1420

«The Romans stole the alphabeta system from the Greeks through war», explains Rammellzee. «Then, in medieval times, monks ornamented letters to hide their meaning from the people. Now, the letter is armored against further manipulation.»

New York graffiti artist and B-boy theoretician Rammellzee (the artist encases himself during gallery performances in Gasholeer, a 148-pound, gadgetry-encrusted exoskeleton inspired by an android he painted on a subway train in 1981. Four years in the making, Rammellzee’s exuberantly low-tech costume bristles with rocket launchers, nozzles that gush gouts of flame, and an all-important sound system.)

«From both wrists, I can shoot seven flames, nine flames from each sneaker’s heel, and colored flames from the throat. Two girl doll heads hanging from my waist and in front of my balls spit fire and vomit smoke… The sound system consists of a Computator, which is a system of screws with wires. These screws can be depressed when the keyboard gun is locked into it. The sound travels through the keyboard and screws, then through the Computator, then the belt, and on up to the four mid-range speakers (with tweeters). This is all balanced by a forward wheel from a jet fighter plane. I also use an echo chamber, Vocoder, and system of strobe lights. A coolant device keeps my head and chest at normal temperature. A 100-watt amp and batteries give me power.»

«slanguage» – a heavily encrypted hip-hop argot – is the linguistic equivalent of graffiti «tags» all over the mother tongue. In an essay on English as the imperial language of the Internet, the cultural critic McKenzie Wark argues for the willful, viral corruption of the lingua franca of global corporate monoculture as a political act.

Black to the Future: Afrofuturism 1.0

Mark Dery


1393

Based on his pioneering work in the recent book High Weirdness: Drugs, Esoterica, and Visionary Experience in the Seventies, author and podcaster Erik Davis will explore the phenomenon of occult revivals, comparing and contrasting some of the factors that made the early 1970s and the late 2010s hotbeds of occultism, witchcraft, and visionary experience. Featuring films by visual artists Dustin Wong and Amanda Siegel.


The Politics of High Weirdness: a Litquake talk with Erik Davis and RU Sirius

For Litquake 2019, Erik Davis spoke with RU Sirius about the politics of high weirdness, then and now.


High Weirdness By Mail  by Ivan Stang

This hysterical hobbyist’s guide belongs in every hip library. Coot cat Reverend Ivan Stang, high holy of the Church of the SubGenius, has compiled a bestiary of American creeps and crazies so that you can write to them and receive mail that is weird, horrible, wonderfully absurd, or a combination of all three.

goodreads   /  wikipedia

1392 – Memory: The Origins of Alien (2019 documentary)

Memory: The Origins of Alien is a 2019 documentary film that traces the origin of Ridley Scott’s Alien franchise.  Directed and written by Alexandre O. Philippe, it focuses on the idea that film is “a collective art form – not just the wider circle of writers, performers and technicians beyond the director, but in the case of the truly great films, serendipitous access to a deeper collective unconscious …”, tracing the connections from H. P. Lovecraft to Francis Bacon to the Greek Furies. (wiki)   /   imdb   /   rt


30 Alien Poster Designs   /   Poster Posse Project   /   alternativemovieposters.com/portfolio