GREEN HELL IS THE NEW HEAVEN Timisoara city in the Anthropocene Remastered version of the 2012 movie about the Ailanthus tree also known as the Tree Of Heaven in a loud and overheated Timisoara. A project for Waiting Spaces #1 http://waiting-spaces.simultan.org/
Terminus is a 2015 Australian science fiction drama film directed by Marc Furmie, who wrote it with Shiyan Zheng and Gabriel Dowrick. It stars Jai Koutrae, Todd Lasance, Bren Foster, and Kendra Appleton. Terminus tells the story of David, a small town American who has a near fatal accident after coming in contact with a meteorite. The mysterious object has an extraterrestrial element with enormous implications for humankind.
The film was made on a small budget in Sydney with a predominantly Australian cast. It has been praised for its character introspection and classic sci-fi feel. (wiki)
timespace coordinates: the 23rd century, Buenos Aires / Terran Federation > Klendathu, the “Bugs’” home planet / Planet “P”/ remote outpost on a planet inhabited by Arachnids / agricultural planet Roku San / classified planet OM-1 /
Starship Troopers (1997)
Starship Troopers is a 1997 American satirical military science fiction action film directed by Paul Verhoeven and written by Edward Neumeier. It originally came from an unrelated script called Bug Hunt at Outpost Nine, but eventually licensed the name Starship Troopers from a science fiction novel by Robert A. Heinlein. The story follows a young soldier named Johnny Rico and his exploits in the Mobile Infantry, a futuristic military unit. Rico’s military career progresses from recruit to non-commissioned officer and finally to officer against the backdrop of an interstellar war between mankind and an insectoid species known as “Arachnids”.
(Relationship to novel) Because the film originated from an unrelated script, with names and superficial details from the novel being added retroactively, there are many differences between the two. While the novel has been accused of promoting militarism, fascism, and military rule, the film satirizes these concepts by featuring bombastic displays of nationalism as well as news reports that are intensely fascistic, xenophobic, and propagandistic. Verhoeven stated in 1997 that the first scene of the film—an advertisement for the Mobile Infantry—was adapted shot-for-shot from a scene in Leni Riefenstahl’s Triumph of the Will (1935), specifically an outdoor rally for the Reichsarbeitsdienst. Other references to Nazism in the movie include the Wehrmacht-inspired uniforms and insignia of field grade officers, M.I. working uniforms reminiscent of Mussolini’s Blackshirts, Albert Speer‘s style of architecture, and its propagandistic dialogue (“Violence is the supreme authority!”).
In a 2014 interview on The Adam Carolla Show, the actor Michael Ironside, who read the novel as a youth, said that he asked Verhoeven, who grew up in Nazi-occupied Netherlands, “Why are you doing a right-wing fascist movie?” Verhoeven replied, “If I tell the world that a right-wing, fascist way of doing things doesn’t work, no one will listen to me. So I’m going to make a perfect fascist world: everyone is beautiful, everything is shiny, everything has big guns and fancy ships, but it’s only good for killing fucking Bugs!”
(Themes) … In his DVD commentary, Verhoeven stated his intentions clearly: the film’s message is that “War makes fascists of us all”. He evoked Nazi Germany’s fashion, iconography, and propaganda because he saw it as a natural evolution of the United States after World War II, and especially after the Korean War. “I’ve heard this film nicknamed All Quiet on the Final Frontier“, he said, “which is actually not far from the truth.” Edward Neumeier (who had previously worked with Verhoeven on RoboCop) broadly concurs, although he sees a satire on human history rather than solely the United States. Verhoeven says his satirical use of irony and hyperbole is “playing with fascism or fascist imagery to point out certain aspects of American society… of course, the movie is about ‘Let’s all go to war and let’s all die.'” (wiki)
Starship Troopers 2: Hero of the Federation (2004)
Starship Troopers 2: Hero of the Federation is a 2004 military science-fiction action television film directed by Phil Tippett and starring Richard Burgi, Lawrence Monoson, and Colleen Porch. It is a sequel to Starship Troopers (1997) and the second installment of the Starship Troopers film series. (wiki)
Made for 5% of the cost of Starship Troopers (1997). (imdb)
Starship Troopers 3: Marauder (2008)
01:33:47,715 –> 01:33:51,617
I got religion, Dix. I got it bad.
Starship Troopers 3: Marauder is a 2008 American military science fiction film written and directed by Edward Neumeier and starring Casper Van Dien who returned as Johnny Rico from the original film, along with Jolene Blalock and Boris Kodjoe. It is a sequel to Starship Troopers (1997) and Starship Troopers 2: Hero of the Federation (2004) (which were both written by Neumeier) and the third installment of the Starship Troopers film series. The film was released directly to DVD in the U.S. on August 5, 2008. (wiki)
Joe Leydon of Variety stated:
“Die-hard fans of Starship Troopers, Paul Verhoeven’s notorious 1997 cult-fave sci-fi spectacle, will be pleased to note that its second made-for-vid sequel gamely attempts to replicate the original pic’s over-the-top style and self-satirical tone. (…) the latest episode reprises Verhoeven’s love-it-or-hate-it mix of gruesome mayhem, overstated melodrama, peek-a-boo nudity and tongue-in-cheek fascist aesthetics.”
Starship Troopers: Invasion (2012)
Starship Troopers: Invasion –imdb– (スターシップ・トゥルーパーズ インベイジョン) is a Japanese-American 2012 computer-animated military science fiction film directed by Shinji Aramaki. It is the fourth installment of the Starship Troopers film series.
The film was followed by
One Cut of the Dead (カメラを止めるな! Kamera o Tomeru na!, transl. “Don’t Stop the Camera!”) is a 2017 Japanese zombie comedy film directed by Shin’ichirô Ueda. Made with a low budget of ¥3 million ($25,000) with a cast of unknown actors, the film opened in Japan in a small theatre for a six day run. Following its international success at its screening at the Udine Film Festival, the film began getting wider release, including a re-release in Japan. It grossed US $27,935,711 (¥3.12 billion) in Japan and $30.5 million worldwide, making box office history by earning over a thousand times its budget. The film also received universal critical acclaim, holding a 100% fresh rating on Rotten Tomatoes.
timespace coordinates: 21st Century (2010’s ?) New York City > Atlanta, Georgia
Cyborg also known as Slinger is a 1989 American martial-arts cyberpunk film directed by Albert Pyun. Jean-Claude Van Damme stars as Gibson Rickenbacker, a mercenary who battles a group of murderous marauders led by Fender Tremolo (Vincent Klyn) along the East coast of the United States in a post-apocalyptic future. The film is the first in Pyun’s Cyborg Trilogy. It was followed by 1993’s Knights (originally entitled The Kingdom of Metal: Cyborg Killer) and Omega Doom in 1997. Cyborg was followed by sequels Cyborg 2 and Cyborg 3: The Recycler. (wiki)
The film was shot for less than $500,000 and was filmed in 23 days. Jean-Claude Van Damme re-edited the film, much as he did with Bloodsport (1988), to make the fight scenes more exciting and trim down the drama. Van Damme spent two months editing the film. He would do the same on Hard Target (1993) (imdb)
A medieval warrior goes around hunting monsters that threaten mankind. Through his many battles, he’s been able to amass a collection composed of the heads of his victims. To finish his collection, he searches for the monster that killed his daughter years ago. (rt)Shot in and around the remote village of Soutelo Mourisco in the countryside of northern Portugal. Composer Nick Soole approached the film’s score as if it took place on a medieval planet. Director: Jordan Downey (imdb)
“Created by a skeleton crew on a meager budget with limited supplies, [The Head Hunter] is overflowing with imagination and atmosphere.” Jonathan Barkan