timespace coordinates: 2010’s small rural town Centerville
The Dead Don’t Die is a 2019 American horror comedy film / cautionary tale written and directed by Jim Jarmusch. It features an ensemble cast including Adam Driver, Bill Murray, Chloë Sevigny, Steve Buscemi, Austin Butler, RZA, Tilda Swinton, Tom Waits, Danny Glover, Caleb Landry Jones, Rosie Perez, Carol Kane and Selena Gomez and follows a small town’s police force as they combat a sudden zombie invasion. (wiki)
timespace coordinates: 2000’s Texas > Arizona > California
Zombieland is a 2009 American post-apocalyptic horror zombie comedy film directed by Ruben Fleischer in his theatrical debut. The film stars Woody Harrelson, Jesse Eisenberg, Emma Stone, and Abigail Breslin as survivors of a zombie apocalypse.
The film follows a geeky college kid making his way through the zombie apocalypse, meeting three strangers along the way and together taking an extended road trip across the Southwestern United States in an attempt to find a sanctuary free from zombies. (wiki)
Among all the tales there is one, / which you haven’t heard / and which the night reclaimed long ago. / Have you enough patience to listen to it?
The Hourglass Sanatorium (Polish: Sanatorium pod klepsydrą) is a 1973 Polish film directed by Wojciech Jerzy Has, starring Jan Nowicki, Tadeusz Kondrat, Mieczysław Voit, Halina Kowalska and Gustaw Holoubek. The story follows a young Jewish man who visits his father in a mystical sanatorium where time does not behave normally. The film is an adaptation of Bruno Schulz‘s story collection Sanatorium Under the Sign of the Hourglass. It won the Jury Prize at the 1973 Cannes Film Festival. (Release)
Joseph (Jan Nowicki) travels through a dream-like world, taking a dilapidated train to visit his dying father, Jacob, in a sanatorium. When he arrives at the hospital, he finds the entire facility is going to ruin and no one seems to be in charge or even caring for the patients. Time appears to behave in unpredictable ways, reanimating the past in an elaborate artificial caprice.
Though Joseph is always shown as an adult, his behavior and the people around often depict him as a child. He befriends Rudolf, a young boy who owns a postage stamp album. The names of the stamps trigger a wealth of association and adventure in Joseph. Among the many occurrences in this visually potent phantasmagoria include Joseph re-entering childhood episodes with his wildly eccentric father (who lives with birds in an attic), being arrested by a mysterious unit of soldiers for having a dream that was severely criticized in high places, reflecting on a girl he fantasized about in his boyhood and commandeering a group of historic wax mannequins. Throughout his strange journey, an ominous blind train conductor reappears like a death figure.
Has also adds a series of reflections on the Holocaust that were not present in the original texts, reading Schulz’s prose through the prism of the author’s death during World War II and the demise of the world he described. (wiki)
“There are things than cannot ever occur with any precision. They are too big and too magnificent to be contained in mere facts. They are merely trying to occur, they are checking whether the ground of reality can carry them. And they quickly withdraw, fearing to loose their integrity in the frailty of realization. ” (Bruno Schulz)
Tumbbad is a 2018 Indian Hindi-language period horror film directed by debutant Rahi Anil Barve and co-directed by Adesh Prasad. Written by Barve, Prasad, Mitesh Shah and Anand Gandhi, who also served as the creative director, the film was produced by Sohum Shah, Aanand L. Rai, Mukesh Shah and Amita Shah. Starring Shah in the lead role as Vinayak Rao, it follows the story of his search for a hidden treasure in 20th century Maharashtra. Pankaj Kumar served as the director of photography while Sanyukta Kaza was its editor. Music. (wiki)
The movie was shot for 6 years. The scenes shown in the city of Tumbbad which gets rain throughout the year was shot over 4 monsoons.
timespace coordinates: 2010’s Ludlow, Maine
Pet Sematary is a 2019 American supernatural horror film directed by Kevin Kölsch and Dennis Widmyer and written by Jeff Buhler, from a screen story by Matt Greenberg. It is the second adaptation of the 1983 novel of the same name by Stephen King, after the 1989 film.
The film stars Jason Clarke, Amy Seimetz, and John Lithgow, and follows a family that discovers a mysterious graveyard in the woods behind their new home. Critics and audiences were both divided on the changes between the film and book, though many named it better than the 1989 adaptation. (wiki)
“Large temptations will emanate from these machine-animals, produced by people themselves, and it will be the task of a spiritual science that explores the cosmos to ensure all these temptations do not exert any damaging influence on human beings.” —Rudolf Steiner
In an increasingly digitized world, where both work and play are more and more taking place online and via screens, Rudolf Steiner’s dramatic statements from 1917 appear prophetic. Speaking of “intelligent machines” that would appear in the future, Steiner presents a broad context that illustrates the multitude of challenges human beings will face. If humanity and the Earth are to continue to evolve together with the cosmos, and not be cut off from it entirely, we will need to work consciously and spiritually to create a counterweight to such phenomena.
In the lectures gathered here, edited with commentary and notes by Andreas Neider, Rudolf Steiner addresses a topic that he was never to speak of again–the secret of the geographical, or ahrimanic, Doppelganger. The human nervous system houses an entity that does not belong to its constitution, he states. This is an ahrimanic being that enters the body shortly before birth and leaves at death, providing the basis for all electrical currents needed to process and coordinate sensory perceptions and react to them.
Based on his spiritual research, Steiner discusses this Doppelganger, or double, in the wider context of historic occult events relating to spirits of darkness. Specific brotherhoods seek to keep such knowledge to themselves to exert power and spread materialism. But this knowledge is critical, says Steiner, if the geographical Doppelganger and its challenges are to be understood.