1423 – The Aeronauts (2019)

timespace coordinates: 1859 – 1862 London

The Aeronauts is a 2019 biographical adventure film directed by Tom Harper starring Felicity JonesEddie RedmayneHimesh Patel and Tom Courtenay.

The film is based on an amalgam of the flights detailed in Richard Holmes‘ 2013 book Falling Upwards: How We Took to the Air. The most significant balloon flight depicted in The Aeronauts is based on the 5 September, 1862, flight of British aeronauts James Glaisher and Henry Coxwell whose coal gas filled balloon broke the world flight altitude record, reaching 9,000 to 11,000 m (30,000 to 36,000 ft). However, while Glaisher appears in the film, Coxwell has been replaced by Amelia, a fictional character. (actual individuals who comprise Amelia’s character include: Sophie Blanchard, the first woman to work as a professional balloonist, who became a celebrated aeronaut following her husband’s death. Felicity Jones has stated that Blanchard was the inspiration for her character.Margaret Graham, a British aeronaut and entertainer. Amelia’s relationship with husband Pierre is chiefly based on Sophie Blanchard’s flights with husband Jean-Pierre Blanchard, while Pierre’s death is inspired by that of Thomas Harris on 25 May, 1824.) – historical accuracy – (wiki)

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1421 – Ansisung (2018)

timespace coordinates: 645 AD. Goguryeo – the siege of Ansi Fortress and the epic eighty-eight day battle that Yang Manchun and his troops fought against 500,000 invading Tang dynasty men to defend it.

The_Great_Battle-p001The Great Battle (Korean: 안시성; Hanja: 安市城; RR: Ansi-seong; lit. Ansi Fortress) is a 2018 South Korean historical action film directed by Kim Kwang-sik. It stars Jo In-sungNam Joo-hyuk, and Park Sung-woong. (wiki)

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1420

«The Romans stole the alphabeta system from the Greeks through war», explains Rammellzee. «Then, in medieval times, monks ornamented letters to hide their meaning from the people. Now, the letter is armored against further manipulation.»

New York graffiti artist and B-boy theoretician Rammellzee (the artist encases himself during gallery performances in Gasholeer, a 148-pound, gadgetry-encrusted exoskeleton inspired by an android he painted on a subway train in 1981. Four years in the making, Rammellzee’s exuberantly low-tech costume bristles with rocket launchers, nozzles that gush gouts of flame, and an all-important sound system.)

«From both wrists, I can shoot seven flames, nine flames from each sneaker’s heel, and colored flames from the throat. Two girl doll heads hanging from my waist and in front of my balls spit fire and vomit smoke… The sound system consists of a Computator, which is a system of screws with wires. These screws can be depressed when the keyboard gun is locked into it. The sound travels through the keyboard and screws, then through the Computator, then the belt, and on up to the four mid-range speakers (with tweeters). This is all balanced by a forward wheel from a jet fighter plane. I also use an echo chamber, Vocoder, and system of strobe lights. A coolant device keeps my head and chest at normal temperature. A 100-watt amp and batteries give me power.»

«slanguage» – a heavily encrypted hip-hop argot – is the linguistic equivalent of graffiti «tags» all over the mother tongue. In an essay on English as the imperial language of the Internet, the cultural critic McKenzie Wark argues for the willful, viral corruption of the lingua franca of global corporate monoculture as a political act.

Black to the Future: Afrofuturism 1.0

Mark Dery


1419 – The Lighthouse (2019)

timespace coordinates: New England island in the 1890s

MV5BZmE0MGJhNmYtOWNjYi00Njc5LWE2YjEtMWMxZTVmODUwMmMxXkEyXkFqcGdeQXVyMTkxNjUyNQ@@._V1_SY1000_CR0,0,675,1000_AL_The Lighthouse is a 2019 psychological horror film directed and produced by Robert Eggers (the vvitch – 2015), who co-wrote the screenplay with his brother Max Eggers. Shot in black-and-white with a 1.19:1 aspect ratio, the film stars Willem Dafoe and Robert Pattinson as two lighthouse keepers who start to lose their sanity when a storm strands them on the remote island where they are stationed.

The literature of Maine-based writer Sarah Orne Jewett served as a significant point of reference for the dialects used in The Lighthouse. Maritime and surrealistic elements from the works of Samuel Taylor ColeridgeHerman Melville and Robert Louis Stevenson also informed the writing of the film. According to Eggers, a 19th-century incident at Smalls Lighthouse in Wales involving two lighthouse keepers (both named Thomas, as in the film) was an additional source of inspiration. (wiki)

MV5BZjZmYmVlNGUtNjhhZS00MmQwLTk2NzAtZjFhYjJmNWNkM2RkXkEyXkFqcGdeQXVyMTkxNjUyNQ@@._V1_SY1000_CR0,0,675,1000_AL_

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The Lighthouse | The World | Official Featurette HD | A24

1417 – Waste Tide (2013 novel)

For All Tomorrow’s Parties. 全为明日派对。


timespace coordinates: The Waste Tide depicts a dystopian China in the post-2020 era. (2040’s -2050’s) In the Guiyu island, the large electronic recycle industries are in full control of local lineage associations. The laborers who undertake dangerous work for the profit of the Chinese and foreign businessmen who employ them are depicted not as humans, but cyborgs whose bodies and minds have been altered permanently through bio-engineering.

wastetideThe Waste Tide is a science fiction novel by the Chinese writer Chen Qiufan.

The story takes place in the imaginary ”Silicon Isle”. The Chinese word ”硅屿” for Silicon Isle shares a similar pronunciation with Guiyu (Chinese: 贵屿) in Mandarin. In the real world, Guiyu is a town in the Shantou prefecture of Guangdong province in China. And it is Shantou where Chen Qiufan was born and grew up before he entered Peking University. Situated on the South China Sea coast, Guiyu got famous in the global environmentalist community for its reception of E-waste. The town held the record for being the largest E-waste site up to 2013. Though some residents got rich by electronic recycling, pollution became serious in the town. Talking about the background of writing the novel, Chen said: ”Choosing my hometown as background to write the story, is related to my thinking of China. To depict the pain of changing China, is just because I desire for she getting better gradually.’ (wiki)

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