684 – Crysis 3 (2013 video game)

timespace coordinates: 2047  New York CityDa-Vinci-Posters-Crysis-3-SDL596346365-1-6b237Crysis 3 is a first-person shooter video game developed by Crytek and published by Electronic Arts for Microsoft Windows, PlayStation 3, and Xbox 360. Officially announced 16 April 2012, it is the third main installment of the Crysis series, a sequel to the 2011 video game Crysis 2.

1749-Crysis-3-Wall-Art-Poster-Large-24x32-Inch-Print-On-Canvas-waterproof-canvas-posterSet in the year 2047, the game takes place in New York City, which has been encased in a giant Nanodome created by the corrupt CELL corporation, and turned into a veritable urban rainforestCrysis 3s story revolves around Prophet, a Nanosuit holder who is on a quest to take revenge on the Alpha Ceph, the leader of the Ceph alien race, with the help of Prophet’s former comrade, Psycho. The game’s story serves as the end of the Crysis trilogy. Gameplay revolves around the use of the Nanosuit, which grants players a variety of abilities such as being invisible. New features introduced in Crysis 3 include a new Nanosuit ability called “Rip & Throw”, a new compound bow and the “hacking” feature, which allows players to hack into enemies’ equipment, drones, and automated security defenses.

The game is set in a post-apocalyptic New York City, in an effort to combine the urban landscape of Crysis 2 and the forest setting of the original Crysis. The game introduces the “Seven Wonders”, with each wonder having its own unique landscape and tactical layout. Due to complaints about Crysis 2s linearity, the game’s levels were opened up so as to grant players more freedom. The development team also put efforts into creating a more emotional story, and the story’s protagonist was inspired by the lead character of District 9. The game was developed by a team of 100 people during its 23-month development cycle. (wiki)

minimum system requirements:  CPU: Intel Core2 Duo 2.4 Ghz (E6600) / AMD Athlon64 X2 2.7 Ghz (5200+) //  RAM: 2GB Memory (3GB on Vista) //  GPU: DirectX 11 graphics card with 1Gb Video RAM  Nvidia GTS 450 / AMD Radeon HD5770 //  DX: Directx 11 //  OS: Windows Vista, Windows 7 or Windows 8 // Store: At least 17 GB of free space

https://www.ea.com/games/crysis/crysis-3

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683 – Hanna (2011)

timespace coordinates: 2011 Finland > Morocco > Spain > Germany

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Hanna is a 2011 action adventure thriller film that contains some prominent fairy tale elements, directed by Joe Wright. The film stars Saoirse Ronan as the title character, a girl raised in the wilderness of northern Finland by her father, an ex-CIA operative (Eric Bana), who trains her as an assassin. Cate Blanchett is a senior CIA agent who tries to track down and eliminate the girl and her father. The soundtrack was written by The Chemical Brothers.

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themes and motifs


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631 – Painting the Modern Garden: Monet to Matisse (2016)

MV5BZTc5Yzg3OWQtYzZmYi00N2FlLTlkZmEtMGJkYmU0ZDcwZDA4XkEyXkFqcGdeQXVyMzAwNTExNTk@._V1_SY1000_CR0,0,698,1000_AL_From the exhibition walls to the wonder and beauty of artists’ gardens like Giverny and Seebüll, the film takes a magical and widely travelled journey to discover how different contemporaries of Monet built and cultivated modern gardens to explore expressive motifs, abstract colour, decorative design and utopian ideas. Guided by passionate curators, artists and garden enthusiasts, this remarkable collection of Impressionists, Post-Impressionists, and avant-garde artists of the early twentieth century will reveal the rise of the modern garden in popular culture and the public’s enduring fascination with gardens today. Long considered spaces for expressing colour, light and atmosphere, the garden has occupied the creative minds of some of the worlds greatest artists. As Monet said, ‘Apart from painting and gardening, I’m no good at anything’. (exhibitiononscreen)

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609 – The Book Thief (2013)

spacetime coordinates: 1938 – 1945 Germany

The Book Thief is a 2013 World War II war drama film directed by Brian Percival and starring Geoffrey RushEmily Watson, and Sophie Nélisse. The film is based on the 2005 novel The Book Thief by Markus Zusak and adapted by Michael Petroni. The film is about a young girl living with her adoptive German family during the Nazi era. Taught to read by her kind-hearted foster father, the girl begins “borrowing” books and sharing them with the Jewish refugee being sheltered by her foster parents in their home. The film features a musical score by Oscar-winning composer John Williams. (wiki)

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558 – Synthetic Worlds: Nature, Art and the Chemical Industry by Esther Leslie

“Through coal’s carbon chemistry, and its waste product of coal-tar, a realm of synthetic colours and substances is unlocked from a dense and primitive blackness. The first magic act is coal-tar becoming colour, the first of thousands of substitutions. This magic is a black force. Gravity’s Rainbow lets loose its narrative strands amongst a world of acronyms and neologisms, fictional and actual. spqr, arf, mmpi, soe, spog,
cios, bafo, nta, shaef, pwd, cns, pisces, viam, tsagi, niso, bafo, okw, achtung, Kryptosam, Hexeszüchtigung, ctenophile, Oneirine. These clatter like the evil spells from a necromancer’s manual. These clotted words spell out the coordinates of military, economic and technological power. The most important of these cryptic formulae, the acronyms that generate the rainbow and allow the tracing of its arc,are the colour factory ig Farben and the German Second World War rocket weaponry known as v-1, v-2 or a4. Pynchon brings these two industrial-technological forces into proximity with magic, mysticism and alchemy.”

“Inside the arcades, the ur-architectural phenomenon of the nineteenth century, transitional colours, twinkle, glimmer and reflection danced, and all the more charmingly as night fell. In the early days the gas lighting, whose illumination was an uneven flickering, cast a sparkly sheen over everything. In the arcades, their historian Walter Benjamin claimed, ‘falser colours are possible’, and everything is doused in a special ‘glaucous gleam’, which is reminiscent of aquariums, as Friedrich Gerstäcker imagined in a fictional transposition and, after him, Aragon made so vivid in Paris Peasant. In Gerstäcker’s The Sunken City, the hero sees, to his amazement, that
with the gradual infusion of twilight, these undersea corridors just as gradually lit up by themselves. For everywhere in the bushes of coral and sponge were sitting broad-brimmed, glassy-looking medusas, which already at the outset had given off a weak,greenish phosphorescent light that quickly picked up strength at the approach of darkness and now was shining with great intensity.
The arcades are zones of special effects where optical illusions, tricks of the light and transformations readily occur. This is why the arcades appear so magical, but it also intimates something of their propensity to deception and delusion. The very magic of the space colludes with the commodity promises on sale.”

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Celestis offers space burials, with the ashes compacted in a capsule and sent into orbit (before re-entering) or fired to the moon or into deep space (for ever). That which is legally a ‘final deposition’ can be commodified further in an effort to afford a technologically guaranteed sublime.They also offer a star-naming service.   At the start of the twenty-first century, a Chicago company announced that it had created a new way to memorialize loved ones: by turning their charred remains into a gem. The ‘patent-pending’ LifeGem offers to press the cremated ashes of a lost one into a diamond. You can have your loved one with you whenever you choose, which is something that no other memorial product offers, remarks Greg Herro, LifeGem’s chief executive. ‘Nothing else quite offers that everlasting love.’ (…) ‘The proprietary LifeGem creation process creates diamonds from the true essence of our loved ones, the carbon.”

Synthetic Worlds: Nature, Art and the Chemical Industry by Esther Leslie

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Runge_M_80663

Der Bildungstrieb der Stoffe : veranschaulicht in selbstständig gewachsenen Bildern (Fortsetzung der Musterbilder)

by Runge, F. F., 1795-1867 (Includes 23 smaller chromatograms mounted on the title page surrounding the title, and 60 larger chromatograms mounted on 31 leaves. The chromatograms consist of concentric circles of color produced by applying a liquid chemical compound to filter paper.)

552 – Mute (2018)

spacetime coordinates: 2030’s futuristic BerlinDWlRyLnWkAESfUPMute is a 2018 neo-noir science fiction film directed by Duncan Jones, who co-wrote the script with Michael Robert Johnson. It stars Alexander SkarsgårdPaul Rudd, and Justin Theroux, revolving around a mute bartender searching for the love of his life who has mysteriously disappeared.

Jones described the film as a “spiritual sequel” to Moon, heavily inspired by the Ridley Scott film Blade Runner (1982). Sam Rockwell reprises his role from Moon in a cameo appearance that acts as an epilogue for the character. The film is the second installment in a trilogy consisting of MoonMute and yet to be announced third film.DWupfADXUAETq4uClint Mansell composed the film’s score. In a series of Instagram posts titled Mute & Me, he cited the culture of 20th century Berlin and Jones’ father David Bowie‘s Berlin Trilogy of albums as being a major influence in terms of representing Berlin culture, along with other Brian Eno-produced albums like Ultravox!.

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