Stalingrad (Russian: Сталинград) is a 2013 Russian war film directed by Fedor Bondarchuk. The screenwriter studied diaries of the participants of the Battle of Stalingrad. He also used museum archives, documents and recorded stories of its participants.
Overland (2016 – 2019)
timespace coordinates: post-apocalyptic road-trip across the United States
SYSTEM REQUIREMENTS (MINIMUM): OS: Windows 7 / Processor: Intel Core i5 / Memory: 4 GB RAM / Graphics: Intel HD Graphics 4000 / Storage: 1500 MB available space
The Great Perhaps (2019)
The Great Perhaps tells the story of an astronaut returning to Earth destroyed by natural cataclysms. There, among the ruins he finds an unusual artifact — an old lantern, in the light of which you can see glimpses of another time and travel to the past.
Experience constant time traveling between an empty, melancholic scenery of the post-apocalyptic Earth and its vivid days gone by.
The hero will face the danger in the post-apocalyptic present, as well as in the past. Help him on his journey to find out the true cause of the disaster and save the planet!
SYSTEM REQUIREMENTS (MINIMUM): Requires a 64-bit processor and operating system / OS: Windows 7 (64 Bit) / Processor: Intel Core 2 Duo 2.4 GHz / Memory: 4 GB RAM / Graphics: NVidia Geforce GTX 650 Ti, AMD Radeon HD 7790 / DirectX: Version 10 / Storage: 5 GB available space / Sound Card: Direct X Compatible
timespace coordinates: It’s 1985 in Hawkins, Indiana, and summer’s heating up. School’s out, there’s a brand new mall in town, and the Hawkins crew are on the cusp of adulthood.. (premise)
The third season of the American science fiction-horror web television series Stranger Things, titled onscreen as Stranger Things 3, premiered on Netflix‘s web streaming service starting on July 4, 2019. The series was created by the Duffer Brothers, who are also executive producers along with Shawn Levy, Dan Cohen and Iain Paterson
(…) What do we think of when we hear the word “meaning ether?” Probably not nearly enough — myself included! — for it is difficult to grasp what the term “meaning” signifies here. With respect to the chemical ether we had to refer to the numerical laws and to the Harmony of the Spheres. To the meaning ether, however, belongs the general and great harmony of the universe (as Kepler has expressed it). It can help us yet further if we consider a word which was used by the profound translator of many works of Chinese literature, Richard Wilhelm. He has chosen to translate the word “tao,” as used in the “Tao te Ching,” (“Tao” is translated into English as “way.”) with the German word “Sinn” (sense, or meaning). He points out that it had something of the same meaning as did the Greek word “logos” at the turning point of time, the beginning of the Christian era. If you consult a Greek dictionary, you will find a long list of meanings for the term “logos” — word, speech, computation, relationship, reason, etc. The mathematicians of 400 B.C. used the word “logos” when they stated a ratio, as 3:4. And when in the time of Plato it was established that there was no “logos,” or integral proportionality, between the diagonal and the side of a square, that was called an “a-logon,” or something without logos. Translated into Latin, logos became “ratio,” and something without “ratio” (or proportion) was something “irrational.” The discovery of the irrational in the time of Plato consisted in the proof that “irrationality” exists in the world of measure. That gives a faint indication of the paradox inherent in the deepest “sense of the word ‘sense’.”
But now you must understand that the negative mirror image of a mastery of the world of meaning, of the logos, must appear in our time, and where this negative image appears it is today called “information.” The “Science of Information” can only measure the quantitative aspect of information, and not that which is its true meaning.
by Georg Unger, 1978 (online)
timespace coordinates: 1940s, 1950s and early 1960s United States, the Marshall Islands
The Atomic Cafe is a 1982 American documentary film produced and directed by Jayne Loader, Kevin Rafferty and Pierce Rafferty. In 2016, the film was selected for preservation in the United States’ National Film Registry by the Library of Congress, being deemed “culturally, historically, or aesthetically significant”.
The film covers the beginnings of the era of nuclear warfare, created from a broad range of archival material from the 1940s, 1950s and early 1960s including newsreel clips, television news footage, U.S. government-produced films (including military training films), advertisements, television and radio programs. News footage reflected the prevailing understanding of the media and public.
Though the topic of atomic holocaust is a grave matter, The Atomic Cafe approaches it with black humor. Much of the humor derives from the modern audience’s reaction to the old training films, such as the Duck and Cover film shown in schools.
The Atomic Cafe was released at the height of nostalgia and cynicism in America. By 1982, Americans lost much of their faith in their government following the Vietnam War, the Watergate scandal, and the seemingly never-ending arms race with the Soviet Union. The Atomic Cafe reflects and reinforces this idea as it exposes how the atomic bomb’s dangers were downplayed and how the government used films to shape public opinion.
Bob Mielke, in “Rhetoric and Ideology in the Nuclear Test Documentary” (Film Quarterly) discusses the release of The Atomic Cafe: “This satire feature was released at the height of the nuclear freeze movement (which was in turn responding to the Reagan administration’s surreal handling of the arms race.)”
Patricia Aufderheide, in Documentary Film: A Very Short Introduction touches on the significance of The Atomic Cafe as a window into the past of government propaganda and disinformation during the years following the advent of the Atomic Bomb. “Propaganda, also known as disinformation, public diplomacy, and strategic communication, continues to be an important tool for governments. But stand-alone documentary is no longer an important part of public relations campaigns aimed at the general public.” (wiki)
Because the site bears direct tangible evidence of the nuclear tests conducted there amid the paradoxical tropical location, UNESCO determined that the atoll symbolizes the dawn of the nuclear age and named it a World Heritage Site on 3 August 2010.
Bikini Atoll has conserved direct tangible evidence … conveying the power of … nuclear tests, i.e. the sunken ships sent to the bottom of the lagoon by the tests in 1946 and the gigantic Bravo crater. Equivalent to 7,000 times the force of the Hiroshima bomb, the tests had major consequences on the geology and natural environment of Bikini Atoll and on the health of those who were exposed to radiation. Through its history, the atoll symbolises the dawn of the nuclear age, despite its paradoxical image of peace and of earthly paradise.
On April 26, 1986, at 1:24am, a rainbow-colored flame shot 1,000 meters high into the Ukrainian sky. The fourth reactor of the Chernobyl nuclear power plant just exploded. A battle begins in which 500,000 men are engaged throughout the Soviet Union to “liquidate” the radioactivity, build the “sarcophagus“ of the damaged reactor and save the world from a second explosion that would have destroyed half of Europe.
This documentary combines testimonials, unseen original footage and documents to recreate the events of the great battle of Chernobyl day-by-day, as each development unfolded. imdb