1443

Born from Nicolas Winding Refn‘s passion for the rare, the forgotten and unknown, byNWR breathes new life into the culturally intriguing, influential and extreme.

Quarterly volumes of content divide into three monthly chapters, each featuring a fully-restored film. ()

bynwr.com

1441 – Dark Waters (2019)

timespace coordinates: 1990’s – 2010’s  Cincinnati, Ohio – Parkersburg, West Virginia

dark_waters_xlgDark Waters is a 2019 American legal thriller film directed by Todd Haynes and written by Mario Correa and Matthew Michael Carnahan. It is based on the 2016 article “The Lawyer Who Became DuPont‘s Worst Nightmare” by Nathaniel Rich, published in The New York Times Magazine. Parts of the story were also reported by Mariah Blake, whose 2015 article “Welcome to Beautiful Parkersburg, West Virginia” was a National Magazine Award finalist, and Sharon Lerner, whose series “Bad Chemistry” ran in The Intercept. Robert Bilott, the principal character in the film, also wrote a memoir, Exposure, detailing his 20-year legal battle against DuPont. The film stars Mark RuffaloAnne HathawayTim RobbinsBill CampVictor GarberMare WinninghamWilliam Jackson Harper, and Bill Pullman. (wiki)

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imdb


Perfluorooctanoic acid (PFOA, also known as C8)

forever chemicals / POPs / Perfluorinated alkylated substances (PFAS)

Timeline of events related to per- and polyfluoroalkyl substances (PFAS)


Economic response

1420

«The Romans stole the alphabeta system from the Greeks through war», explains Rammellzee. «Then, in medieval times, monks ornamented letters to hide their meaning from the people. Now, the letter is armored against further manipulation.»

New York graffiti artist and B-boy theoretician Rammellzee (the artist encases himself during gallery performances in Gasholeer, a 148-pound, gadgetry-encrusted exoskeleton inspired by an android he painted on a subway train in 1981. Four years in the making, Rammellzee’s exuberantly low-tech costume bristles with rocket launchers, nozzles that gush gouts of flame, and an all-important sound system.)

«From both wrists, I can shoot seven flames, nine flames from each sneaker’s heel, and colored flames from the throat. Two girl doll heads hanging from my waist and in front of my balls spit fire and vomit smoke… The sound system consists of a Computator, which is a system of screws with wires. These screws can be depressed when the keyboard gun is locked into it. The sound travels through the keyboard and screws, then through the Computator, then the belt, and on up to the four mid-range speakers (with tweeters). This is all balanced by a forward wheel from a jet fighter plane. I also use an echo chamber, Vocoder, and system of strobe lights. A coolant device keeps my head and chest at normal temperature. A 100-watt amp and batteries give me power.»

«slanguage» – a heavily encrypted hip-hop argot – is the linguistic equivalent of graffiti «tags» all over the mother tongue. In an essay on English as the imperial language of the Internet, the cultural critic McKenzie Wark argues for the willful, viral corruption of the lingua franca of global corporate monoculture as a political act.

Black to the Future: Afrofuturism 1.0

Mark Dery