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Sepultura – Arise [OFFICIAL VIDEO]



Helloween “-Walls Of Jericho” full album   /   judas


Obituary – The End Complete


Megadeth – Train of Consequences


Paradise Lost – Shades Of God (Full Album)


1495962132_cover

Holy War

The Crown and the Ring / Kingdom Come

Mountains

Guyana (Cult Of The Damned)


“Achilles, Agony and Ecstasy in Eight Parts” is the longest (28 minutes and 38 seconds) and most complex Manowar song, and probably an anticipation of a concept album that was never accomplished. Because of its Homeric content, “Achilles, Agony and Ecstasy in Eight Parts” has recently attracted the attention of a group of scholars at Bologna University in Italy. Mrs. Eleonora Cavallini, Professor in Classics, has written about this song:

Joey DeMaio’s lyrics imply a careful and scrupulous reading of the Iliad. The songwriter has focused his attention essentially on the crucial fight between Hector and Achilles, has paraphrased some passages of the poem adapting them to the melodic structure with a certain fluency and partly reinterpreting them, but never altering or upsetting Homer’s storyline. The purpose of the lyrics (and of the music as well) is to evoke some characteristic Homeric sceneries: the raging storm of the battle, the barbaric, ferocious exultance of the winner, the grief and anguish of the warrior who feels death impending over him. The whole action hinges upon Hector and Achilles, who are represented as specular characters, divided by an irreducible hatred and yet destined to share a similar destiny. Both are caught in the moment of the greatest exaltation, as they savagely rejoice for the blood of their killed enemies, but also in the one of the extreme pain, when the daemon of war finally pounces on them. Furthermore, differently than in the irreverent and iconoclastic movie Troy, in “Achilles, Agony and Ecstasy in Eight Parts”, the divine is a constant and ineluctable presence, determining human destinies with inscrutable and steely will, and, despite the generic reference to ‘the gods’, the real master of human lives is Zeus, the only God to whom both Hector and Achilles address their prayers

1087 – Pee-wee’s Big Adventure (1985)

timespace coordinates: 1980’s California > Texas03Pee-wee’s Big Adventure is a 1985 American adventure comedy film directed by Tim Burton in his full-length film directing debut and starring Paul Reubens as Pee-wee Herman with supporting roles provided by Elizabeth DailyMark HoltonDiane Salinger, and Judd Omen. Described as a “parody” or “farce version” of the 1948 Italian classic Bicycle Thieves, it is the tale of Pee-wee Herman’s nationwide search for his stolen bicycle. (wiki)

imdb


www.worksofmattryan.com

1058 – Tropic Thunder (2008)

timespace coordinates: 2000’s VietnamGolden TriangleMV5BNDE5NjQzMDkzOF5BMl5BanBnXkFtZTcwODI3ODI3MQ@@._V1_SY1000_CR0,0,711,1000_AL_Tropic Thunder is a 2008 action comedy film directed by Ben Stiller. It stars Stiller, Jack BlackRobert Downey Jr.Jay Baruchel, and Brandon T. Jackson as a group of prima donna actors who are making a Vietnam War film. When their frustrated director (played by Steve Coogan) drops them in the middle of a jungle, they are forced to rely on their acting skills to survive the real action and danger.

The film had an extensive marketing promotion, including faux websites for the three main characters and their fictional films, airing a fictional television special, and selling the energy drink advertised in the film, “Booty Sweat”.

The film received generally positive reviews, with critics praising the film’s characters, story, faux trailers, and the performances of Stiller, Downey, Black and Tom Cruise, though the depiction of the mentally handicapped and usage of blackface makeup were seen as controversial. (wiki)


imdb   /   rottentomatoes


Tropic Thunder: Rain of Madness (2008) – A behind-the-scenes mockumentary of Tropic Thunder.

Tugg Speedman, Action Hero


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“(…) perhaps the crash will look like a string of blockbuster movies pandering to right-wing conspiracies and survivalist fantasies, from quasi-fascist superheroes (Captain America and the Batman series) to justifications of torture and assassination (Zero Dark Thirty, American Sniper). In Hollywood, studios run their scripts through the neural networks of a company called Epagogix, a system trained on the unstated preferences of millions of moviegoers developed over decades in order to predict which lines will push the right – meaning the most lucrative – emotional buttons.  Their algorithmic engines are enhanced with data from Netflix, Hulu, YouTube and others, whose access to the minute-by-minute preferences of millions of video watchers, combined with an obsessive focus on the acquisition and segmentation of data, provides them with a level of cognitive insight undreamed of by previous regimes. Feeding directly upon the frazzled, binge-watching desires of news-saturated consumers, the network turns upon itself, reflecting, reinforcing and heightening the paranoia inherent in the system.
Game developers enter endless cycles of updates and in-app purchases directed by A/B testing interfaces and real-time monitoring of players’ behaviours until they have such a finegrained grasp on dopamine-producing neural pathways that teenagers die of exhaustion in front of their computers, unable to tear themselves away.  Entire cultural industries become feedback loops for an increasingly dominant narrative of fear and violence.”

New Dark Age: Technology and the End of the Future

James Bridle (https://jamesbridle.com/)

617 – The Rocketeer (1991)

spacetime coordinates:  1938 Los Angeles63664326The Rocketeer is a 1991 American period superhero film from Walt Disney Pictures, produced by Charles GordonLawrence Gordon, and Lloyd Levin, directed by Joe Johnston, that stars Bill CampbellJennifer ConnellyAlan ArkinTimothy DaltonPaul Sorvino, and Tiny Ron Taylor. The film is based upon the character of the same name created by comic book artist and writer Dave Stevens. Set in 1938 Los Angeles, CaliforniaThe Rocketeer tells the story of stunt pilot Cliff Secord who stumbles upon a hidden rocket powered jet pack that he thereafter uses to fly without the need of an aircraft. His heroic deeds soon attract the attention of Howard Hughes and the FBI, who are hunting for the missing jet pack, as well as the Nazi operatives that stole it from Hughes.

imdb   wiki

528 – The Aviator (2004)

spacetime coordinates: 1927–1947 California / Connecticutthe aviator posterThe Aviator is a 2004 American epic biographical drama film directed by Martin Scorsese, written by John Logan. It stars Leonardo DiCaprio as Howard HughesCate Blanchett as Katharine Hepburn, and Kate Beckinsale as Ava Gardner. Based on the 1993 non-fiction book Howard Hughes: The Secret Life by Charles Higham, the film depicts the life of Howard Hughes, an aviation pioneer and director of Hell’s Angels. The film portrays his life from 1927–1947 during which time Hughes became a successful film producer and an aviation magnate while simultaneously growing more unstable due to severe obsessive–compulsive disorder (OCD).

In an article for the American Cinematographer, John Pavlus wrote: “The film boasts an ambitious fusion of period lighting techniques, extensive effects sequences and a digital re-creation of two extinct cinema color processes: two-color and three-strip Technicolor.” For the first 52 minutes of the film, scenes appear in shades of only red and cyan blue; green objects are rendered as blue. This was done, according to Scorsese, to emulate the look of early bipack color films, in particular the Multicolor process, which Hughes himself owned, emulating the available technology of the era. Similarly, many of the scenes depicting events occurring after 1935 are treated to emulate the saturated appearance of three-strip Technicolor. Other scenes were stock footage colorized and incorporated into the film.

http://www.imdb.com/title/tt0338751/