204 – Cloud Atlas (2012)

spacetime coordinates: Pacific Islands, 1849 // Cambridge/Edinburgh, 1936 // San Francisco, 1973 // London, 2012 // Neo Seoul, 2144 // Big Isle (Hawaii), 106 winters after the Fall (2321)

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Cloud Atlas is a 2012 German-American science fiction film written and directed by The Wachowskis and Tom Tykwer. Adapted from the 2004 novel of the same name by David Mitchell, the film has multiple plots set across six different eras, which Mitchell described as “a sort of pointillist mosaic.”  The official synopsis describes it as “an exploration of how the actions of individual lives impact one another in the past, present and future, as one soul is shaped from a killer into a hero, and an act of kindness ripples across centuries to inspire a revolution.”  Tom HanksHalle Berry, and Jim Broadbent lead an ensemble cast.

Lana Wachowski stated “people will try to will Cloud Atlas to be rejected. They will call it messy, or complicated, or undecided whether it’s trying to say something New Agey-profound or not. And we’re wrestling with the same things that Dickens and Hugo and David Mitchell and Herman Melville were wrestling with. We’re wrestling with those same ideas, and we’re just trying to do it in a more exciting context than conventionally you are allowed to. … We don’t want to say, ‘We are making this to mean this.’ What we find is that the most interesting art is open to a spectrum of interpretation.”

cloud-atlas-movie-poster-

imdb // wikipedia

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199 – Wittgenstein (1993)

Wittgenstein is a 1993 film by the English director Derek Jarman. It is loosely based on the life story as well as the philosophical thinking of the philosopher Ludwig Wittgenstein. The adult Wittgenstein is played by Karl Johnson.

The original screenplay was by the literary critic Terry Eagleton. Jarman heavily rewrote the script during pre-production and shooting, radically altering the style and structure, although retaining much of Eagleton’s dialogue. The story is not played out in a traditional setting, but rather against a black backdrop within which the actors and key props are placed, as if in a theatre setting.

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A dramatization, in modern theatrical style, of the life and thought of the Viennese-born, Cambridge-educated philosopher Ludwig Wittgenstein (1889-1951), whose principal interest was the nature and limits of language. A series of sketches depict the unfolding of his life from boyhood, through the era of the first World War, to his eventual Cambridge professorship and association with Bertrand Russell and John Maynard Keynes. The emphasis in these sketches is on the exposition of the ideas of Wittgenstein, a homosexual, and an intuitive, moody, proud, and perfectionistic thinker generally regarded as a genius.

http://www.imdb.com/title/tt0108583/

189 – Breakfast on Pluto (2005)

spacetime coordinates: small town in Ireland // London in the 1970s

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Breakfast on Pluto is a 2005 British-Irish comedy-drama film written and directed by Neil Jordan and based on the novel of the same name by Patrick McCabe, as adapted by Jordan and McCabe. This dark comedy stars Cillian Murphy as a transgender foundling searching for love and her long-lost mother in small town Ireland and London in the 1970s.

TRAILER – https://www.youtube.com/watch?v=Z_GFxrTDsP4

http://www.imdb.com/title/tt0411195/

151 – American Gods  TV Series (2017– )

spacetime coordinates: the last ice age > 813 A.D > 1697 > … > 21th century America //  1721 Ireland > 1979 Tehran

american gods

American Gods is an American television series based on the novel of the same name, written by Neil Gaiman and originally published in 2001. The television series was developed by Bryan Fuller and Michael Green for the premium cable network Starz. Fuller and Green are the showrunners for the series.

The series focuses on Shadow Moon, who meets a strange man named Mr. Wednesday after being released from prison, and soon becomes embroiled in a large-scale conflict between the Old Gods and the New Gods, who grow stronger each day.

imdb

American-Gods-posters

Chernobog,  Zorya, Jinn, Anansi, Ēostre

143 – PRINCESS NOKIA

“I’m making worldly music—music that will talk to all kinds of people. Banjee girls in Harlem, teen brides in the Middle East, gay boys in East Asia. Labels no longer matter. My new music is cosmic and three-dimensional, and it will really speak of who Princess Nokia is.”

133 – Capote (2005)

spacetime coordinates: 1959 > 1965  Kansas

Capote is a 2005 biographical film about Truman Capote, following the events during the writing of Capote’s non-fiction book In Cold Blood. Philip Seymour Hoffman won several awards, including the Academy Award for Best Actor, for his critically acclaimed portrayal of the title character. The film was based on Gerald Clarke‘s biography Capote and was directed by Bennett Miller.

http://www.imdb.com/title/tt0379725/

_______________________________________

“The viIIage of HoIcomb stands on the high wheat pIains of western Kansas, a lonesome area that other Kansans call ‘out there.
UntiI one morning in mid-November, 1959 few Americans, in fact, few Kansans, had ever heard of Holcomb.
Like the waters of the Arkansas River, Iike the motorists on the highway, exceptionaI happenings never stopped there. Perry Smith’s voice
was both gentIe and prim. A voice that, though soft, manufactured each sound exactIy, ejected it Iike a smoke ring issuing from a parson’s mouth.
The four coffins, which quite fiIIed the smaII, flower-crowded parlor, were to be sealed at the funeral services, very understandabIy,
for the effect was disquieting. Nancy wore her dress of cherry-red veIvet, her brother a bright pIaid shirt. The parents were more sedateIy attired,
Mr. Clutter in navy-blue flannel, his wife in navy-bIue crepe. And it was this especiaIIy that lent the scene an awful aura,
the head of each was compIeteIy encased in cotton. A swollen cocoon twice the size of an ordinary bIown-up baIIoon.
And the cotton, because it had been sprayed with a gIossy substance, twinkled like Christmas tree snow.
One Tuesday at dawn, a carload of strangers, ignorant of the IocaI disaster, were startIed by what they saw as they crossed the prairies
and passed through HoIcomb. Windows ablaze.
AImost every window in aImost every house, and in the brightIy-Iit rooms, fuIIy-cIothed peopIe, even entire families, who had sat the whoIe night wide awake,
watchfuI, Iistening. Of what were they frightened? It might happen again.”