“It’s like a mashup of The X-Files, Chronicle, Contact and some dopey evangelical-funded, made-for-TV movie.” (Leslie Felperin / theguardian)
Behind the Curve is a 2018 documentary film about flat Earth believers in the United States. Directed by Daniel J. Clark, the film was released in the United States on November 15, 2018, and for wide release on Netflix in February 2019.
The documentary offers an examination of the flat Earth idea from various perspectives, including prominent flat-Earthers Mark Sargent, Nathan Thompson, and Patricia Steere, as well as astrophysicists from Universities including UCLA and Caltech. It features clips from the 2017 International Flat Earth Conference, held in North Carolina, which attracted hundreds of attendees (wiki)
Battleship is a 2012 American military science fiction action film that is loosely based on the board game of the same name. The film was directed by Peter Berg and stars Taylor Kitsch, Brooklyn Decker, Rihanna, Tadanobu Asano, Alexander Skarsgård and Liam Neeson. In the film, the crews of a small group of warships are forced to do battle against a naval fleet of extraterrestrial origin in order to thwart their destructive goals. (wiki)
Clara is a Canadian romantic science fiction film, directed by Akash Sherman and released in 2018. CLARA tells the story of Isaac Bruno (Patrick J. Adams), an astronomer consumed by the search for life beyond Earth. Convinced that the universe is a dark and lonely place, Isaac meets Clara (Troian Bellisario), an artist who shares his fascination for the wonders of space. Their unlikely collaboration leads to a deep connection, and a profound astronomical discovery.
timespace coordinates: 1961 – 1969 California, Florida, HoustonFirst Man is a 2018 American biographical drama film directed by Damien Chazelle and written by Josh Singer. Based on the book First Man: The Life of Neil A. Armstrong by James R. Hansen, the film stars Ryan Gosling as Neil Armstrong, alongside Claire Foy, Jason Clarke, Kyle Chandler, Corey Stoll, Ciarán Hinds, Christopher Abbott, Patrick Fugit, and Lukas Haas, and follows the years leading up to the Apollo 11 mission to the Moon in 1969. The musical score for First Man was composed by Justin Hurwitz. The score was performed by a 94-piece orchestra, with instruments such as the electronic theremin and Moog synthesizer, as well as vintage sound-altering machines including Leslie speakers and an Echoplex. (wiki)
A Beautiful Planet is a 2016 American documentary film that explores Earth by showing IMAX footage that was recorded over the course of fifteen months by astronauts aboard the International Space Station. The filmmakers who created the movie and the astronauts who filmed it and starred in it intended to help viewers experience the awe and wonder that come from looking down on our planet from space. It is narrated by Academy Award winning actress Jennifer Lawrence; she has called A Beautiful Planet “a love letter to Earth.”
The film also examines some of the daily experiences of the astronauts, who represent the respective space agencies for the United States, Russia, Europe, and Japan. This multinational crew lives and works on the Space Station, an orbiting symbol of cutting edge technology and peaceful international cooperation which is presented as “a truly awesome example of what we can achieve when we work together.” (wiki)
As the world around us increases in technological complexity, our understanding of it diminishes. Underlying this trend is a single idea: the belief that our existence is understandable through computation, and more data is enough to help us build a better world.
In reality, we are lost in a sea of information, increasingly divided by fundamentalism, simplistic narratives, conspiracy theories, and post-factual politics. Meanwhile, those in power use our lack of understanding to further their own interests. Despite the apparent accessibility of information, we’re living in a new Dark Age.
From rogue financial systems to shopping algorithms, from artificial intelligence to state secrecy, we no longer understand how our world is governed or presented to us. The media is filled with unverifiable speculation, much of it generated by anonymous software, while companies dominate their employees through surveillance and the threat of automation.
In his brilliant new work, leading artist and writer James Bridle surveys the history of art, technology, and information systems, and reveals the dark clouds that gather over our dreams of the digital sublime. (VERSO)
man always makes it clear to himself: “You are using things which have the intention of not being penetrable.” 1180