1240 – The Sinking City (2019 video game)

timespace coordinates: secluded fishing town of Oakmont, Massachusetts in the 1920s

The Sinking City is an action-adventure mystery horror / open-world detective game with a third-person camera perspective developed by Frogwares and published by Bigben Interactive, inspired by the works of horror author H.P. Lovecraft. Set in the fictional city of Oakmont, the story follows private investigator and war veteran Charles W. Reed as he searches for clues to the cause of the terrifying visions plaguing him, and becomes embroiled in the mystery of Oakmont’s unrelenting flooding. (wiki)

System Requirements (Minimum):  CPU: Intel Core i5-2500 3.3 GHZ / AMD FX-8300 3.3 GHz. / OS: Windows 10 64bit. / VIDEO CARD: NVIDIA GeForce GTX 770 4096 MB / ATI R9 290 4096 MB or higher. / FREE DISK SPACE: 40 GB. / DEDICATED VIDEO RAM: 4096 MB.

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1217 – Brave (2012)

timespace coordinates: Medieval Scotland 

Brave is a 2012 American computer-animated fantasy film produced by Pixar Animation Studios and released by Walt Disney Pictures. It was directed by Mark Andrews and Brenda Chapman and co-directed by Steve Purcell.

Set in the Scottish Highlands, the film tells the story of a princess named Merida who defies an age-old custom, causing chaos in the kingdom by expressing the desire not to be betrothed. Chapman drew inspiration for the film’s story from her relationship with her own daughter. (wiki)

imdb

1191 – What We Do in the Shadows (2019– TV series)

timespace coordinates: 2019 Staten Island

MV5BNmFmMmJmODMtZDNjOS00NTQ1LWEzZTMtOGY5ZWI0YzhkODQ0XkEyXkFqcGdeQXVyMTQxNzMzNDI@._V1_SY1000_SX686_AL_What We Do in the Shadows is an American comedy horror television series, based on the 2014 film of the same name written by Jemaine Clement and Taika Waititi, that premiered on March 27, 2019, on FX. The series follows four vampire roommates living in New York City and it stars Kayvan NovakMatt BerryNatasia DemetriouHarvey Guillén, and Mark Proksch. In May 2019, FX renewed the series for a 10-episode second season to debut in 2020. (wiki)MV5BMTA3MjE0MjU2ODheQTJeQWpwZ15BbWU4MDcwNzc1NDcz._V1_SY1000_SX800_AL_What We Do in the Shadows featured meta cameos from Evan Rachel Wood (“True Blood”), Danny Trejo (“From Dusk Till Dawn”), Wesley Snipes (“Blade”), Tilda Swinton (“Only Lovers Left Alive”) and Paul Reubens (“Buffy the Vampire Slayer”) — all of whom played vampires in TV series and movies. (nypost)

imdb

1179 – The Atomic Cafe (1982)

timespace coordinates: 1940s, 1950s and early 1960s United States, the Marshall Islands

The Atomic Cafe is a 1982 American documentary film produced and directed by Jayne LoaderKevin Rafferty and Pierce RaffertyIn 2016, the film was selected for preservation in the United States’ National Film Registry by the Library of Congress, being deemed “culturally, historically, or aesthetically significant”.

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The film covers the beginnings of the era of nuclear warfare, created from a broad range of archival material from the 1940s, 1950s and early 1960s including newsreel clips, television news footage, U.S. government-produced films (including military training films), advertisements, television and radio programs. News footage reflected the prevailing understanding of the media and public.

Though the topic of atomic holocaust is a grave matter, The Atomic Cafe approaches it with black humor. Much of the humor derives from the modern audience’s reaction to the old training films, such as the Duck and Cover film shown in schools.

The Atomic Cafe was released at the height of nostalgia and cynicism in America. By 1982, Americans lost much of their faith in their government following the Vietnam War, the Watergate scandal, and the seemingly never-ending arms race with the Soviet UnionThe Atomic Cafe reflects and reinforces this idea as it exposes how the atomic bomb’s dangers were downplayed and how the government used films to shape public opinion.

the-atomic-cafe-cartaz-original-cinema-D_NQ_NP_790329-MLB26502423408_122017-FBob Mielke, in “Rhetoric and Ideology in the Nuclear Test Documentary” (Film Quarterly) discusses the release of The Atomic Cafe: “This satire feature was released at the height of the nuclear freeze movement (which was in turn responding to the Reagan administration’s surreal handling of the arms race.)”

lfPatricia Aufderheide, in Documentary Film: A Very Short Introduction touches on the significance of The Atomic Cafe as a window into the past of government propaganda and disinformation during the years following the advent of the Atomic Bomb. “Propaganda, also known as disinformation, public diplomacy, and strategic communication, continues to be an important tool for governments. But stand-alone documentary is no longer an important part of public relations campaigns aimed at the general public.” (wiki)

imdb


Bikini Atoll

Because the site bears direct tangible evidence of the nuclear tests conducted there amid the paradoxical tropical location, UNESCO determined that the atoll symbolizes the dawn of the nuclear age and named it a World Heritage Site on 3 August 2010.

Bikini Atoll has conserved direct tangible evidence … conveying the power of … nuclear tests, i.e. the sunken ships sent to the bottom of the lagoon by the tests in 1946 and the gigantic Bravo crater. Equivalent to 7,000 times the force of the Hiroshima bomb, the tests had major consequences on the geology and natural environment of Bikini Atoll and on the health of those who were exposed to radiation. Through its history, the atoll symbolises the dawn of the nuclear age, despite its paradoxical image of peace and of earthly paradise.

1171 – The Electronic Doppelganger: The Mystery of the Double in the Age of the Internet (Book by Rudolf Steiner / Andreas Neider 1917 – 2016)

“Large temptations will emanate from these machine-animals, produced by people themselves, and it will be the task of a spiritual science that explores the cosmos to ensure all these temptations do not exert any damaging influence on human beings.” —Rudolf Steiner 
In an increasingly digitized world, where both work and play are more and more taking place online and via screens, Rudolf Steiner’s dramatic statements from 1917 appear prophetic. Speaking of “intelligent machines” that would appear in the future, Steiner presents a broad context that illustrates the multitude of challenges human beings will face. If humanity and the Earth are to continue to evolve together with the cosmos, and not be cut off from it entirely, we will need to work consciously and spiritually to create a counterweight to such phenomena.
In the lectures gathered here, edited with commentary and notes by Andreas Neider, Rudolf Steiner addresses a topic that he was never to speak of again–the secret of the geographical, or ahrimanic, Doppelganger. The human nervous system houses an entity that does not belong to its constitution, he states. This is an ahrimanic being that enters the body shortly before birth and leaves at death, providing the basis for all electrical currents needed to process and coordinate sensory perceptions and react to them.
Based on his spiritual research, Steiner discusses this Doppelganger, or double, in the wider context of historic occult events relating to spirits of darkness. Specific brotherhoods seek to keep such knowledge to themselves to exert power and spread materialism. But this knowledge is critical, says Steiner, if the geographical Doppelganger and its challenges are to be understood.

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The Computer and the Incarnation of Ahriman

By David B. Black (online)