timespace coordinates: 2001- 2012 / Sri Lanka, Iraq, Afghanistan, Libya (Arab Spring), SyriaA Private War is a 2018 American biographical drama film directed by Matthew Heineman and starring Rosamund Pike as journalist Marie Colvin. The film is based on the 2012 article “Marie Colvin’s Private War” in Vanity Fair by Marie Brenner. The film was written by Arash Amel and features Jamie Dornan, Tom Hollander and Stanley Tucci. (wiki)
timespace coordinates: September 2001 – May 2011 Pakistan / USA / Afghanistan / Kuwait
Zero Dark Thirty is a 2012 American thriller film directed by Kathryn Bigelow and written by Mark Boal. The film dramatizes the nearly decade-long international manhunt for al Qaeda leader Osama bin Laden after the September 11 attacks. This search leads to the discovery of his compound in Pakistan and the military raid that resulted in bin Laden’s death on May 2, 2011.
Jessica Chastain stars as Maya, a fictional CIA intelligence analyst, with Jason Clarke, Joel Edgerton, Mark Strong, James Gandolfini, Kyle Chandler, Stephen Dillane, Chris Pratt, Édgar Ramírez, Fares Fares, Jennifer Ehle, John Barrowman, Mark Duplass, and Frank Grillo in supporting roles.Prequel / Historical accuracy / Controversy
Home is a 2009 French documentary film by Yann Arthus-Bertrand. The film is almost entirely composed of aerial shots of various places on Earth. It shows the diversity of life on Earth and how humanity is threatening the ecological balance of the planet. The English version was read by Glenn Close.The film was financed by Kering, a French multinational holding company specializing in retail shops and luxury brands, as part of their public relations strategy. (wiki)Yann Arthus-Bertrand said in a TED talk that the movie has no copyright.
◊ The notion of a black secret technology allows Afrofuturism to reach a point of speculative acceleration. ◊ Blaccelerationism proposes that accelerationism always already exists in the territory of blackness, whether it knows it or not. ◊ Sinofuturism is a darkside cartography of the turbulent rise of East Asia; It connects seemingly heterogeneous elements onto the topology of planetary capitalism. ◊ Shanghai futurism ultimately depends on breaking free from the now common assumption about the nature of time. ◊ T he unfolding story of Gulf Futurism is a strange mitosis happening out of the sight of the master planners and architects; it’s the splitting of worlds, of then and later, us and them, real and unreal. ◊ The Dubaification of the world is already a thing of the present and the recent past, and has completed its ideological mission at lightning speed.
- “For what stronger pleasure is there with mankind…than the love of hearing and relating things strange and incredible? How wonderful a thing is the Love of wondering, and of raising Wonder!”
–Lord Anthony Ashley Cooper, 3rd Earl of Shaftesbury.
timespace coordinates: 2020 @ the Historical Tactical Center > Prehistoric > Roman Empire, Feudal Japan, Medieval, Conquistador, Wild West, Modern Wars (World War I and supposedly World War III), Future (Stanley’s era) > inside the main computer (Virus World)Time Commando (originally released for the PC on 31 July 1996) is an action-adventure computer and video game developed by Adeline Software and published by Electronic Arts in Europe, Activision in America, and Virgin Interactive (PlayStation version) and Acclaim Entertainment (Sega Saturn version) in Japan. Time Commando was re-released for modern computer systems on 6 January 2012 by GOG.com. (wiki)
As the world around us increases in technological complexity, our understanding of it diminishes. Underlying this trend is a single idea: the belief that our existence is understandable through computation, and more data is enough to help us build a better world.
In reality, we are lost in a sea of information, increasingly divided by fundamentalism, simplistic narratives, conspiracy theories, and post-factual politics. Meanwhile, those in power use our lack of understanding to further their own interests. Despite the apparent accessibility of information, we’re living in a new Dark Age.
From rogue financial systems to shopping algorithms, from artificial intelligence to state secrecy, we no longer understand how our world is governed or presented to us. The media is filled with unverifiable speculation, much of it generated by anonymous software, while companies dominate their employees through surveillance and the threat of automation.
In his brilliant new work, leading artist and writer James Bridle surveys the history of art, technology, and information systems, and reveals the dark clouds that gather over our dreams of the digital sublime. (VERSO)