poetic voice. This collaborative work provides a unique reading experience that is at the same time a coming-of-age story, a historical account, and a shamanic philosophy, but most of all an impassioned plea to respect native rights and preserve the Amazon rainforest. (amazon)

“When I come back from a trip among the white people, the dizziness leaves my eyes after a while and my thought be-comes clear again. I no longer hear cars, machines, or airplanes. I only lend an ear to the tooro toads and krouma frogs that call the rain in the forest. I only hear the rustling of the leaves in the wind and the rumbling of the thunders in the sky. The ignorant words of the city politicians gradually vanish in the quiet of my sleep. I become calm again by going to hunt and making my spirits dance.

The forest is very beautiful to see. It is cool and aromatic. When you move through it to hunt or travel, you feel joyful and your mind is slow-paced. You listen to the chirping of the cicadas in the distance, or the cries of the curassows and the agami herons, and the clamor of the spider monkeys in the trees. Your worries are eased. Your thoughts can then follow one another without getting obscured.”

581 – End of Watch (2012)

spacetime coordinates: 2011  South Los AngelesEnd-of-Watch-2012-movie-posterEnd of Watch is a 2012 American crime drama film written and directed by David Ayer. It stars Jake Gyllenhaal and Michael Peña as Brian Taylor and Miguel Zavala, two Los Angeles Police Department officers who work in South Los Angeles. The film focuses on their day-to-day police work, their dealings with a certain group of gang members, their friendship with each other, and their personal relationships.  The film was shot in a combination of found footage style and traditional photography. Most scenes were captured by four cameras simultaneously:  these included a handheld camera operated by Gyllenhaal, cameras clipped to Gyllenhaal and Peña’s vests, and dashboard footage from their patrol car. Some scenes were shot entirely by Gyllenhaal.

Sureños   Bloods

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