Love, Death & Robots (stylized as LOVE DEATH + ROBOTS) is an American adult animated anthology web television series on Netflix. The 18-episode first season was released on March 15, 2019. The series is produced by Joshua Donen, David Fincher, Jennifer Miller, and Tim Miller. Each episode was animated by different crews from a range of countries. The series is a re-imagining of Fincher and Miller’s long in-development reboot of the 1981 animated science fiction film Heavy Metal.
The cast includes Mary Elizabeth Winstead, Topher Grace, Gary Cole, Samira Wiley and Stefan Kapičić, with Grace and Winstead appearing in live-action roles, rather than animated.
In March 2019, Netflix revealed that it was experimenting with a new approach by including a different order of episodes to different users. (*four unique episode orders, released to users at random.) (wiki)
timespace coordinates: South Africa / Botswana 1980 – the Kalahari DesertThe Gods Must Be Crazy is a 1980 South African comedy film written and directed by Jamie Uys. Financed only from local sources, it is the most commercially successful release in the history of South Africa’s film industry. Originally released in 1980, the film is the first in The Gods Must Be Crazy series. It is followed by one official sequel, The Gods Must Be Crazy II, released by Columbia Pictures.
Set in Botswana, it follows the story of Xi, a San of the Kalahari Desert (played by Namibian San farmer Nǃxau ǂToma) whose tribe has no knowledge of the world beyond, Andrew Steyn (Marius Weyers), a biologist who analyzes manure samples for his PhD dissertation, and Kate Thompson (Sandra Prinsloo), a newly hired village school teacher.
The final scene was filmed at God’s Window, a site located at the edge of the escarpment between the Highveld and Lowveld, in the province of Mpumalanga, South Africa.
imdb / rt
timespace coordinates: 1980 – 1990 – 2015, the Ozarks – Arkansas
The third season of True Detective, an American anthology crime drama television series created by Nic Pizzolatto, was confirmed by HBO on August 31, 2017, and premiered on January 13, 2019. The story takes place in the Ozarks over three separate time periods, as partner detectives investigate a macabre crime involving two missing children.
Mahershala Ali plays the lead role of detective Wayne Hays, while Stephen Dorff plays his partner detective Roland West. The season marks Pizzolatto’s directorial debut, with the series creator dividing up directing assignments with Jeremy Saulnier and Daniel Sackheim. Pizzolatto also serves as the showrunner and sole writer of the season, with the exception of the fourth and sixth episode, which he co-wrote with David Milch and Graham Gordy respectively. (wiki)
The year is 1987. Calvin Barr (a too-great-for-words Sam Elliott) is not a violent man. But he is more than capable of violence if sufficiently provoked. What many don’t realize about the thoughtful, elderly bloke regularly seen at the neighbourhood tavern is that he’s a legendary WW2 veteran who many years ago assassinated Adolf Hitler, an incredible secret that he’s frustratingly unable to share. One day, just as he’s coming to terms with rounding out his life, Calvin gets a visit from the FBI and the RCMP. They know what he’s done, and what he can be capable of. They have a mission for him. After discovering that it harbours a disease capable of eradicating humanity… they need him to take out Bigfoot.
A wondrous feature debut from writer/director Robert D. Krzykowski, featuring visual effects by celebrated two-time Academy Award Winner Douglas Trumbull (2001: A SPACE ODYSSEY, BLADE RUNNER), who also co-produced alongside the great John Sayles and Lucky McKee, and a supporting cast that includes Aidan Turner (THE HOBBIT trilogy), Caitlin FitzGerald (ALWAYS SHINE), Ron Livingston (THE CONJURING), Sean Bridgers (ROOM) and Rizwan Manji (PATERSON), this is one special film. A fantastical discourse on the melancholia of old age and a singular blast of entertaining wit, THE MAN WHO KILLED HITLER AND THEN THE BIGFOOT bubbles with imagination and poignancy. It’s a work that stands as staunchly alone as the weather-beaten hero at its core. It will bowl you over like a forgotten beast deep in the Northern wilderness. – Mitch Davis //fantasiafestivalimdb