1322 – Good Bye Lenin! (2003)

timespace coordinates: East Berlin, from October 1989 to just after German reunification a year later (Most scenes were shot at the Karl-Marx-Allee in Berlin and around Plattenbauten near Alexanderplatz.)

Good Bye Lenin! is a 2003 German tragicomedy film, directed by Wolfgang Becker. The cast includes Daniel BrühlKatrin SaßChulpan Khamatova, and Maria Simon. The story follows a family in East Germany; the mother (Saß) is dedicated to the socialist cause and falls into a coma in October 1989, shortly before the November revolution. When she awakens eight months later in June 1990, her son (Brühl) attempts to protect her from a fatal shock by concealing the fall of the Berlin Wall and the collapse of communism.

Ostalgie is a neologism for the nostalgia for a communist past which is a common theme in Good Bye, Lenin! (read more


wiki   /   imdb   /   rottentomatoes   /   Sandmann Lied (sandmännchen – kosmonaut)

1278 – Forza Horizon 4 (2018 video game)

timespace coordinates: environment based in a fictional representation of the United Kingdom, in a region that includes condensed representations of Edinburgh, the Lake District (including Derwentwater), and the Cotswolds (including Broadway), among others, and features over 450 licensed cars.

1524228324-111Forza Horizon 4 is an open world racing video game developed by Playground Games and published by Microsoft Studios. It was released on 2 October 2018 on Xbox One and Microsoft Windows after being announced at Xbox’s E3 2018 conference. It is the fourth Forza Horizon title and eleventh instalment in the Forza series. The game is noted for its introduction of changing seasons to the series. (wiki)

system requirements: OS: Windows 10 version 15063.0 or higher. / DirectX: DirectX 12 API. / Memory: 8GB. / VRAM: 2GB. / Processor: Intel i3-4170 @ 3.7Ghz or Intel i5 750 @ 2.67Ghz. / Graphics card: Nvidia GTX 650 Ti or Nvidia GT 740 or AMD R7 250x.

fh4-goodwood-poster

www.microsoft.com

1235 – Lines of Wellington / Linhas de Wellington (2012)

timespace coordinates: In the autumn of 1810, the French forces of Marshal Masséna are invading Portugal and are temporarily halted by the Anglo-Portuguese army under Viscount Wellington at the Battle of Bussaco. As a bitter winter approaches, Wellington withdraws his troops towards the fortifications he has prepared in secret at the Lines of Torres Vedras. Using a scorched earth defence, he forces the inhabitants to evacuate the land in front of the Lines and destroys all supplies which could be useful to the French. The film illustrates these dramatic events by a series of vignettes which show the effects on combatants, both regular soldiers and guerrillas, and on the civilian population.17760187_poster_versao_7_ENLines of Wellington (Portuguese: Linhas de Wellington) is a 2012 Franco-Portuguese epic war film and television series prepared by Chilean director Raúl Ruiz and completed by his widow Valeria Sarmiento. (wiki)

imdb

1216 – Sanatorium pod Klepsydra / The Hourglass Sanatorium (1973)

Among all the tales there is one, / which you haven’t heard / and which the night reclaimed long ago. / Have you enough patience to listen to it?

The Hourglass Sanatorium (Polish: Sanatorium pod klepsydrą) is a 1973 Polish film directed by Wojciech Jerzy Has, starring Jan Nowicki, Tadeusz Kondrat, Mieczysław Voit, Halina Kowalska and Gustaw Holoubek. The story follows a young Jewish man who visits his father in a mystical sanatorium where time does not behave normally. The film is an adaptation of Bruno Schulz‘s story collection Sanatorium Under the Sign of the Hourglass. It won the Jury Prize at the 1973 Cannes Film Festival. (Release)

MV5BMjIxMzBlNDgtMTM0Zi00MmEyLWIxMTAtYTFlNGE4OTMyZWVjL2ltYWdlXkEyXkFqcGdeQXVyNTAyODkwOQ@@._V1_timespace coordinates: The time period of the film is a mixture of elements from the turn-of-the-century Galicia where Schulz grew up, and Has‘ own pre-World War II memories of the same region

Joseph (Jan Nowicki) travels through a dream-like world, taking a dilapidated train to visit his dying father, Jacob, in a sanatorium. When he arrives at the hospital, he finds the entire facility is going to ruin and no one seems to be in charge or even caring for the patients. Time appears to behave in unpredictable ways, reanimating the past in an elaborate artificial caprice.

Though Joseph is always shown as an adult, his behavior and the people around often depict him as a child. He befriends Rudolf, a young boy who owns a postage stamp album. The names of the stamps trigger a wealth of association and adventure in Joseph. Among the many occurrences in this visually potent phantasmagoria include Joseph re-entering childhood episodes with his wildly eccentric father (who lives with birds in an attic), being arrested by a mysterious unit of soldiers for having a dream that was severely criticized in high places, reflecting on a girl he fantasized about in his boyhood and commandeering a group of historic wax mannequins. Throughout his strange journey, an ominous blind train conductor reappears like a death figure.

Has also adds a series of reflections on the Holocaust that were not present in the original texts, reading Schulz’s prose through the prism of the author’s death during World War II and the demise of the world he described. (wiki)

imdb


“There are things than cannot ever occur with any precision. They are too big and too magnificent to be contained in mere facts. They are merely trying to occur, they are checking whether the ground of reality can carry them. And they quickly withdraw, fearing to loose their integrity in the frailty of realization. ”  (Bruno Schulz)

1129 – Jacaszek

Michał Jacaszek (born 1972) is a Polish electroacoustic musician, often credited on albums simply as Jacaszek.

663-november-2017


“Penteal (2009) is an attempt to describe a gothic church interior by means of sounds. A temple owes its special atmosphere not only to visual elements but also to characteristic acoustics – reverb, enhancing and prolonging a slightest whisper into infinity. i spent several days in three Gdańsk historic churches (Oliwa Cathedral, St. Nicolas’ church, St. Mary’s Basilica) recording chanting, organs, and also a broad spectrum of accidental noises. Source sounds were used only as a stimulus which releases the sound of the whole inside, and as such, they were consequently retouched in the post production process. Studio work and also the atmosphere of melody and arrangements were subordinate to the idea of portraying the church as a place filled with distant mysteries, a huge music instrument.”