timespace coordinates: 2010’s Los Angeles, California / Mexico
Fear the Walking Dead is an American post-apocalyptic horror drama television series created by Robert Kirkman and Dave Erickson. The show premiered on AMC on August 23, 2015. It is a companion series and prequel to The Walking Dead, which is based on the comic book series of the same name by Robert Kirkman, Tony Moore, and Charlie Adlard. (wiki)
timespace coordinates: 1945 seaside town of O’Hare, CaliforniaLittle Boy is a 2015 (Mexico | USA) World War II war-drama film directed by Alejandro Gómez Monteverde. The film stars Jakob Salvati, Emily Watson, David Henrie, Cary-Hiroyuki Tagawa, Michael Rapaport, Ben Chaplin, Eduardo Verástegui, Ted Levine, Abraham Benrubi, and Tom Wilkinson. The title is a reference to Little Boy, the code name for the atomic bomb dropped on Hiroshima, as well as a reference to the main character Pepper’s height. (wiki)
Miracle Mile is a 1988 American apocalyptic thriller film written and directed by Steve De Jarnatt, and starring Anthony Edwards and Mare Winningham. The film takes place mostly in real time. It is named after the Miracle Mile neighborhood of Los Angeles, where most of the action takes place. (wiki)
(trivia) The real life Johnie’s Coffee Shop, actually located on the Miracle Mile neighborhood of Los Angeles, ceased functioning as a real restaurant in the late 1990s. However, the building was never demolished, continued to be used from many other films and was designated a historical landmark in 2013. It is now rented primarily for film and television productions as well as for pop-up shops and similar temporary functions. The building again gained notoriety in 2016 as a campaign headquarter for US presidential candiante Bernie Sanders.
timespace coordinates: 2000’s Los AngelesHancock is a 2008 American superhero comedy film directed by Peter Berg and starring Will Smith, Charlize Theron, and Jason Bateman. It tells the story of a vigilante superhero, John Hancock (Smith) from Los Angeles whose reckless actions routinely cost the city millions of dollars. Eventually one person he saves, Ray Embrey (Bateman), makes it his mission to change Hancock’s public image for the better. (wiki)
Samsara is a 2011 American non-narrative documentary film of international imagery directed by Ron Fricke and produced by Mark Magidson. Samsara was filmed over a period of five years in 25 different countries around the world.
The official website describes the film, “Expanding on the themes they developed in Baraka (1992) and Chronos (1985), Samsara explores the wonders of our world from the mundane to the miraculous, looking into the unfathomable reaches of humanity’s spirituality and the human experience. Neither a traditional documentary nor a travelogue, Samsara takes the form of a nonverbal, guided meditation.” (wiki)
Baraka is a 1992 non-narrative documentary film directed by Ron Fricke. The film is often compared to Koyaanisqatsi, the first of the Qatsi films by Godfrey Reggio for which Fricke served as the cinematographer. It is also the most recent film to be photographed in the 70mm Todd-AO format, and the first film ever to be restored and scanned at 8K resolution. (wiki)
Named after a Sufi word that translates roughly as “breath of life” or “blessing,” Baraka is Ron Fricke‘s impressive follow-up to Godfrey Reggio‘s non-verbal documentary film Koyaanisqatsi. Fricke was cinematographer and collaborator on Reggio’s film, and for Baraka he struck out on his own to polish and expand the photographic techniques used on Koyaanisqatsi. The result is a tour-de-force in 70mm: a cinematic “guided meditation” (Fricke’s own description) shot in 24 countries on six continents over a 14-month period that unites religious ritual, the phenomena of nature, and man’s own destructive powers into a web of moving images. Fricke’s camera ranges, in meditative slow motion or bewildering time-lapse, over the Church of the Holy Sepulcher in Jerusalem, the Ryoan-Ji temple in Kyoto, Lake Natron in Tanzania, burning oil fields in Kuwait, the smoldering precipice of an active volcano, a busy subway terminal, tribal celebrations of the Maasai in Kenya, chanting monks in the Dip Tse Chok Ling monastery…and on and on, through locales across the globe. To execute the film’s time-lapse sequences, Fricke had a special camera built that combined time-lapse photography with perfectly controlled movements of the camera. In one evening sequence a desert sky turns black, and the stars roll by, as the camera moves slowly forward under the trees. The feeling is like that of viewing the universe through a powerful telescope: that we are indeed on a tiny orb hurtling through a star-filled void. The film is complemented by the hybrid world-music of Michael Stearns. ~ Anthony Reed, Rovi (rottentomatoes)