1277 – Sacred Games S.2 (2019)

timespace coordinates: 1994 > early 2000’s > modern-day MumbaiMombasa, Kenya, Dubai, CroatiaMV5BMjJlMjJlMzYtNmU5Yy00N2MwLWJmMjEtNWUwZWIyMGViZDgyXkEyXkFqcGdeQXVyOTAzMTc2MjA@._V1_SY1000_SX675_AL_A policeman, a criminal overlord, a Bollywood film star, politicians, cultists, spies, and terrorists — the lives of the privileged, the famous, the wretched, and the bloodthirsty interweave with cataclysmic consequences amid the chaos of modern-day Mumbai. The series is based on the critically-acclaimed best-selling novel Sacred Games by author Vikram Chandra. (rottentomatoes)

The title sequence, logo, and title designs were designed by graphic designer Aniruddh Mehta and Mumbai-based motion lab Plexus, who drew inspiration from the Hindu mythology for the designs. Mehta said that each emblem was a contemporary take on “stories from ancient Hindu scriptures, mandala‘s, mixing modern design elements with characters from the Indus Valley Civilization” that were derived from the episode titles. (wiki)

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1266 – Code 46 (2003)

timespace coordinates: In the near future the world is divided between those who live “inside”, in high-density cities, and the poor underclass who live “outside.” Access to the cities is highly restricted and regulated through the use of health documents, known as “papeles” in the global pidgin language of the day (composed of elements of English, Spanish, French, Arabic, Italian, Farsi and Mandarin).

Most city residents venture outside only after dark since direct sunlight is now considered hazardous to their health. However, a few residents still venture outdoors during the day. The government appears to be authoritarian and dystopian. Society is regulated by various “codes”. The code of the movie title prohibits “genetically incestuous reproduction”, which may occur as a result of the various medical technologies which have become commonplace, such as cloning.

William Geld (Tim Robbins), an insurance fraud investigator, is sent to Shanghai to interview employees at a company known as “The Sphinx”, which manufactures “covers”, ostensibly “insurance cover documents” but which in fact regulate the movements of people among cities and “inside” and “outside”.

528a025e2130d_267051bCode 46 is a 2003 British film directed by Michael Winterbottom, with screenplay by Frank Cottrell Boyce. It was produced by BBC Films and Revolution Films. It is a dystopic science fiction love story exploring the implications of current trends in biotechnology.

The soundtrack was composed by David Holmes under the name “Free Association”. The film was shot on location in ShanghaiDubai, and Rajasthan, with interiors done on stage in London. The mix of foreign locations was chosen because the juxtaposition of elements in these cities offered a believable futuristic setting. (wiki)

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OST

1152 – Samsara (2011 documentary)

Samsara is a 2011 American non-narrative documentary film of international imagery directed by Ron Fricke and produced by Mark Magidson. Samsara was filmed over a period of five years in 25 different countries around the world.

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The official website describes the film, “Expanding on the themes they developed in Baraka (1992) and Chronos (1985), Samsara explores the wonders of our world from the mundane to the miraculous, looking into the unfathomable reaches of humanity’s spirituality and the human experience. Neither a traditional documentary nor a travelogue, Samsara takes the form of a nonverbal, guided meditation.” (wiki)

imdb   /   fantasy_coffins   /   819 – Olivier de Sagazan

923 – Home (2009)


Home is a 2009 French documentary film by Yann Arthus-Bertrand. The film is almost entirely composed of aerial shots of various places on Earth. It shows the diversity of life on Earth and how humanity is threatening the ecological balance of the planet. The English version was read by Glenn Close.000001151886The film was financed by Kering, a French multinational holding company specializing in retail shops and luxury brands, as part of their public relations strategy. (wiki)mv5bmtewnwe3mwetntmxms00ymmylwexzdqtzgfmnwzkodkwngzlxkeyxkfqcgdeqxvymtqxnzmzndi@._v1_Yann Arthus-Bertrand said in a TED talk that the movie has no copyright.

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