The King of Kong: A Fistful of Quarters is a 2007 American documentary film about competitive gaming directed by Seth Gordon. It follows Steve Wiebe in his attempts to take the high score record for the 1981 arcade game Donkey Kong from the previous holder, Billy Mitchell. (wiki)
timespace coordinates: 1969 Los Angeles
Once Upon a Time in Hollywood is a 2019 comedy-drama film written and directed by Quentin Tarantino. It features a large ensemble cast led by Leonardo DiCaprio, Brad Pitt, Margot Robbie, Emile Hirsch, Margaret Qualley, Timothy Olyphant, Austin Butler, Dakota Fanning, Bruce Dern, and Al Pacino. The film follows an actor and his stunt double, as they navigate the changing film industry, and features “multiple storylines in a modern fairy tale tribute to the final moments of Hollywood’s golden age” (wiki)
China banned the Comedy Central cartoon “South Park” after its 299th episode, “Band in China,” aired on October 2. It mocked Hollywood’s submission to the country. In response, “South Park” declared “F—” the Chinese government” in its 300th episode, and the show’s creators Matt Stone and Trey Parker published a mock apology. (businessinsider)
timespace coordinates: LA, 1964
The Loved One is a 1965 black and white comedy film about the funeral business in Los Angeles, which is based on The Loved One: An Anglo-American Tragedy (1948), a short satirical novel by Evelyn Waugh. It was directed by British filmmaker Tony Richardson and the screenplay—which also drew on Jessica Mitford‘s book The American Way of Death (1963) —was written by noted American satirical novelist Terry Southern and British author Christopher Isherwood.
The film stars Robert Morse, Jonathan Winters, Anjanette Comer and Rod Steiger. Among those making appearances in smaller roles are John Gielgud, Robert Morley, Roddy McDowall, James Coburn, Milton Berle, Dana Andrews and Liberace. (wiki)
timespace coordinates: 2000’s Texas > Arizona > California
Zombieland is a 2009 American post-apocalyptic horror zombie comedy film directed by Ruben Fleischer in his theatrical debut. The film stars Woody Harrelson, Jesse Eisenberg, Emma Stone, and Abigail Breslin as survivors of a zombie apocalypse.
The film follows a geeky college kid making his way through the zombie apocalypse, meeting three strangers along the way and together taking an extended road trip across the Southwestern United States in an attempt to find a sanctuary free from zombies. (wiki)
Helloween “-Walls Of Jericho” full album / judas / guardians
“Achilles, Agony and Ecstasy in Eight Parts” is the longest (28 minutes and 38 seconds) and most complex Manowar song, and probably an anticipation of a concept album that was never accomplished. Because of its Homeric content, “Achilles, Agony and Ecstasy in Eight Parts” has recently attracted the attention of a group of scholars at Bologna University in Italy. Mrs. Eleonora Cavallini, Professor in Classics, has written about this song:
“Joey DeMaio’s lyrics imply a careful and scrupulous reading of the Iliad. The songwriter has focused his attention essentially on the crucial fight between Hector and Achilles, has paraphrased some passages of the poem adapting them to the melodic structure with a certain fluency and partly reinterpreting them, but never altering or upsetting Homer’s storyline. The purpose of the lyrics (and of the music as well) is to evoke some characteristic Homeric sceneries: the raging storm of the battle, the barbaric, ferocious exultance of the winner, the grief and anguish of the warrior who feels death impending over him. The whole action hinges upon Hector and Achilles, who are represented as specular characters, divided by an irreducible hatred and yet destined to share a similar destiny. Both are caught in the moment of the greatest exaltation, as they savagely rejoice for the blood of their killed enemies, but also in the one of the extreme pain, when the daemon of war finally pounces on them. Furthermore, differently than in the irreverent and iconoclastic movie Troy, in “Achilles, Agony and Ecstasy in Eight Parts”, the divine is a constant and ineluctable presence, determining human destinies with inscrutable and steely will, and, despite the generic reference to ‘the gods’, the real master of human lives is Zeus, the only God to whom both Hector and Achilles address their prayers