Do psychedelics give access to a universal, mystical experience of reality, or is that just a culture-bound illusion?
“Silicon Valley billionaires are putting their blockchain millions into funding psychedelics research, and corporates are preparing for a juicy new market. The counterculture has gone mainstream. Turn on, tune in, sell out. ”
“Perennialists tend to rank religions and mystical experiences hierarchically. All religions are one, but some are more one than others. Unitive non-dual experiences are more true, while dualist experiences (ie, personal encounters with God or a spirit) are less true. Accordingly, Buddhism, Hindu mysticism and Taoism are more true, while Christianity, Judaism, Islam and Shamanism are less true. The psychedelic research at Johns Hopkins follows this theological ranking. It uses the Hood Mysticism Scale to rate people’s psychedelic experiences – unitive experiences are scored as higher and more ‘complete’ than dualist experiences.”
“Western spiritual tourists can have a culturally naive idea that their experience of ayahuasca is the same as indigenous people’s experience, that everyone goes to the same Magic Kingdom where we all meet the same entity: Mama Ayahuasca.”
In our race towards modernity, amidst all the technological innovation and the rapid growth of our cities, silence is now quickly passing into legend. Beginning with an ode to John Cage‘s seminal silent composition 4’33“, the sights and sounds of this film delicately interweave with silence to create a contemplative and cinematic experience that works its way through frantic minds and into the quiet spaces of hearts. As much a work of devotion as it is a documentary, IN PURSUIT OF SILENCE is a meditative exploration of our relationship with silence, with sound, and the impact of noise on our lives. (rottentomatoes)
“The etymological roots of the word silence
are somewhat contested. There are two words
in particular that people go back to. There’s the Gothic term ana-silan, and then</i> desinere. One of them has to do with
the wind dying down and the other has to do with
a kind of stopping of motion. They’re both to do with an
interruption, not just of sound, but the roots of silence
are also to do with the interruption of our own… The imposition of our own egos
on the world.” GEORGE PROCHNIK
timespace coordinates: 1607 Powhatan Confederacy / Thirteen Colonies / Virginia > 1616 London
The New World is a 2005 British-American romantic historical drama film written and directed by Terrence Malick, depicting the founding of the Jamestown, Virginia, settlement and inspired by the historical figures Captain John Smith, Pocahontas of the Powatan Native American tribe, and Englishman, John Rolfe. The cast includes Colin Farrell, Q’orianka Kilcher, Christopher Plummer and Christian Bale.
According to History professor Cathy Schultz, Powhatan’s people “were far from the innocent, childlike creatures we see in the film.” Schultz points out that Powhatan “ruled by conquest over the surrounding tribes,” in contrast to the film’s depiction of them as peaceful except where in conflict with the English. Furthermore, most scholars agree that there was no romantic relationship between Pocahontas and Smith. She would have been 10 years old in 1608 when they were said to have first met.
timespace coordinates: 1933 San Francisco / 1869 TexasThe Lone Ranger is a 2013 American western action comedy directed by Gore Verbinski from a screenplay written by Justin Haythe, Ted Elliott, and Terry Rossio. Based on the radio series of the same name, the film stars Johnny Depp as Tonto, the narrator of the events, and Armie Hammer as John Reid, the Lone Ranger. It relates Tonto’s memories of the duo’s earliest efforts to subdue local villainy and bring justice to the American Old West. It is the first theatrical film featuring the Lone Ranger and Tonto characters in the more than 32 years following William A. Fraker‘s 1981 film, The Legend of the Lone Ranger.
Johnny Depp’s make-up and costume were inspired by artist Kirby Sattler’s painting “I am Crow.”
The film was originally supposed to have a plot focusing more on supernatural elements and Native American mysticism. This mainly would’ve taken the form of werewolves, which would’ve explained the silver bullets. However, this draft was supposedly part of the initial 250 million dollar proposal that Disney quickly cancelled after John Carter (2012) underperformed. When the project was revamped to meet Disney’s approval, it came more in line with the current script. (read more: Trivia)
“nature is indeed out of balance”
imdb Comanche / wendigo
timespace coordinates: 2018 Chicago >> Seattle
How It Ends is a Canadian-American action disaster thriller film directed by David M. Rosenthal and written by Brooks McLaren. The film stars Theo James, Forest Whitaker, Kat Graham, and Mark O’Brien. The film was released on July 13, 2018 by Netflix.
The Happening is a 2008 psychological horror-thriller film written, co-produced and directed by M. Night Shyamalan and starring Mark Wahlberg, Zooey Deschanel, John Leguizamo and Betty Buckley. The film follows a man, his wife, his best friend and his friend’s daughter as they try to escape from an inexplicable natural disaster.
Shyamalan told the New York Daily News: “We’re making an excellent B movie, that’s our goal”. Some critics enjoyed it because of this. Glenn Whipp said, “Tamping down the self-seriousness in favor of some horrific silliness, M. Night Shyamalan’s The Happening plays as a genuinely enjoyable B-movie for anyone inclined (or able) to see it that way”.
Joseph J. Foy, professor of politics and popular culture, describes Shyamalan’s film as an expression of “post-environmentalism” in which traditional paradigmatic politics are replaced with a call for the world to “embrace a revolutionary reevaluation of wealth and prosperity not in terms of monetary net worth or material possessions, but in terms of overall well-being”. (wiki)
“…when something does get labeled alien, an entire industry will spring up dedicated to its destruction.”
Blue Peter gardener Chris Collins celebrates the humble and sometimes hated plants we call weeds. He discovers that there is no such thing as a weed, botanically speaking, and that in fact what we call a weed has changed again and again over the last three hundred years. Chris uncovers the story of our changing relationship with weeds – in reality, the story of the battle between wilderness and civilisation. He finds out how weeds have been seen as beautiful and useful in the past, and sees how their secrets are being unlocked today in order to transform our crops.
Finally, Chris asks whether, in our quest to eliminate Japanese Knotweed or Rhododendron Ponticum, we are really engaged in an arms race we can never win. We remove weeds from our fields and gardens at our peril.
“What would the world be, once bereft
Of wet and of wildness? Let them be left,
O let them be left, wildness and wet;
Long live the weeds and the wilderness yet.”