timespace coordinates: ancient Rome AD 475The Last Legion is a 2007 Anglo-Italian action adventure film directed by Doug Lefler. Produced by Dino De Laurentiis and others, it is based on a 2002 Italian novel of the same name written by Valerio Massimo Manfredi. It stars Colin Firth along with Sir Ben Kingsley and Aishwarya Rai, and premiered in Abu Dhabi on 6 April 2007.
The film is loosely inspired by the events of 5th-century European history, notably the collapse of the Western Roman Empire. This is coupled with other facts and legends from the history of Britain and fantastic elements from the legend of King Arthur to provide a basis for the Arthurian legend.
timespace coordinates: 25 – 33 ancient Rome / Jerusalem / Ionian SeaBen-Hur is a 2016 American epic historical period drama film directed by Timur Bekmambetov and written by Keith Clarke and John Ridley. It is the fifth film adaptation of the 1880 novel Ben-Hur: A Tale of the Christ by Lew Wallace following the 1907 silent short film, the 1925 silent film, the Academy Award-winning 1959 film and the 2003 animated film of the same name. It has been termed a “re-adaptation”, “reimagining”, and “new interpretation” of the novel. (wiki)
spacetime coordinates: Roma, 67 AD.
Paul, Apostle of Christ is a 2018 American biblical drama film written and directed by Andrew Hyatt. It stars James Faulkner as Saint Paul and Jim Caviezel (who portrayed Jesus in the 2004 film The Passion of the Christ) as Saint Luke. The film tells the story of Paul, who was known as a ruthless persecutor of Christians prior to his conversion to Christianity. The plot focuses on his becoming a pivotal figure in the formation of the early church before being executed by Emperor Nero in Rome. (wiki)
Persecution of Christians Mamertine Prison / imdb
“Christ sent me not to baptize, but to preach the gospel: not with wisdom of words, lest the cross of Christ should be made of none effect.
For the preaching of the cross is to them that perish foolishness; but unto us which are saved it is the power of God.
For it is written, I will destroy the wisdom of the wise, and will bring to nothing the understanding of the prudent.
Where is the wise? where is the scribe? where is the disputer of this world? hath not God made foolish the wisdom of this world?
For after that in the wisdom of God the world by wisdom knew not God, it pleased God by the foolishness of preaching to save them that believe. For the Jews require a sign, and the Greeks seek after wisdom: But we preach Christ crucified, unto the Jews a stumblingblock, and unto the Greeks foolishness; But unto them which are called, both Jews and Greeks, Christ the power of God, and the wisdom of God. Because the foolishness of God is wiser than men; and the weakness of God is stronger than men.
For ye see your calling, brethren, how that not many wise men after the flesh, not many mighty, not many noble, are called: But God hath chosen the foolish things of the world to confound the wise; and God hath chosen the weak things of the world to confound the things which are mighty; And base things of the world, and things which are despised, hath God chosen, yea, and things which are not, to bring to nought things that are: That no flesh should glory in his presence.
But of him are ye in Christ Jesus, who of God is made unto us wisdom, and righteousness, and sanctification, and redemption: That, according as it is written, He that glorieth, let him glory in the Lord.” (Paul_of_Tarsus
spacetime coordinates: Alexandria, Egypt. 391 – 415 A.D.
Agora (Spanish: Ágora) is a 2009 Spanish English-language historical drama film directed by Alejandro Amenábar and written by Amenábar and Mateo Gil. The biopic stars Rachel Weisz as Hypatia, a female mathematician, philosopher and astronomer in late 4th-century Roman Egypt, The story uses historical fiction to highlight the relationship between religion and science at the time amidst the decline of Greco-Roman polytheism and the Christianization of the Roman Empire. The set used in the film is meticulously historically authentic, showing a blend of Greek, Roman, and Egyptian architectural styles that would have been fitting to the time period, but the costumes are anachronistic. Hypatia’s age in the film is also inaccurate; most scholars believe she would have been in her 50s or 60s at the time of her death, but the film portrays her as a young woman. Irene A. Artemi, a doctor of theology at Athens University, states that “The movie—albeit seemingly not turning against the Christian religion—is in fact portraying the Christians as fundamentalist, obscurantist, ignorant and fanatic”. Similarly, the atheist historian Tim O’Neil remarks: “Over and over again, elements are added to the story that are not in the source material: the destruction of the library, the stoning of the Jews in the theatre, Cyril condemning Hypatia’s teaching because she is a woman, the heliocentric “breakthrough” and Hypatia’s supposed irreligiosity.” (read more: Historical accuracy)
Cyril of Alexandria
spacetime coordinates: 1868 > 1881 Arizona Territory / dying planet of Barsoom – Red Martian city of Helium, predator Walking City of Zodanga
John Carter is a 2012 American science fiction action film directed by Andrew Stanton from a screenplay written by Stanton, Mark Andrews, and Michael Chabon.
The film is largely based on A Princess of Mars (1917), the first in a series of 11 novels by Edgar Rice Burroughs to feature the interplanetary hero John Carter (and in later volumes the adventures of his children with Dejah Thoris). The story was originally serialized in six monthly installments (from February through to July 1912) in the pulp magazine The All-Story; those chapters, originally titled “Under the Moons of Mars,” were then collected in hardcover five years later from publisher A. C. McClurg.
John Carter stars Taylor Kitsch in the title role, Lynn Collins, Samantha Morton, Mark Strong, Ciarán Hinds, Dominic West, James Purefoy, and Willem Dafoe. The film chronicles the first interplanetary adventure of John Carter and his attempts to mediate civil unrest amongst the warring kingdoms of Barsoom.
Image converted using ImgCvt
Conceptual Art of the moving City of Zodanga
“JOHN CARTER” In Burroughs’ books, massive airships sail on rays of light on Mars. ©Disney Enterprises, Inc. All rights reserved.
“JOHN CARTER” Airship ©2011 Disney. JOHN CARTER™ ERB, Inc.
“JOHN CARTER” ©2011 Disney. JOHN CARTER™ ERB, Inc.
Several developments on a theatrical film adaptation of the Barsoom series emerged throughout the 20th century from various major studios and producers, with the earliest attempt dating back to the 1930s. Most of these efforts, however, ultimately stalled in development hell. In the late-2000s, Walt Disney Pictures began a concerted effort to develop a film adaptation of Burroughs’ works, after a previously-abandoned venture by the studio in the 1980s. The project was driven by Stanton, who had pressed Disney to renew the screen rights from the Burroughs estate. Stanton became director in 2009; this was his live-action debut, as his previous directorial work for Disney included the Pixar animated films, Finding Nemo (2003) and WALL-E (2008).
Due to the film’s poor box office performance, Disney cancelled any plans for a sequel (titled John Carter: The Gods of Mars) and trilogy Stanton had planned.
spacetime coordinates: Italy 1973 All the Money in the World is a 2017 crime thriller film directed by Ridley Scott and written by David Scarpa, based on John Pearson’s 1995 book Painfully Rich: The Outrageous Fortunes and Misfortunes of the Heirs of J. Paul Getty. It stars Michelle Williams, Christopher Plummer, Mark Wahlberg, Romain Duris, Charlie Plummer, Andrew Buchan, and Timothy Hutton. The film depicts J. Paul Getty‘s refusal to cooperate with the extortion demands of a group of kidnappers from the organized crime Mafia group ‘Ndrangheta, who abducted his grandson John Paul Getty III in 1973. (based on actual events)