1235 – Lines of Wellington / Linhas de Wellington (2012)

timespace coordinates: In the autumn of 1810, the French forces of Marshal Masséna are invading Portugal and are temporarily halted by the Anglo-Portuguese army under Viscount Wellington at the Battle of Bussaco. As a bitter winter approaches, Wellington withdraws his troops towards the fortifications he has prepared in secret at the Lines of Torres Vedras. Using a scorched earth defence, he forces the inhabitants to evacuate the land in front of the Lines and destroys all supplies which could be useful to the French. The film illustrates these dramatic events by a series of vignettes which show the effects on combatants, both regular soldiers and guerrillas, and on the civilian population.17760187_poster_versao_7_ENLines of Wellington (Portuguese: Linhas de Wellington) is a 2012 Franco-Portuguese epic war film and television series prepared by Chilean director Raúl Ruiz and completed by his widow Valeria Sarmiento. (wiki)

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1216 – Sanatorium pod Klepsydra / The Hourglass Sanatorium (1973)

Among all the tales there is one, / which you haven’t heard / and which the night reclaimed long ago. / Have you enough patience to listen to it?

The Hourglass Sanatorium (Polish: Sanatorium pod klepsydrą) is a 1973 Polish film directed by Wojciech Jerzy Has, starring Jan Nowicki, Tadeusz Kondrat, Mieczysław Voit, Halina Kowalska and Gustaw Holoubek. The story follows a young Jewish man who visits his father in a mystical sanatorium where time does not behave normally. The film is an adaptation of Bruno Schulz‘s story collection Sanatorium Under the Sign of the Hourglass. It won the Jury Prize at the 1973 Cannes Film Festival. (Release)

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Joseph (Jan Nowicki) travels through a dream-like world, taking a dilapidated train to visit his dying father, Jacob, in a sanatorium. When he arrives at the hospital, he finds the entire facility is going to ruin and no one seems to be in charge or even caring for the patients. Time appears to behave in unpredictable ways, reanimating the past in an elaborate artificial caprice.

Though Joseph is always shown as an adult, his behavior and the people around often depict him as a child. He befriends Rudolf, a young boy who owns a postage stamp album. The names of the stamps trigger a wealth of association and adventure in Joseph. Among the many occurrences in this visually potent phantasmagoria include Joseph re-entering childhood episodes with his wildly eccentric father (who lives with birds in an attic), being arrested by a mysterious unit of soldiers for having a dream that was severely criticized in high places, reflecting on a girl he fantasized about in his boyhood and commandeering a group of historic wax mannequins. Throughout his strange journey, an ominous blind train conductor reappears like a death figure.

Has also adds a series of reflections on the Holocaust that were not present in the original texts, reading Schulz’s prose through the prism of the author’s death during World War II and the demise of the world he described. (wiki)

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“There are things than cannot ever occur with any precision. They are too big and too magnificent to be contained in mere facts. They are merely trying to occur, they are checking whether the ground of reality can carry them. And they quickly withdraw, fearing to loose their integrity in the frailty of realization. ”  (Bruno Schulz)

1129 – Jacaszek

Michał Jacaszek (born 1972) is a Polish electroacoustic musician, often credited on albums simply as Jacaszek.

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“Penteal (2009) is an attempt to describe a gothic church interior by means of sounds. A temple owes its special atmosphere not only to visual elements but also to characteristic acoustics – reverb, enhancing and prolonging a slightest whisper into infinity. i spent several days in three Gdańsk historic churches (Oliwa Cathedral, St. Nicolas’ church, St. Mary’s Basilica) recording chanting, organs, and also a broad spectrum of accidental noises. Source sounds were used only as a stimulus which releases the sound of the whole inside, and as such, they were consequently retouched in the post production process. Studio work and also the atmosphere of melody and arrangements were subordinate to the idea of portraying the church as a place filled with distant mysteries, a huge music instrument.”

1063 – The Pianist (2002)

timespace coordinates: 1939 – 1945 Warsaw  during Nazi Germany‘s invasion of Poland /  Warsaw Ghetto /  the Warsaw Ghetto Uprising /  the Warsaw Uprising

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The story had deep connections with director Roman Polanski because he escaped from the Kraków Ghetto as a child after the death of his mother. He ended up living in a Polish farmer’s barn until the war’s end. His father almost died in the camps, but they reunited after the end of World War II. (wiki)

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1043 – The Wild Pear Tree / Ahlat Ağacı (2018)

timespace coordinates: 2010’s coastal Turkish town of Çanakkalewild pear tree posterThe Wild Pear Tree (TurkishAhlat Ağacı) is a 2018 Turkish drama film directed by Nuri Bilge Ceylan. Rotten Tomatoes critical consensus reads, “The Wild Pear Tree uses a young man’s post-graduation experience to pose thoughtful, engaging questions about life in modern Turkey — and the rest of the world.”

According to Nuri Bilge Ceylan, The Wild Pear Tree is about a son’s unavoidable slide towards a fate resembling that of his father.

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imdb   /  rottentomatoes