260 – Public Enemies (2009)

spacetime coordinates:  1930s Chicago, Indiana, Wisconsin,  Arizona

public enemies

Public Enemies is a 2009 American biographical mob drama film directed by Michael Mann and written by Mann, Ronan Bennett and Ann Biderman. It is an adaptation of Bryan Burrough‘s non-fiction book Public Enemies: America’s Greatest Crime Wave and the Birth of the FBI, 1933–34. Set during the Great Depression, the film chronicles the final years of the notorious bank robber John Dillinger(Johnny Depp) as he is pursued by FBI agent Melvin Purvis (Christian Bale), Dillinger’s relationship with Billie Frechette (Marion Cotillard), as well as Purvis’ pursuit of Dillinger’s associates and fellow criminals Homer Van Meter (Stephen Dorff) and Baby Face Nelson (Stephen Graham).

Burrough originally intended to make a television miniseries about the Depression-era crime wave in the United States, but decided to write a book on the subject instead. Mann developed the project, and some scenes were filmed on location where certain events depicted in the film occurred, though the film is not entirely historically accurate.

http://www.imdb.com/title/tt1152836/

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259 – Zodiac (2007)

spacetime coordinates: 1969 > 1978 San Francisco

card inside 10-27-70Zodiac is a 2007 American mystery-thriller film directed by David Fincher. The screenplay by James Vanderbilt is based on the 1986 non-fiction book of the same name by Robert Graysmith. The film stars Jake GyllenhaalMark Ruffalo, and Robert Downey, Jr.. _______ Zodiac tells the story of the manhunt for a notorious serial killer who called himself the “Zodiac” and killed in and around the San Francisco Bay Area during the late 1960s and early 1970s, leaving several victims in his wake and taunting police with letters, blood stained clothing, and ciphers mailed to newspapers. The cases remain one of the United States’ most infamous unsolved crimes.

zodiacFincher, Vanderbilt and producer Bradley J. Fischer spent 18 months conducting their own investigation and research into the Zodiac murders. Fincher employed the digital Thomson Viper Filmstream camera to photograph most of the film with traditional high-speed film cameras used for slow-motion murder sequences.

http://www.imdb.com/title/tt0443706/

197 – The Name of the Rose (1986)

spacetime coordinates: 1327 northern Italy

The Name of the Rose (Der Name der Rose) is a 1986 Italian-French-German drama mystery film directed by Jean-Jacques Annaud, based on the book of the same name by Umberto Eco. Sean Connery stars as the Franciscan friar William of Baskerville and Christian Slater is his apprentice Adso of Melk, who are called upon to solve a deadly mystery in a Benedictine abbey.

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The exterior and some of the interiors of the monastery seen in the film were constructed as a replica on a hilltop outside Rome, and ended up being the biggest exterior set built in Europe since Cleopatra. Many of the interiors were shot at Eberbach Abbey, Germany. Most props, including period illuminated manuscripts, were produced specifically for the film.

http://www.imdb.com/title/tt0091605/

133 – Capote (2005)

spacetime coordinates: 1959 > 1965  Kansas

Capote is a 2005 biographical film about Truman Capote, following the events during the writing of Capote’s non-fiction book In Cold Blood. Philip Seymour Hoffman won several awards, including the Academy Award for Best Actor, for his critically acclaimed portrayal of the title character. The film was based on Gerald Clarke‘s biography Capote and was directed by Bennett Miller.

http://www.imdb.com/title/tt0379725/

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“The viIIage of HoIcomb stands on the high wheat pIains of western Kansas, a lonesome area that other Kansans call ‘out there.
UntiI one morning in mid-November, 1959 few Americans, in fact, few Kansans, had ever heard of Holcomb.
Like the waters of the Arkansas River, Iike the motorists on the highway, exceptionaI happenings never stopped there. Perry Smith’s voice
was both gentIe and prim. A voice that, though soft, manufactured each sound exactIy, ejected it Iike a smoke ring issuing from a parson’s mouth.
The four coffins, which quite fiIIed the smaII, flower-crowded parlor, were to be sealed at the funeral services, very understandabIy,
for the effect was disquieting. Nancy wore her dress of cherry-red veIvet, her brother a bright pIaid shirt. The parents were more sedateIy attired,
Mr. Clutter in navy-blue flannel, his wife in navy-bIue crepe. And it was this especiaIIy that lent the scene an awful aura,
the head of each was compIeteIy encased in cotton. A swollen cocoon twice the size of an ordinary bIown-up baIIoon.
And the cotton, because it had been sprayed with a gIossy substance, twinkled like Christmas tree snow.
One Tuesday at dawn, a carload of strangers, ignorant of the IocaI disaster, were startIed by what they saw as they crossed the prairies
and passed through HoIcomb. Windows ablaze.
AImost every window in aImost every house, and in the brightIy-Iit rooms, fuIIy-cIothed peopIe, even entire families, who had sat the whoIe night wide awake,
watchfuI, Iistening. Of what were they frightened? It might happen again.”