The District! (Hungarian: Nyócker!) is a 2004 Hungarian caricaturistic animated film directed by Áron Gauder. Its original title is a shortened colloquial form of nyolcadik kerület, the eighth district of Budapest, also known as Józsefváros, including an infamous neighbourhood where the film takes place. It is sometimes labelled as the Hungarian South Park.
The animated technique for this movie was rather innovative. The artists took 350 headshot pictures of each actor and used these photos for the expressing emotions and the animation of the heads. The bodies were hand drawn.
The film displays the Hungarian, Roma, Chinese and Arab dwellers and their alliances and conflicts in a humorous way, embedded into a fictive story of a few schoolchildren’s oil-making time-travel and a Romeo and Juliet-type love of a Roma guy towards a white girl. (wiki)
timespace coordinates: early 1990s Tochigi (snow-filled Iwafune)/ 1999 Tanegashima/ 2008 Tokyo5 Centimeters per Second (Japanese: 秒速5センチメートル Hepburn: Byōsoku Go Senchimētoru) is a 2007 Japanese animated coming-of-age romantic drama film produced, written and directed by Makoto Shinkai.
The film consists of three segments: “Cherry Blossom” (桜花抄 Ōkashō), “Cosmonaut” (コスモナウト Kosumonauto), and “5 Centimeters per Second” (秒速5センチメートル Byōsoku Go Senchimētoru), totaling about an hour of runtime.
As in Shinkai’s previous works, Tenmon composed this film’s soundtrack.
A novelization of 5 Centimeters per Second was released in November 2007, expanding on the film (Novel). In the July 2010 issue of the manga anthology Afternoon, a manga adaptation started serialization, illustrated by Seike Yukiko (Manga). (wiki)
“No, it’s not Webcam DeathStar battling it out in monetary meteorite showers of 50 Euro or more… it is not immanent junkspace collapsing in on itself in a Great Crush after Star Wars merged with Disney Universe. It is Bogdan Marcu trying to bail out your soul! We know he was manuscripting his way out of cyber corporate dungeons, while trying to rewrite the Bible in vernacular Romanian according to 3D Genesis and CGI creationist FX …and what do u know, he might have done it with COCALAR COSMOLOGY! Bless you BM!” |°¦::¦..¦¦¦::||¦÷¦||:::¦¦°.¦|::|¦|:::¦¦|.°°|¦||
timespace coordinates: AD 2019 Neo-Tokyo (31 years after ww3)
Akira (Japanese: アキラ Hepburn: Akira) is a 1988 Japanese animated post-apocalyptic cyberpunk film directed by Katsuhiro Otomo, based on Otomo’s 1982 manga of the same name. The film had a production budget of ¥1.1 billion ($9 million), making it the most expensive anime film of its time.
Set in a dystopian 2019, Akira tells the story of Shōtarō Kaneda, a leader of a local biker gang whose childhood friend, Tetsuo Shima, acquires incredible telekinetic abilities after a motorcycle accident, eventually threatening an entire military complex amidst chaos and rebellion in the sprawling futuristic metropolis of Neo-Tokyo. While most of the character designs and settings were adapted from the manga, the plot differs considerably, and does not include much of the last half of the manga. The soundtrack, which draws heavily from traditional Indonesian gamelan as well as Japanese noh music, was composed by Shōji Yamashiro and performed by Geinoh Yamashirogumi.
Akira premiered in Japan on July 16, 1988 by Toho, but was initially unable to recoup its budget. It was released the following year in the United States by pioneering animation distributor Streamline Pictures. It garnered an international cult following after various theatrical and VHS releases, eventually earning over $80 million worldwide from home video sales. It is widely regarded by critics as one of the greatest animated and science fiction films ever made, as well as a landmark in Japanese animation. It is also a landmark film in the cyberpunk genre, particularly the Japanese cyberpunk subgenre, as well as adult animation. The film had a significant impact on popular culture worldwide, paving the way for the growth of anime and Japanese popular culture in the Western world as well as influencing numerous works in animation, comics, film, music, television and video games. (wiki)
the first of five live-action or photo-realistically computer-generated remakes of prior traditionally-animated films that Disney has slated for release in 2019, along with Aladdin, The Lion King, Maleficent: Mistress of Evil, and Lady and the Tramp. (wiki)