1191 – What We Do in the Shadows (2019– TV series)

timespace coordinates: 2019 Staten Island

MV5BNmFmMmJmODMtZDNjOS00NTQ1LWEzZTMtOGY5ZWI0YzhkODQ0XkEyXkFqcGdeQXVyMTQxNzMzNDI@._V1_SY1000_SX686_AL_What We Do in the Shadows is an American comedy horror television series, based on the 2014 film of the same name written by Jemaine Clement and Taika Waititi, that premiered on March 27, 2019, on FX. The series follows four vampire roommates living in New York City and it stars Kayvan NovakMatt BerryNatasia DemetriouHarvey Guillén, and Mark Proksch. In May 2019, FX renewed the series for a 10-episode second season to debut in 2020. (wiki)MV5BMTA3MjE0MjU2ODheQTJeQWpwZ15BbWU4MDcwNzc1NDcz._V1_SY1000_SX800_AL_What We Do in the Shadows featured meta cameos from Evan Rachel Wood (“True Blood”), Danny Trejo (“From Dusk Till Dawn”), Wesley Snipes (“Blade”), Tilda Swinton (“Only Lovers Left Alive”) and Paul Reubens (“Buffy the Vampire Slayer”) — all of whom played vampires in TV series and movies. (nypost)

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1179 – The Atomic Cafe (1982)

timespace coordinates: 1940s, 1950s and early 1960s United States, the Marshall Islands

The Atomic Cafe is a 1982 American documentary film produced and directed by Jayne LoaderKevin Rafferty and Pierce RaffertyIn 2016, the film was selected for preservation in the United States’ National Film Registry by the Library of Congress, being deemed “culturally, historically, or aesthetically significant”.

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The film covers the beginnings of the era of nuclear warfare, created from a broad range of archival material from the 1940s, 1950s and early 1960s including newsreel clips, television news footage, U.S. government-produced films (including military training films), advertisements, television and radio programs. News footage reflected the prevailing understanding of the media and public.

Though the topic of atomic holocaust is a grave matter, The Atomic Cafe approaches it with black humor. Much of the humor derives from the modern audience’s reaction to the old training films, such as the Duck and Cover film shown in schools.

The Atomic Cafe was released at the height of nostalgia and cynicism in America. By 1982, Americans lost much of their faith in their government following the Vietnam War, the Watergate scandal, and the seemingly never-ending arms race with the Soviet UnionThe Atomic Cafe reflects and reinforces this idea as it exposes how the atomic bomb’s dangers were downplayed and how the government used films to shape public opinion.

the-atomic-cafe-cartaz-original-cinema-D_NQ_NP_790329-MLB26502423408_122017-FBob Mielke, in “Rhetoric and Ideology in the Nuclear Test Documentary” (Film Quarterly) discusses the release of The Atomic Cafe: “This satire feature was released at the height of the nuclear freeze movement (which was in turn responding to the Reagan administration’s surreal handling of the arms race.)”

lfPatricia Aufderheide, in Documentary Film: A Very Short Introduction touches on the significance of The Atomic Cafe as a window into the past of government propaganda and disinformation during the years following the advent of the Atomic Bomb. “Propaganda, also known as disinformation, public diplomacy, and strategic communication, continues to be an important tool for governments. But stand-alone documentary is no longer an important part of public relations campaigns aimed at the general public.” (wiki)

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Bikini Atoll

Because the site bears direct tangible evidence of the nuclear tests conducted there amid the paradoxical tropical location, UNESCO determined that the atoll symbolizes the dawn of the nuclear age and named it a World Heritage Site on 3 August 2010.

Bikini Atoll has conserved direct tangible evidence … conveying the power of … nuclear tests, i.e. the sunken ships sent to the bottom of the lagoon by the tests in 1946 and the gigantic Bravo crater. Equivalent to 7,000 times the force of the Hiroshima bomb, the tests had major consequences on the geology and natural environment of Bikini Atoll and on the health of those who were exposed to radiation. Through its history, the atoll symbolises the dawn of the nuclear age, despite its paradoxical image of peace and of earthly paradise.

1174 – Spaceballs (1987)

spaceballs_ver1_xlgSpaceballs is a 1987 American comic science fiction film co-written, produced and directed by Mel Brooks. Starring Brooks, Bill PullmanJohn Candy and Rick Moranis, the film also features Daphne ZunigaDick Van Patten, and the voice of Joan Rivers. In addition to Brooks in a supporting role, the film also features Brooks regulars Dom DeLuise and Rudy De Luca in cameo appearances.

The film’s setting and characters parody the original Star Wars trilogy, as well as other sci-fi franchises including Star TrekAlien and the Planet of the Apes films. It was released by Metro-Goldwyn-Mayer on June 24, 1987, and was met with a mixed reception. It has since become a cult classic on video and one of Brooks’s most popular films. (wiki)

The Millennium Falcon from the Star Wars saga makes a cameo appearance in this movie. Given a close look at the exterior shot of the Space Diner, and it can be spotted parked there among the other space vehicles. George Lucas got a chance to read the screenplay before production began, and loved it so much that he decided to have his special effects company, Industrial Light & Magic, help make this movie. (read more: trivia)

Spaceballs_posterPossible sequel and animated series

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1168 – Starship Troopers

timespace coordinates: the 23rd century,  Buenos Aires / Terran Federation > Klendathu, the “Bugs’” home planet / Planet “P”/ remote outpost on a planet inhabited by Arachnids / agricultural planet Roku San / classified planet OM-1 /

Starship Troopers (1997)

MV5BNWExNzg3MmMtYjc3MS00MzFlLWJiOWQtNWYxZTgxNjhlZTQ2XkEyXkFqcGdeQXVyNzkwMjQ5NzM@._V1_Starship Troopers is a 1997 American satirical military science fiction action film directed by Paul Verhoeven and written by Edward Neumeier. It originally came from an unrelated script called Bug Hunt at Outpost Nine, but eventually licensed the name Starship Troopers from a science fiction novel by Robert A. Heinlein. The story follows a young soldier named Johnny Rico and his exploits in the Mobile Infantry, a futuristic military unit. Rico’s military career progresses from recruit to non-commissioned officer and finally to officer against the backdrop of an interstellar war between mankind and an insectoid species known as “Arachnids”.

(Relationship to novel) Because the film originated from an unrelated script, with names and superficial details from the novel being added retroactively, there are many differences between the two. While the novel has been accused of promoting militarism, fascism, and military rule, the film satirizes these concepts by featuring bombastic displays of nationalism as well as news reports that are intensely fascisticxenophobic, and propagandistic.  Verhoeven stated in 1997 that the first scene of the film—an advertisement for the Mobile Infantry—was adapted shot-for-shot from a scene in Leni Riefenstahl’s Triumph of the Will (1935), specifically an outdoor rally for the Reichsarbeitsdienst. Other references to Nazism in the movie include the Wehrmacht-inspired uniforms and insignia of field grade officers, M.I. working uniforms reminiscent of Mussolini’s BlackshirtsAlbert Speer‘s style of architecture, and its propagandistic dialogue (“Violence is the supreme authority!”). 

In a 2014 interview on The Adam Carolla Show, the actor Michael Ironside, who read the novel as a youth, said that he asked Verhoeven, who grew up in Nazi-occupied Netherlands, “Why are you doing a right-wing fascist movie?” Verhoeven replied, “If I tell the world that a right-wing, fascist way of doing things doesn’t work, no one will listen to me. So I’m going to make a perfect fascist world: everyone is beautiful, everything is shiny, everything has big guns and fancy ships, but it’s only good for killing fucking Bugs!” 

(Themes) … In his DVD commentary, Verhoeven stated his intentions clearly: the film’s message is that “War makes fascists of us all”. He evoked Nazi Germany’s fashion, iconography, and propaganda because he saw it as a natural evolution of the United States after World War II, and especially after the Korean War. “I’ve heard this film nicknamed All Quiet on the Final Frontier“, he said, “which is actually not far from the truth.” Edward Neumeier (who had previously worked with Verhoeven on RoboCop) broadly concurs, although he sees a satire on human history rather than solely the United States. Verhoeven says his satirical use of irony and hyperbole is “playing with fascism or fascist imagery to point out certain aspects of American society… of course, the movie is about ‘Let’s all go to war and let’s all die.'” (wiki)

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Starship Troopers 2: Hero of the Federation (2004)

MV5BOWNiNzRlOWMtNzY2Yi00M2MzLWE0MGEtYzM0NmZhODk3NjUyXkEyXkFqcGdeQXVyNDc2NjEyMw@@._V1_Starship Troopers 2: Hero of the Federation is a 2004 military science-fiction action television film directed by Phil Tippett and starring Richard BurgiLawrence Monoson, and Colleen Porch. It is a sequel to Starship Troopers (1997) and the second installment of the Starship Troopers film series. (wiki)

Made for 5% of the cost of Starship Troopers (1997). (imdb)


Starship Troopers 3: Marauder (2008)

1146
01:33:47,715 –> 01:33:51,617
I got religion, Dix. I got it bad.

starship_troopers_3_marauder-813828742-largeStarship Troopers 3: Marauder is a 2008 American military science fiction film written and directed by Edward Neumeier and starring Casper Van Dien who returned as Johnny Rico from the original film, along with Jolene Blalock and Boris Kodjoe. It is a sequel to Starship Troopers (1997) and Starship Troopers 2: Hero of the Federation (2004) (which were both written by Neumeier) and the third installment of the Starship Troopers film series. The film was released directly to DVD in the U.S. on August 5, 2008. (wiki)

starship-troopers-3-marauder_075730Joe Leydon of Variety stated:

“Die-hard fans of Starship Troopers, Paul Verhoeven’s notorious 1997 cult-fave sci-fi spectacle, will be pleased to note that its second made-for-vid sequel gamely attempts to replicate the original pic’s over-the-top style and self-satirical tone. (…) the latest episode reprises Verhoeven’s love-it-or-hate-it mix of gruesome mayhem, overstated melodrama, peek-a-boo nudity and tongue-in-cheek fascist aesthetics.”

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Starship Troopers: Invasion (2012)

Starship Troopers: Invasion –imdb– (スターシップ・トゥルーパーズ インベイジョン) is a Japanese-American 2012 computer-animated military science fiction film directed by Shinji Aramaki. It is the fourth installment of the Starship Troopers film series.

The film was followed by


Starship Troopers: Traitor of Mars (2017) 

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Starship Troopers (video game) 

Starship Troopers: Terran Ascendancy 


remake

1140 – Kamera o tomeru na! / One Cut of the Dead (2017)

One Cut of the Dead (カメラを止めるな! Kamera o Tomeru na!transl. “Don’t Stop the Camera!”) is a 2017 Japanese zombie comedy film directed by Shin’ichirô Ueda. Made with a low budget of ¥3 million ($25,000) with a cast of unknown actors, the film opened in Japan in a small theatre for a six day run. Following its international success at its screening at the Udine Film Festival, the film began getting wider release, including a re-release in Japan. It grossed US $27,935,711 (¥3.12 billion) in Japan and $30.5 million worldwide, making box office history by earning over a thousand times its budget. The film also received universal critical acclaim, holding a 100% fresh rating on Rotten Tomatoes.

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1125 – future man (season 2 – 2019)

timespace coordinates: 2162 Lost Angeles / the NAG > 3491 AD, Damnation Island

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Season two picks up in 2162, and Josh, Wolf, and Tiger learn that their season one mission to stop the cure from getting out didn’t work. In this timeline, Stu Camillo is now in power, having created the cure, and launched a plan to relocate humanity to Mars. A shadowy organization called the Pointed Circle seeks to recruit Josh to take Stu down — but are they the good guys, or is Stu? As Wolf quickly acclimates to the strange customs of this time, Tiger struggles with her Biotic identity and searches for an escape. Josh unites the team in an epic plan to save the world, but their time-traveling catches up to them, and they must reckon with their choices and what to do next. (rottentomatoes)

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