1497 – Ragnarok (TV Series 2020–)

timespace coordinates: 2020’s fictional Norwegian town of Edda in Western Norway

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Ragnarok is a Norwegian-language fantasy drama from Netflix that premiered on 31 January 2020. The series is produced by the Danish production company SAM Productions. The show has been renewed for a second season. 

The show takes place in the fictional town of Edda which is plagued by climate change and the industrial pollution caused by the factories owned by the local Jutul family, the fifth-richest family in Norway. The Jutuls are actually four Jötunn, frost giants and giantesses posing as a family in Edda. They are challenged by Magne, a teenage boy who is surprised to learn that he is the embodiment of Thor and begins the fight against those that are destroying the planet.

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The story draws inspiration from Norse mythology. (wiki)

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1457 – Terminator: Dark Fate (2019)

timespace coordinates: 1998 / 2042 / 2020  Mexico City > Texas

Terminator: Dark Fate is a 2019 American science fiction action film directed by Tim Miller. It is the sixth installment in the Terminator film franchise, and acts as a direct sequel to The Terminator (1984) and Terminator 2: Judgment Day (1991), while disregarding Terminator 3: Rise of the Machines (2003), Terminator Salvation (2009), Terminator Genisys (2015), and the television series Terminator: The Sarah Connor Chronicles (2008–2009) as occurring in alternate timelines, following the return of creative control to Cameron. (wiki)

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Fate of John Connor

Future

 

1437 – Fabricated (2016)

Ten years in the making, Fabricated is a stop-motion journey through an alien world which was once our own.

After biological life has passed from existence, our machines try to restart it with the pieces we have left behind. On an anonymous assembly line, a creature is built from steel and bone and sent off. Making his way through an old world that is dying and a new world struggling to be born, he begins to sense that he may have a part to play in the evolution of his imperfect kind. This film was animated by one person (Brett Foxwell) over ten years in four different cities.

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1425 – Infini (2015)

timespace coordinates: early 23rd century, mining station O.I. Infini 

MV5BMTcyODcwNzQ3MV5BMl5BanBnXkFtZTgwNDkyOTE3MjE@._V1_SY1000_CR0,0,675,1000_AL_Infini is a 2015 Australian science fiction film directed by Shane Abbess and starring Daniel MacPhersonGrace Huang, Luke Hemsworth and Tess Haubrich.

covers_50864An elite ‘search and rescue’ team transport onto an off-world mining-facility to rescue Whit Carmichael, the lone survivor of a biological outbreak.DAhdZ0LXUAE27JLOliver Pfeiffer of SciFiNow rated it 4/5 stars and called it “bold, gut-wrenching” with the “real masterstroke at play…the menacingly immersive production design and deeply atmospheric soundtrack”. (wiki)

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1417 – Waste Tide (2013 novel)

For All Tomorrow’s Parties. 全为明日派对。


timespace coordinates: The Waste Tide depicts a dystopian China in the post-2020 era. (2040’s -2050’s) In the Guiyu island, the large electronic recycle industries are in full control of local lineage associations. The laborers who undertake dangerous work for the profit of the Chinese and foreign businessmen who employ them are depicted not as humans, but cyborgs whose bodies and minds have been altered permanently through bio-engineering.

wastetideThe Waste Tide is a science fiction novel by the Chinese writer Chen Qiufan.

The story takes place in the imaginary ”Silicon Isle”. The Chinese word ”硅屿” for Silicon Isle shares a similar pronunciation with Guiyu (Chinese: 贵屿) in Mandarin. In the real world, Guiyu is a town in the Shantou prefecture of Guangdong province in China. And it is Shantou where Chen Qiufan was born and grew up before he entered Peking University. Situated on the South China Sea coast, Guiyu got famous in the global environmentalist community for its reception of E-waste. The town held the record for being the largest E-waste site up to 2013. Though some residents got rich by electronic recycling, pollution became serious in the town. Talking about the background of writing the novel, Chen said: ”Choosing my hometown as background to write the story, is related to my thinking of China. To depict the pain of changing China, is just because I desire for she getting better gradually.’ (wiki)

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