344 – Monsters (2010)

monstersMonsters (IMDB) is a 2010 British science fiction monster film written and directed by Gareth Edwards in his feature film directorial debut. Edwards also served as the cinematographer, production designer, and visual effects artist. Monsters takes place years after a NASA probe crash in Mexico which led to the sudden appearance of giant tentacled monsters. It follows Andrew Kaulder (Scoot McNairy), an American photojournalist tasked with escorting his employer’s daughter Samantha Wynden (Whitney Able) back to the US by crossing through Mexico’s “Infected Zone” where the creatures reside.Monsters map Monsters: Dark Continent, a sequel, was released in the UK on 1 May 2015.

http://www.imdb.com/title/tt1935302/

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339 – Renaissance (2006)

spacetime coordinates: 2054, Paris renaissance_poster_3_by_eignaRenaissance, also known as Paris 2054: Renaissance, is a 2006 animated tech noir science fiction film. The movie, which was co-produced in France, United Kingdom and Luxembourg, was directed by Christian Volckman.renaissance 1renaissance 2RenaissanceRenaissance_8Renaissance uses a style of motion capture animation in which almost all images are exclusively black-and-white; only occasional colour is used for detail. The film concerns a French policeman investigating the kidnapping of a scientist who may hold the key to eternal life in a futuristic and slightly dystopian Paris.-renaissancemovieposterbyverileah

http://www.imdb.com/title/tt0386741/

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“The ancillary promise is that, through green consumerism, we can reconcile perpetual growth with planetary survival. But a series of research papers reveal there is no significant difference between the ecological footprints of people who care and people who don’t. One recent article, published in the journal Environment and Behaviour, says those who identify themselves as conscious consumers use more energy and carbon than those who do not.”  Too right it’s Black Friday: our relentless consumption is trashing the planet   –    George Monbiot

333 – Kingsman: The Secret Service (2014)

Kingsman: The Secret Service is a 2014 action spy comedy film directed and co-produced by Matthew Vaughn. The screenplay was written by Vaughn and Jane Goldman, based on the comic book series Kingsman, created by Dave Gibbons and Mark Millar. It follows the recruitment and training of Gary “Eggsy” Unwin (Taron Egerton), into a secret spy organisation. Eggsy joins a mission to tackle a global threat from Richmond Valentine (Samuel L. Jackson), a wealthy megalomaniac. kingsman_the_secret_service_poster_by_sorin88-dbllylrhttp://www.imdb.com/title/tt2802144/

314 – BioShock (2007 video game)

spacetime coordinates: 1960, the underwater city of Rapture

4997703-bioshock-wallpaperBioShock is a first-person shooter video game developed by 2K Boston (later Irrational Games) and 2K Australia, and published by 2K Games.bioshock propaganda 2

The game’s concept was developed by Irrational’s creative lead, Ken Levine, and incorporates ideas by 20th century dystopian and utopian thinkers such as Ayn RandGeorge Orwell, and Aldous Huxley, as well as historical figures such as John D. Rockefeller. The game is considered a spiritual successor to the System Shock series, on which many of Irrational’s team including Levine had worked previously.

BioShock is set in 1960. The player guides the protagonist, Jack, after his airplane crashes in the ocean near the bathysphere terminus that leads to the underwater city of Rapture. Built by the business magnate Andrew Ryan, the city was intended to be an isolated utopia, but the discovery of ADAM, a genetic material which can be used to grant superhuman powers, initiated the city’s turbulent decline. Jack tries to find a way to escape, fighting through hordes of ADAM-obsessed enemies, and the iconic, deadly Big Daddies, while engaging with the few sane humans that remain and eventually learning of Rapture’s past. The player, as Jack, is able to defeat foes in a number of ways by using weapons, utilizing plasmids that give unique powers, and by turning Rapture’s own defenses against them. BioShockincludes elements of role-playing games, giving the player different approaches in engaging enemies such as by stealth, as well as moral choices of saving or killing characters; additionally, the game and biopunk theme borrow concepts from the survival horror genre.

Bioshock Trailer

BioShock received critical acclaim and was particularly praised by critics for its morality-based storyline, immersive environments, and its unique setting, and is considered to be one of the greatest video games of all time and a demonstration of video game as an art form.

bioshock propaganda 1

pc requirements (MINIMUM): Operating System: Windows XP (with Service Pack 2) or Windows Vista. CPU: Intel single-core Pentium 4 processor at 2.4GHz. RAM: 1 GB, Video Card:Direct X 9.0c compliant video card with 128MB RAM and Pixel Shader 3.0 (NVIDIA 6600 or better/ATI X1300 or better, excluding ATI X1550)

280 – A Sound of Thunder (2005)

spacetime coordinates:  Chicago, 2055 > the cretaceous

A Sound of Thunder is a 2005 science fiction thriller film directed by Peter Hyams, and starring Edward BurnsCatherine McCormack and Ben Kingsley. It is a co-production film between the United Kingdom, the United States, Germany, and the Czech Republic.

http://www.imdb.com/title/tt0318081/

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a classic example of “failed return” or “no return” cautionary tales is A Sound of Thunder by Ray Bradbury published in 1952. on a personal level i love both the EC comic book adaptation with artwork by Al Williamson and the 2005 movie adaptation by Peter Hyams that was a box office flop and has receive mostly negative reviews by critics. the original story features one of the first instances of the butterfly effect, in particular as applied to time travel paradoxes and uncontrollable evolutionary/ political outcomes. this was way before it became a meteorologic mainstay of chaos theory after its use by Edward Lorenz to describe stormy ripple-like effects on nonlinear systems, seemingly very sensitive to minute initial conditions.   sound-of-thunder-ec-comics-1the movie A Sound of Thunder features a time travel tourist agency from the year 2055. Time Safari Inc. is a chronocapitalist enterprise that organizes prehistoric retro-hunting expeditions to far-off epochs where dinosaurs roamed the earth. in order to do that, mankind is cheating on the big dinosaur mass extinction. long after humankind has killed most of the big game life on earth it tracks down other, more elusive and ferocious megafauna. the whole ‘hunting’ for the ultimate predator T-Rex (or an Allosaurus in the movie) turns out to be a very complex business. the paleo-poaching is based on hiding your acts under the cover of natural occurrences, trophy hunting pretending to be a mass extimction event. in order to fake the killing shot one must plan ahead every retro-killing move. practically Time Safari Inc. is cheating evolutionary history by trying to synchronize with ‘naturally’ occurring death events and extract entertainment value out of impossible inter-species encounters, normally separated by enormous gulfs of time. (…)

a-sound-of-thunder-illustrated-by-franz-altschuler-565-playboy-june-1956

geohistory becomes a perfect crime scene – where the time traveling expedition has to erase all traces – all influence that might otherwise impact the future with definite catastrophic (especially anthropic future) results. as often, humans are kind of role-playing hide and seek with natural selection. in this bizarre and strange inversion of the anthropocenic stratigraphic proof – masquerades as natural force, where a devious human causality is trying to hide behind a pre-human mass extinction event. it is almost the same principle guiding the climate denialist that pretends to hide behind previous catastrophic climate fluctuations.sound of thunderas one might expect, it’s a chronoclysm waiting to happen. all the clients of  Time Safari Inc. are prone to making mistakes, and not only do they leave marks (the absolute no 1 rule of time travel is non-intervention) but they also bring back something (the 2nd most important rule) basically invariably smuggling the prehuman past into the future. somehow a prehistoric dead butterfly makes it through the biofilter (a great example of what I would call New Wallace Lines) that is scanning every living reentry into the present, every possibility of warping the timelines. the alteration of the past produces a chronoclysm that manifests itself as a rhythmic, rapidly accelerating ‘time waves’ that transform the city and its denizens. more to the point in the Peter Hyams movie, the first divergence is a sudden appearance of teeming swarms of beetles and a gigantic strangler fig-like tree bursting through a Chicago high rise building, while the main characters Ryan and Rand make a narrow escape. it is by no means accidental that swarms and insect swarms in particular are associated with time waves. multiply proliferating and and highly distributed, swarms are chronoclysmic purveyors that help carry and suffer the radical effects of timeline distortion. sound of thunder 3there are reports of global increases in temperature and humidity and plant life seems to prosper, while this time warped climate change suddenly seems to be echoing sweltering hot pre-human conditions of long gone geological epochs and dead jungles. (…)

stefan tiron – Cosm/c Dr/ft & T3mporal D/vergence (2016)- EXIT THE PORTAL: The Strange Comeback to a Weird Earth

271 – Tron (2010)

tron7001Tron: Legacy is a 2010 American science fiction action film directed by Joseph Kosinski from a screenplay written by Adam Horowitz and Edward Kitsis, based on a story by Horowitz, Kitsis, Brian Klugman and Lee Sternthal. It is a sequel to the 1982 film Tron, whose director Steven Lisberger returned to produce. The cast includes Jeff Bridges and Bruce Boxleitner reprising their roles as Kevin Flynn and Alan Bradley, respectively, as well as Garrett HedlundOlivia WildeBeau Garrett and Michael Sheen.

Trn_poster_vehicle_recognizertron__legacy_poster_concept_by_michaelkutsche-d8zccsytron_daft_punktron-legacy-neweditionThe story follows Flynn’s son Sam, who responds to a message from his long-lost father and is transported into a virtual reality called the Grid, where Sam, his father and the algorithm Quorra, must stop the malevolent program Clu from invading the human world.

Design

http://www.imdb.com/title/tt1104001/