The Man Who Killed Don Quixote is a 2018 adventure–comedy film starring Adam Driver, directed by Terry Gilliam and written by Gilliam and Tony Grisoni, loosely based on the novel Don Quixote by Miguel de Cervantes. Gilliam unsuccessfully attempted to make the film many times over the span of twenty-nine years, which made it an infamous example of development hell.The film premiered on 19 May 2018, simultaneously acting as the closing film at the 2018 Cannes Film Festival and being released in French theaters. Gilliam has struggled to release The Man Who Killed Don Quixote worldwide since then, partially due to a lengthy legal dispute with former producer Paulo Branco, and the film was only released in a few other countries. On 17 December 2018, the film was confirmed for a US release in March 2019. (wiki)“Toby, a disillusioned advertising executive, becomes pulled into a world of time jumping fantasy when a Spanish cobbler believes him to be Sancho Panza. He gradually becomes unable to tell dreams from reality.” (imdb)
timespace coordinates: 2011 Los AngelesUnder the Silver Lake is a 2018 American neo-noir mystery film written, produced and directed by David Robert Mitchell. Set in Los Angeles, it stars Andrew Garfield as a young man who sets out on a quest to investigate the sudden disappearance of his neighbour (Riley Keough), only to stumble upon an elusive and dangerous large-scale conspiracy.
Joshua Rothkopf of Time Out gave the film a perfect five rating, calling it “Hypnotic, spiraling and deliriously high” and stating “the ambition of Under the Silver Lake is worth cherishing. It will either evaporate into nothingness or cohere into something you’ll want to hug for being so wonderfully weird.” Eric Kohn of IndieWire gave a positive review, calling it “a bizarre and outrageous drama grounded in the consistency of Garfield’s astonishment at every turn. […] Aided by cinematographer Mike Gioloukas’ sunny visuals and a searching Disasterpiece score, the movie becomes a bittersweet ode to wanting answers from an indifferent world overwhelmed by superficial distractions. The homage can be irritating and some of the transitions work better than others across an unwieldy running time — but even the flaws speak to the movie’s beguiling raison d’être. It’s fascinating to watch Mitchell grasp for a bigger picture with the wild ambition of his scruffy protagonist.”
Owen Gleiberman of Variety gave a positive review, calling it “a down-the-rabbit-hole movie, at once gripping and baffling, fueled by erotic passion and dread but also by the code-fixated opacity of conspiracy theory. The movie is impeccably shot and staged, with an insanely lush soundtrack that’s like Bernard Herrmann-meets-Angelo-Badalamenti-on-opioids. When it’s over, though, you feel like you’ve seen a meta-mystery made by someone who spent too much time scrawling notes in the margins of his frayed copy of Infinite Jest. (wiki)
The definitive three-and-a-half hour documentary about the troubled creation and enduring legacy of the science fiction classic Blade Runner (1982), culled from 80 interviews and hours of never-before-seen outtakes and lost footage.imdb / 072 – Blade Runner Ambience – Sounds Of The City 2019 / 400 – Blade Runner / 475
timespace coordinates: 2000’s Netherlands / United States / Belgium / China / SpainThe Forgotten Space (Allan Sekula & Noël Burch, 2010) follows container cargo aboard ships, barges, trains and trucks, listening to workers, engineers, planners, politicians, and those marginalized by the global transport system. We visit displaced farmers and villagers in Holland and Belgium, underpaid truck drivers in Los Angeles, seafarers aboard mega-ships shuttling between Asia and Europe, and factory workers in China, whose low wages are the fragile key to the whole puzzle. And in Bilbao, we discover the most sophisticated expression of the belief that the maritime economy, and the sea itself, is somehow obsolete.
A range of materials is used: descriptive documentary, interviews, archive stills and footage, clips from old movies. The result is an essayistic, visual documentary about one of the most important processes that affects us today. The Forgotten Space is based on Sekula’s Fish Story, seeking to understand and describe the contemporary maritime world in relation to the complex symbolic legacy of the sea.
The sea is forgotten until disaster strikes. But perhaps the biggest seagoing disaster is the global supply chain, which – maybe in a more fundamental way than financial speculation – leads the world economy to the abyss. (http://www.theforgottenspace.net/)
Analyzing his relationship with the reclusive artist Cindy Sherman leads filmmaker Paul H-O (Hasegawa-Overacker) to confront his own identity in this personal and unexpectedly humorous documentary. Paul H-O became a fixture of the New York art scene in the 1990s with his public access show “GalleryBeat.” Armed with a video camera, he attended art gallery openings, intriguing many with his candid, witty assessments of the work and winning fans in the process. Among the latter was Cindy Sherman, the press-shy art superstar, who invited Paul to her studio for a series of exclusive filmed interviews. In these sessions, he gains insight into her artistic process and a romantic relationship blossoms as they fall in love. Their initial bliss takes a turn when Paul gets caught up in the aura of Cindy’s celebrity and he is subordinated to a role as Cindy’s guest at the star-studded openings and dinners she regularly attends. Spanning over 15 years and with unprecedented access to the great artist, including interviews with a veritable who’s who of the art and entertainment world, the film paints a vivid picture of the contemporary art scene and provides a witty, illuminating look at celebrity, anxiety, and art. (rottentomatoes)Cindy was initially supportive, but later opposed the project.
Ushio Shinohara: “We are the ones suffering the most from art…”
Cutie and the Boxer is a 2013 American documentary film produced, shot, and directed by Zachary Heinzerling. The film focuses on the chaotic 40-year marriage of the boxing painter Ushio Shinohara and his wife Noriko. The film features original artwork by Noriko Shinohara and Ushio Shinohara.
Heinzerling said of the couple: “When I first met [the Shinoharas], I was just struck by the raw spirit and beauty that emanates from their faces, their lifestyle, their art, everything about them has so much purpose and character. Even if you don’t speak Japanese, even if you have no previous knowledge of their artwork or who they are, you’re immediately captivated by their presence. They live in a world that’s kind of a time warp that hearkens back to the ‘70s New York SoHo art scene that is sort of canonized in history, certainly from my point of view.”
spacetime coordinates: 2010’s Stockholm
“The Square is a sanctuary of trust and caring. Within it we all share equal rights and obligations.”The Square is a 2017 Swedish satirical drama film written and directed by Ruben Östlund, and starring Claes Bang, Elisabeth Moss, Dominic West and Terry Notary. The film is about publicity surrounding an art installation, and was partly inspired by an installation Östlund and producer Kalle Boman had made.
(development) Originally with the performance artist who entertains the affluent patrons, Östlund was considering modelling the character after G.G. Allin, but deciding that that would be too “extreme”, he fell back on his interest in animal imitations. In crafting the scene, his concept was: “this internationally recognized artist is pretending to be a wild beast. What happens when he enters a room full of people in tuxedos?” The scene was inspired by a real incident with the artist Oleg Kulik, who performs as a dog and had attacked people at a notorious event in Stockholm. Other artists parodied in the film include Julian Schnabel, Robert Smithson and Carl Hammoud.
Oleg Kulik “Reservoir Dog” Zurich 1995