147 – The Zookeeper’s Wife (2017)

spacetime coordinates: 1939 – 1945 Warsaw, Poland

kinopoisk.ru

The Zookeeper’s Wife is a 2017 war drama film directed by Niki Caro and written by Angela Workman, based on Diane Ackerman’s non-fiction book The Zookeeper’s Wife, (which relied heavily on the diaries of Antonina Żabińska, published in Poland as Ludzie i zwierzęta translated as: People and Animals 1968)., recounting the rescue of Jews from the Nazi invasion. The film stars Jessica Chastain, Johan Heldenbergh, Michael McElhatton and Daniel Brühl.

wiki, imdb

146 – King Kong (2005)

spacetime coordinates: 1933 New York City. Skull Island, deep in the southern waters

2005-king_kong-2

King Kong is a 2005 epic monster adventure film co-written, produced, and directed by Peter Jackson. A remake of the 1933 film of the same name, the film stars Naomi Watts, Jack Black, Adrien Brody, and, through motion capture, Andy Serkis as the title character. Set in 1933, King Kong tells the story of an ambitious filmmaker who coerces his cast and hired ship crew to travel to the mysterious Skull Island. There they encounter Kong, a legendary giant gorilla, whom they capture and take to New York City.

wiki, imdb

142 – The VVitch: A New-England Folktale (2015)

spacetime coordinates:  1630s New England

thevvitch

The Witch (stylized as The VVitch, subtitled A New-England Folktale) is a 2015 historical period supernatural horror film written and directed by Robert Eggers in his directorial debut and stars Anya Taylor-Joy, Ralph Ineson, Kate Dickie, Harvey Scrimshaw, Ellie Grainger and Lucas Dawson. The film follows a Puritan family encountering forces of evil in the woods beyond their New England farm.

the witch

the film was inspired by many folktales, fairytales and written accounts of historical witchcraft, including journals, diaries and court records. much of the dialogue comes directly from the period sources. The production team worked extensively with British and American museums, as well as consulting experts on seventeenth-century British agriculture.

The Witch

In order to give the film an authentic look, Eggers shot only “with natural light and indoors, the only lighting was candles.” Eggers also chose to stylize the film’s title as “The VVitch” in its title sequence and on posters, stating that he found this spelling in a Jacobean era pamphlet on witchcraft, along with other period texts.

In the Witch’s Coven scene, the chant is in Enochian which is an angelic language often used in magical rituals. It first recorded by the 16th century occultist John Dee and his partner Edward Kelley. In this particular scene, the witches are using The Eleventh Enochian Key is used to herald the coming of the dead and establish a sustenance beyond the grave. To bind to the earth. A funerary call.

In December 2013, costume designer Linda Muir joined the crew, and consulted 35 books in the Clothes of the Common People in Elizabethan and Early Stuart England series to plan the costumes. The costumes were made with wool, linen, or hemp. Muir also lobbied for a larger costume budget.

the-witch-movie-2016-film-wallpaper-HD-exclusive-rabbit

A hare appears frequently in the film. In New England superstitions, hares were considered magical creatures in their own right, but were often associated with witches, either as a witch’s familiar (called a milk-hare), which stole or spoiled milk from the farm animals, or the witch themselves, who was thought able to turn into a hare in order to spy on and influence people.

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imdb, wikipedia

134 – The Way Back (2010)

spacetime coordinates: 1940 Siberia, Soviet Union  Lake BaikalMongoliaGobi Desert, the Himalayas

 

the Way Back is a 2010 survival drama film directed by Peter Weir, from a screenplay by Weir and Keith Clarke. The film is inspired by The Long Walk (1956), the memoir by former Polish prisoner of war Sławomir Rawicz, who claimed to have escaped from a Soviet Gulag and walked 4,000 miles to freedom in World War II. The film stars Jim Sturgess, Colin Farrell, Ed Harris, and Saoirse Ronan, with Alexandru Potocean, Sebastian Urzendowsky, Gustaf Skarsgård, Dragoş Bucur and Mark Strong.

way_back_poster2

Regardless of whether or not this particular “long walk” really took place, during World War II other Poles undertook difficult journeys attempting to leave the Soviet Union. Accounts of their escapes can be found in the archives of the Polish Institute and Sikorski Museum in London, and in the Hoover Institute at Stanford University, in California. Also, several relatively verifiable and believable escapee autobiographies have been published in English, e.g., Michael Krupa’s Shallow Graves in Siberia.

the way back 1

Many of the events that happen in the gulag scenes come from Varlam Shalamov’s The Kolyma Tales. (read/download PDF here)

the way back 4

 

http://www.imdb.com/title/tt1023114/

133 – Capote (2005)

spacetime coordinates: 1959 > 1965  Kansas

Capote is a 2005 biographical film about Truman Capote, following the events during the writing of Capote’s non-fiction book In Cold Blood. Philip Seymour Hoffman won several awards, including the Academy Award for Best Actor, for his critically acclaimed portrayal of the title character. The film was based on Gerald Clarke‘s biography Capote and was directed by Bennett Miller.

http://www.imdb.com/title/tt0379725/

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“The viIIage of HoIcomb stands on the high wheat pIains of western Kansas, a lonesome area that other Kansans call ‘out there.
UntiI one morning in mid-November, 1959 few Americans, in fact, few Kansans, had ever heard of Holcomb.
Like the waters of the Arkansas River, Iike the motorists on the highway, exceptionaI happenings never stopped there. Perry Smith’s voice
was both gentIe and prim. A voice that, though soft, manufactured each sound exactIy, ejected it Iike a smoke ring issuing from a parson’s mouth.
The four coffins, which quite fiIIed the smaII, flower-crowded parlor, were to be sealed at the funeral services, very understandabIy,
for the effect was disquieting. Nancy wore her dress of cherry-red veIvet, her brother a bright pIaid shirt. The parents were more sedateIy attired,
Mr. Clutter in navy-blue flannel, his wife in navy-bIue crepe. And it was this especiaIIy that lent the scene an awful aura,
the head of each was compIeteIy encased in cotton. A swollen cocoon twice the size of an ordinary bIown-up baIIoon.
And the cotton, because it had been sprayed with a gIossy substance, twinkled like Christmas tree snow.
One Tuesday at dawn, a carload of strangers, ignorant of the IocaI disaster, were startIed by what they saw as they crossed the prairies
and passed through HoIcomb. Windows ablaze.
AImost every window in aImost every house, and in the brightIy-Iit rooms, fuIIy-cIothed peopIe, even entire families, who had sat the whoIe night wide awake,
watchfuI, Iistening. Of what were they frightened? It might happen again.”