timespace coordinates: secluded fishing town of Oakmont, Massachusetts in the 1920s
The Sinking City is an action-adventure mystery horror / open-world detective game with a third-person camera perspective developed by Frogwares and published by Bigben Interactive, inspired by the works of horror author H.P. Lovecraft. Set in the fictional city of Oakmont, the story follows private investigator and war veteran Charles W. Reed as he searches for clues to the cause of the terrifying visions plaguing him, and becomes embroiled in the mystery of Oakmont’s unrelenting flooding. (wiki)
System Requirements (Minimum): CPU: Intel Core i5-2500 3.3 GHZ / AMD FX-8300 3.3 GHz. / OS: Windows 10 64bit. / VIDEO CARD: NVIDIA GeForce GTX 770 4096 MB / ATI R9 290 4096 MB or higher. / FREE DISK SPACE: 40 GB. / DEDICATED VIDEO RAM: 4096 MB.
steam / ~Let’s Play Gameplay / Walkthrough FULL GAME / Walkthrough / <<trailer / review
As the world around us increases in technological complexity, our understanding of it diminishes. Underlying this trend is a single idea: the belief that our existence is understandable through computation, and more data is enough to help us build a better world.
In reality, we are lost in a sea of information, increasingly divided by fundamentalism, simplistic narratives, conspiracy theories, and post-factual politics. Meanwhile, those in power use our lack of understanding to further their own interests. Despite the apparent accessibility of information, we’re living in a new Dark Age.
From rogue financial systems to shopping algorithms, from artificial intelligence to state secrecy, we no longer understand how our world is governed or presented to us. The media is filled with unverifiable speculation, much of it generated by anonymous software, while companies dominate their employees through surveillance and the threat of automation.
In his brilliant new work, leading artist and writer James Bridle surveys the history of art, technology, and information systems, and reveals the dark clouds that gather over our dreams of the digital sublime. (VERSO)
man always makes it clear to himself: “You are using things which have the intention of not being penetrable.” 1180
spacetime coordinates: 2010’s Hungary / BudapestThe juxtaposition of supernatural thriller tropes and urgent socio-political issues in Kornél Mundruczó’s latest movie — an original take on the superhero origin story set to the backdrop of the refugee crisis — might prove a delicate one for some viewers to take. Those unperturbed, however, should find much to relish in Jupiter’s Moon, a film that somewhat lightly plays with themes of religion and immigration as it rumbles, crashes, and ultimately soars through the streets of the Hungarian capitol. It’s a tricky balance and Mundruczó (who had a break-out with his canine revolt film White God in 2014) strikes it with style and confidence (even going so far as to signpost it in an opening prologue that reminds the audience that the titular gas giant’s largest orbiting body is called Europa, and that many believe that large oceans rest beneath its icy surface where a “cradle of life” might exist). The hero of Jupiter’s Moon, a young Syrian refugee with the connotation heavy name of Aryan (played by Majd Asmi), does not find a cradle of life in his Europa. To the contrary, in fact, he’s gunned down in the opening minutes… (read more)
spacetime coordinates: 2000’s Detroit, MichiganGran Torino is a 2008 American drama film directed and produced by Clint Eastwood, who also starred in the film. It is the first mainstream American film to feature Hmong Americans. Many Lao Hmong war refugees resettled in the U.S. following the communist takeover of Laos in 1975.