360 – Nova Seed (2016)

Nova SeedNOVA SEED is a 2016  sci-fi fantasy adventure 2D animation.   a solo effort by  Nick DiLiberto, the film is the product of four years’ work and is comprised of 60,000 hand-drawn frames.  It is DiLiberto’s directorial debut feature.

Nova SEED is an action-packed, post-apocalyptic, Sci-fi adventure that follows a lion-man (a Neo-Animal Combatant or NAC) who must save the NOVA Seed, a mystic force of nature in the form of a girl, from Dr. Mindskull, an evil half-man bent on remaking the world in his image.

Nova SEED is written by Nick DiLiberto (who worked in the animation department for Asura’s Wrath, Sonic Chronicles: The Dark Brotherhood, Mass Effect) and Joe DiLiberto, and executive produced by Ricardo Curtis , Adele DiLiberto, John DiLiberto, Nick DiLiberto and Wes Lui . Music by Canadian musician, Stephen Verrall.

DiLiberto said, “I grew up with 2D animated shows like He-Man and Thunder Cats and I wanted to be a part of that, but as an adult I was disappointed that everything I saw and worked on was so slick and manufactured. I wanted to make something that made me feel like I did when I was a kid, and I was tired of waiting for Disney or DreamWorks to make it for me. So, I made it myself.” (read more)

About Gorgon Pictures: Gorgon Pictures Inc. is an Independent animation studio located in Fukuoka, Japan, established by Canadian filmmaker Nick DiLiberto, which is dedicated to creating fully 2D hand drawn animated films. With its first feature film NOVA SEED (2016), an award-winning Sci-fi adventure, Gorgon Pictures has become an inspiration to artists and filmmakers around the world and continues to push the envelope in its approach and techniques to the medium.

http://www.imdb.com/title/tt5569618/

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“The ancillary promise is that, through green consumerism, we can reconcile perpetual growth with planetary survival. But a series of research papers reveal there is no significant difference between the ecological footprints of people who care and people who don’t. One recent article, published in the journal Environment and Behaviour, says those who identify themselves as conscious consumers use more energy and carbon than those who do not.”  Too right it’s Black Friday: our relentless consumption is trashing the planet   –    George Monbiot

298 – Valerian and the City of a Thousand Planets (2017)

spacetime coordinates:  28th century.  former International Space Station now “Alpha”, a space-traveling city where millions of creatures from different planets live peacefully and exchange their knowledge and cultures.valerian_and_the_city_of_a_thousand_planets_ver16

Valerian and the City of a Thousand Planets (French: Valérian et la Cité des mille planètes) is a 2017 English-language French 3D science fiction adventure film written and directed by Luc Besson, and co-produced by Besson and his wife, Virginie Besson-Silla. The film is based on the French science fiction comics series Valérian and Laureline, written by Pierre Christin and illustrated by Jean-Claude Mézières. It stars Dane DeHaan as Valerian and Cara Delevingne as Laureline, with Clive OwenRihannaEthan HawkeHerbie HancockKris Wu and Rutger Hauer in supporting roles. Besson independently crowd-sourced and personally funded Valerian and, with a production budget of around $180 million, it is both the most expensive European and independent film ever made.Valerian and the City of a Thousand Planets 1Valerian and the City of a Thousand Planets 2Valerian and the City of a Thousand Planets 3

http://www.imdb.com/title/tt2239822/

280 – A Sound of Thunder (2005)

spacetime coordinates:  Chicago, 2055 > the cretaceous

A Sound of Thunder is a 2005 science fiction thriller film directed by Peter Hyams, and starring Edward BurnsCatherine McCormack and Ben Kingsley. It is a co-production film between the United Kingdom, the United States, Germany, and the Czech Republic.

http://www.imdb.com/title/tt0318081/

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a classic example of “failed return” or “no return” cautionary tales is A Sound of Thunder by Ray Bradbury published in 1952. on a personal level i love both the EC comic book adaptation with artwork by Al Williamson and the 2005 movie adaptation by Peter Hyams that was a box office flop and has receive mostly negative reviews by critics. the original story features one of the first instances of the butterfly effect, in particular as applied to time travel paradoxes and uncontrollable evolutionary/ political outcomes. this was way before it became a meteorologic mainstay of chaos theory after its use by Edward Lorenz to describe stormy ripple-like effects on nonlinear systems, seemingly very sensitive to minute initial conditions.   sound-of-thunder-ec-comics-1the movie A Sound of Thunder features a time travel tourist agency from the year 2055. Time Safari Inc. is a chronocapitalist enterprise that organizes prehistoric retro-hunting expeditions to far-off epochs where dinosaurs roamed the earth. in order to do that, mankind is cheating on the big dinosaur mass extinction. long after humankind has killed most of the big game life on earth it tracks down other, more elusive and ferocious megafauna. the whole ‘hunting’ for the ultimate predator T-Rex (or an Allosaurus in the movie) turns out to be a very complex business. the paleo-poaching is based on hiding your acts under the cover of natural occurrences, trophy hunting pretending to be a mass extimction event. in order to fake the killing shot one must plan ahead every retro-killing move. practically Time Safari Inc. is cheating evolutionary history by trying to synchronize with ‘naturally’ occurring death events and extract entertainment value out of impossible inter-species encounters, normally separated by enormous gulfs of time. (…)

a-sound-of-thunder-illustrated-by-franz-altschuler-565-playboy-june-1956

geohistory becomes a perfect crime scene – where the time traveling expedition has to erase all traces – all influence that might otherwise impact the future with definite catastrophic (especially anthropic future) results. as often, humans are kind of role-playing hide and seek with natural selection. in this bizarre and strange inversion of the anthropocenic stratigraphic proof – masquerades as natural force, where a devious human causality is trying to hide behind a pre-human mass extinction event. it is almost the same principle guiding the climate denialist that pretends to hide behind previous catastrophic climate fluctuations.sound of thunderas one might expect, it’s a chronoclysm waiting to happen. all the clients of  Time Safari Inc. are prone to making mistakes, and not only do they leave marks (the absolute no 1 rule of time travel is non-intervention) but they also bring back something (the 2nd most important rule) basically invariably smuggling the prehuman past into the future. somehow a prehistoric dead butterfly makes it through the biofilter (a great example of what I would call New Wallace Lines) that is scanning every living reentry into the present, every possibility of warping the timelines. the alteration of the past produces a chronoclysm that manifests itself as a rhythmic, rapidly accelerating ‘time waves’ that transform the city and its denizens. more to the point in the Peter Hyams movie, the first divergence is a sudden appearance of teeming swarms of beetles and a gigantic strangler fig-like tree bursting through a Chicago high rise building, while the main characters Ryan and Rand make a narrow escape. it is by no means accidental that swarms and insect swarms in particular are associated with time waves. multiply proliferating and and highly distributed, swarms are chronoclysmic purveyors that help carry and suffer the radical effects of timeline distortion. sound of thunder 3there are reports of global increases in temperature and humidity and plant life seems to prosper, while this time warped climate change suddenly seems to be echoing sweltering hot pre-human conditions of long gone geological epochs and dead jungles. (…)

stefan tiron – Cosm/c Dr/ft & T3mporal D/vergence (2016)- EXIT THE PORTAL: The Strange Comeback to a Weird Earth