” 12 billion miles away a tiny spaceship is leaving our Solar System and entering the void of deep space. It is the first human-made object ever to do so. Slowly dying within its heart is a plutonium generator that will beat for perhaps another decade before the lights on Voyager finally go out. But this little craft will travel on for millions of years, carrying a Golden Record bearing recordings and images of life on Earth. In all likelihood Voyager will outlive humanity and all our creations. It could be the only thing to mark our existence. Perhaps some day an alien will find it and wonder. The story of Voyager is an epic of human achievement, personal drama and almost miraculous success. Launched 16 days apart in Autumn 1977, the twin Voyager space probes have defied all the odds, survived countless near misses and almost 40 years later continue to beam revolutionary information across unimaginable distances. ”
spacetime coordinates: 1990s New Mexico // Florida // Puerto Rico // Washington, D.C. // Wisconsin // Hokkaido
Contact is a 1997 American science fiction drama film directed by Robert Zemeckis. It is a film adaptation of Carl Sagan‘s 1985 novel of the same name; Sagan and his wife Ann Druyan wrote the story outline for the film.Jodie Foster portrays the film’s protagonist, Dr. Eleanor “Ellie” Arroway, a SETI scientist who finds strong evidence of extraterrestrial life and is chosen to make first contact.
What Happens If China Makes First Contact?
As America has turned away from searching for extraterrestrial intelligence, China has built the world’s largest radio dish for precisely that purpose. (read more)
“No civilization should ever announce its presence to the cosmos. Any other civilization that learns of its existence will perceive it as a threat to expand—as all civilizations do, eliminating their competitors until they encounter one with superior technology and are themselves eliminated. This grim cosmic outlook is called “dark-forest theory,” because it conceives of every civilization in the universe as a hunter hiding in a moonless woodland, listening for the first rustlings of a rival.”
The Pearl Button (Spanish: El botón de nácar) is a 2015 Chilean documentary film directed by Patricio Guzmán. The filmmaker has described the work as part of a triptych with Nostalgia for the Light (imdb) and potentially a third film focusing on the Andes.
It explores familiar Guzmán themes such as memory and the historical past, particularly that of history’s losers rather than victors, recording some of the last surviving members of the original Alacalufe and Yaghan tribes, the far north of Chile, the most waterless place on earth, where radio telescopes in the desert discover more about the cosmos each day. A departure for Guzmán is that it does not focus solely on Chile’s past under Augusto Pinochet, as the title was partly inspired by a shirt button discovered during a 2004 investigation by Chilean judge Juan Guzmán on a length of rail used to weight the bodies of Pinochet’s victims dumped in the sea and partly by the button after which the Yaghan native Jemmy Button was named when taken aboard HMS Beagle in 1830.