1255 – Brightburn (2019)

timespace coordinates: 2006 – 2018 Brightburn, Kansas

PrintBrightburn is a 2019 American superhero horror film directed by David Yarovesky and produced by James Gunn and Kenneth Huang. It stars Elizabeth BanksDavid Denman and Jackson A. Dunn. The film is a horror take on the Superman origin/mythos.

(Superman traditionally stands for “truth, justice and the American way”. The essay Caitlyn is writing when she’s visited by Brandon is “The Decline of Truth and Justice in the Modern World”, identifying Brandon as a twisted, dark version of Superman born from the death of the values that the original one embodied.)

imdb   /   wiki   /  Possible sequels

1218 – Noah (2014) +

Noah is a 2014 American epic Biblical drama film directed by Darren Aronofsky and inspired by the Biblical story of Noah’s Ark from the Book of Genesis. Noah, which was co-written by Aronofsky and Ari Handel, stars Russell Crowe as Noah, along with Jennifer ConnellyEmma WatsonRay WinstoneLogan LermanDouglas Booth, and Anthony Hopkins.

Noah was praised for its direction and acting, but generated controversy, primarily due to its lack of racial diversity, its perceived left-leaning political messages and its extensive use of non-biblical sources for inspiration such as the Book of Enoch. It was banned in China for “religion-related reason”. Also, it was banned in several Muslim countries because it was seen as contradicting the teachings of Islam. Christian blogger Michael Snyder claims that the film “promotes the Luciferian Gnostic belief that the Creator of this world is evil”. (wiki)

imdb   /   Gucci Cruise 2019 Campaign



Rudolf Steiner – OCCULT SIGNS AND SYMBOLS:

 “Think vividly back into the end of the Atlantean epoch. Man still had a kind of clairvoyance; the air was saturated with water vapour. In this dense watery air, sun and stars could not be perceived; a rainbow could never have come into being; thick, heavy mist masses covered the earth. Hence it is that the myth speaks of Niflheim, of a mist-home. Then the waters that were so much spread out in the air, condensed. They covered Atlantis. The Flood signifies the mighty condensation of the mist masses into water. When the water separated itself from the air, our present kind of perception came about. Man was only then able to see himself when he saw other objects around him.

The physical body shows many regularities that have a deeper meaning. One of these is the following. If one were to make a chest the height, width, and length of which were in relation of three to five to thirty, the length corresponding to a body length, then the height and width would also correspond to the body’s proportions. In other words, herewith the proportions of a normally organized human body are given. [Here, length = depth. – e.Ed] When man emerged from the Flood of Atlantis, the proportions of his physical body corresponded to these measures. This is expressed in the Bible in a beautiful way in the following words:

“And God commanded Noah to build a chest three hundred ells long, fifty ells wide, and thirty ells high.” (I Moses, 6-15). [Meaning, the first book of Moses, Genesis. e.Ed] In these measurements of Noah’s Ark we have stated exactly the measurements for the harmony of the human body.”

read more: The Symbolic Meaning of Noah’s Ark and the Gothic Churches.

(…) human beings gradually transform themselves since, as a matter of fact, they lived in vessels, under the influence of great initiates, which had been built according to these measurements. Before the time of our present humanity there was a kind of water or sea-life that was lived in vessels, in which humanity gradually accustomed itself to life on land. The life of the Atlanteans was for the most part a life in vessels. Not only were they surrounded by a watery, misty air, but a large part of Atlantis was covered by the sea. This is the deep mystery of Noah’s Ark. What is to be found in the original religious documents has an immense depth. A radiance of wisdom and limitless sublimity surrounds these primal records when we immerse ourselves deeply in them.

1195 – Red Riding: The Year of Our Lord 1974 / 1980 / 1983 (2009)

timespace coordinates:  Yorkshire 1974 / 1980 / 1983

Red Riding (2009) is a three-part television adaptation of English author David Peace‘s Red Riding Quartet (1999–2002). The quartet comprises the novels Nineteen Seventy-Four (1999), Nineteen Seventy-Seven (2000), Nineteen Eighty (2001) and Nineteen Eighty-Three (2002) and the first, third, and fourth of these books became three feature-length television episodes: Red Riding 1974, Red Riding 1980, and Red Riding 1983. They aired in the UK on Channel 4 beginning on 5 March 2009 and were produced by Revolution Films. The three films were released theatrically in the US in February 2010.

Set against a backdrop of serial murders from 1974 to 1983, including the Yorkshire Ripper killings, the books and films follow several recurring fictional characters through a bleak and violent world of multi-layered police corruption and organised crime. Although there are allusions to real-life crimes, the plot is fictional rather than a documentary or factual account of events. Both the books and films mix elements of fact, fiction, and conspiracy theory – a confection dubbed “Yorkshire Noir” by some critics – and are notable for a chronologically fractured narrative and for defying neat or trite endings and resolutions. The name of the series is a reference to the murders and to their location, the historic county of Yorkshire being traditionally divided into three areas known as ridings.

imdb – 74 80 83 /   Historical basis   /  Theatrical film adaptation

1185 – Serenity (2005)

timespace coordinates: In the 26th century, humanity has left an overpopulated Earth to colonize a new solar system. The central planets formed the Alliance and won a war against the outer planet Independents—those who resisted joining the Alliance.

9iuimSerenity is a 2005 American science fiction action film written and directed by Joss Whedon and stars Nathan FillionAlan TudykAdam BaldwinSummer Glau and Chiwetel Ejiofor.

It is a continuation of Whedon’s short-lived 2002 Fox television series Firefly and stars the same cast, taking place after the events of the final episode. Set in 2517Serenity is the story of the captain and crew of Serenity, a “Firefly-class” spaceship. The captain and first mate are veterans of the Unification War, having fought on the losing Independent side against the Alliance. Their lives of smuggling and cargo-running are interrupted by a psychic passenger who harbors a dangerous secret. (wiki)

Session 416   /  Cultural impact   /  Themes and cultural allusions   /  Cancelled sequel

Serenity_Web_v2

imdb


Fruity Oaty Bar! Commercial

1180

many of the products of mankind — not only machines, but also cultural works (such as great works of art, ceremonial actions, and rituals) — attract elemental beings. “Out of the interaction between these creations of humanity and the elemental beings which live with man are formed the foundations of the kingdom of Future Jupiter. That, then, is comprised by the term the occult atom.”

(…) in that time in which the soul was not yet living in such substantiality (in the Polarean and Hyperborean times), the Spirit World, which is now our inner world, surrounded us as our outer environment; in the future, that which is now outer nature and that which is “constructed” by man will become our inner world. This again is a reference to one of the occult expressions connected with Freemasonry, and it was taken for granted that the listeners would understand what was meant. They knew that the old church builders constructed churches not for themselves, nor to bring their own names into the world, but rather for others. “It was the task of all secret brotherhoods to bring the spirit into the outer world.”

it was said in 1904: “We are approaching a time in which — as I have already indicated — comprehension can reach even as far as the atom. Even lay people will recognize that the atom is nothing other than coagulated electricity. Thought itself is of the same substance; even before the Fifth Cultural Epoch comes to an end, man will come so far that he will be capable of working right into the atom.”


On Nuclear Energy and the Occult Atom 

by Georg Unger, 1978 (online)

1179 – The Atomic Cafe (1982)

timespace coordinates: 1940s, 1950s and early 1960s United States, the Marshall Islands

The Atomic Cafe is a 1982 American documentary film produced and directed by Jayne LoaderKevin Rafferty and Pierce RaffertyIn 2016, the film was selected for preservation in the United States’ National Film Registry by the Library of Congress, being deemed “culturally, historically, or aesthetically significant”.

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The film covers the beginnings of the era of nuclear warfare, created from a broad range of archival material from the 1940s, 1950s and early 1960s including newsreel clips, television news footage, U.S. government-produced films (including military training films), advertisements, television and radio programs. News footage reflected the prevailing understanding of the media and public.

Though the topic of atomic holocaust is a grave matter, The Atomic Cafe approaches it with black humor. Much of the humor derives from the modern audience’s reaction to the old training films, such as the Duck and Cover film shown in schools.

The Atomic Cafe was released at the height of nostalgia and cynicism in America. By 1982, Americans lost much of their faith in their government following the Vietnam War, the Watergate scandal, and the seemingly never-ending arms race with the Soviet UnionThe Atomic Cafe reflects and reinforces this idea as it exposes how the atomic bomb’s dangers were downplayed and how the government used films to shape public opinion.

the-atomic-cafe-cartaz-original-cinema-D_NQ_NP_790329-MLB26502423408_122017-FBob Mielke, in “Rhetoric and Ideology in the Nuclear Test Documentary” (Film Quarterly) discusses the release of The Atomic Cafe: “This satire feature was released at the height of the nuclear freeze movement (which was in turn responding to the Reagan administration’s surreal handling of the arms race.)”

lfPatricia Aufderheide, in Documentary Film: A Very Short Introduction touches on the significance of The Atomic Cafe as a window into the past of government propaganda and disinformation during the years following the advent of the Atomic Bomb. “Propaganda, also known as disinformation, public diplomacy, and strategic communication, continues to be an important tool for governments. But stand-alone documentary is no longer an important part of public relations campaigns aimed at the general public.” (wiki)

imdb


Bikini Atoll

Because the site bears direct tangible evidence of the nuclear tests conducted there amid the paradoxical tropical location, UNESCO determined that the atoll symbolizes the dawn of the nuclear age and named it a World Heritage Site on 3 August 2010.

Bikini Atoll has conserved direct tangible evidence … conveying the power of … nuclear tests, i.e. the sunken ships sent to the bottom of the lagoon by the tests in 1946 and the gigantic Bravo crater. Equivalent to 7,000 times the force of the Hiroshima bomb, the tests had major consequences on the geology and natural environment of Bikini Atoll and on the health of those who were exposed to radiation. Through its history, the atoll symbolises the dawn of the nuclear age, despite its paradoxical image of peace and of earthly paradise.

1171 – The Electronic Doppelganger: The Mystery of the Double in the Age of the Internet (Book by Rudolf Steiner / Andreas Neider 1917 – 2016)

“Large temptations will emanate from these machine-animals, produced by people themselves, and it will be the task of a spiritual science that explores the cosmos to ensure all these temptations do not exert any damaging influence on human beings.” —Rudolf Steiner 
In an increasingly digitized world, where both work and play are more and more taking place online and via screens, Rudolf Steiner’s dramatic statements from 1917 appear prophetic. Speaking of “intelligent machines” that would appear in the future, Steiner presents a broad context that illustrates the multitude of challenges human beings will face. If humanity and the Earth are to continue to evolve together with the cosmos, and not be cut off from it entirely, we will need to work consciously and spiritually to create a counterweight to such phenomena.
In the lectures gathered here, edited with commentary and notes by Andreas Neider, Rudolf Steiner addresses a topic that he was never to speak of again–the secret of the geographical, or ahrimanic, Doppelganger. The human nervous system houses an entity that does not belong to its constitution, he states. This is an ahrimanic being that enters the body shortly before birth and leaves at death, providing the basis for all electrical currents needed to process and coordinate sensory perceptions and react to them.
Based on his spiritual research, Steiner discusses this Doppelganger, or double, in the wider context of historic occult events relating to spirits of darkness. Specific brotherhoods seek to keep such knowledge to themselves to exert power and spread materialism. But this knowledge is critical, says Steiner, if the geographical Doppelganger and its challenges are to be understood.

the-electronic-doppelganger-1

goodreads   /   amazon


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The Computer and the Incarnation of Ahriman

By David B. Black (online)