spacetime coordinates: Shoshone National Forest (Wyoming wilderness) 1989Firewatch is a first-person mystery adventure game developed by Campo Santo and published by Campo Santo and Panic. The game was released in February 2016 for Microsoft Windows, OS X, Linux, and PlayStation 4, and for Xbox One in September 2016.
The story follows a Shoshone National Forest fire lookout named Henry in 1989, following the Yellowstone fires of 1988. A month after his first day at work, strange things begin happening to both him and his supervisor Delilah, which connects to a conspired mystery that happened years ago. Henry interacts with Delilah using a walkie-talkie, with the player choosing from dialog options to communicate. His exchanges with Delilah inform the process by which their relationship is developed.
The game was directed by Olly Moss and Sean Vanaman, written by Chris Remo, Jake Rodkin, Moss and Vanaman, and produced by Gabe McGill and artist Jane Ng. The game’s environment was modelled by Ng, based on a single painting by Moss. The design draws inspiration from New Deal advertisements by the National Park Service and field research conducted in Yosemite National Park.
SYSTEM REQUIREMENTS (MINIMUM): OS: Windows 7 or higher 64bit // Processor: Intel Core i3 2.00 GHz or AMD equivalent // Memory: 6 GB RAM // Graphics: NVIDIA GeForce 450 or higher with 1GB Memory // DirectX: Version 11 // Storage: 4 GB available space
spacetime coordinates: 1980s Greenpoint, Brooklyn, New York CityStreet Trash is a 1987 American black comedy body horror film directed by J. Michael Muro (credited as Jim Muro). It won the Silver Raven at the Brussels International Festival of Fantasy Film. The film has acquired a status as a cult classic independent horror-comedy and is one of a number of films known as “melt movies”
Roy Frumkes wrote the screenplay. In an NBR profile he later said: “I wrote it to democratically offend every group on the planet, and as a result the youth market embraced it as a renegade work, and it played midnight shows.”
spacetime coordinates: KARELIA 2034 In the year 2034 on the plains of the post-holocaust wasteland of Eastern Finland, a trio of synthesizer warriors calling themselves Nightsatan conduct musical rituals in order to maintain what is left of their sanity. The apocalyptic and atmospheric action adventure features cannibalism, graphic violence, visual lore and a synthesizer score paying tribute to the classic works of John Carpenter and Goblin. It is a heart-warming tribute to the Italian Mad Max rip-offs of the 1980’s, with a hint or two of Alejandro Jodorowsky thrown in.
spacetime coordinates: 1985 Los AngelesRadio Free Albemuth is a 2010 American film adaptation of the dystopian novel Radio Free Albemuth by author Philip K. Dick, which was written in 1976 and published posthumously in 1985. The film is written, directed, and produced by John Alan Simon and stars Jonathan Scarfe and Shea Whigham.
The story is set in an alternate reality 1980’s America under the authoritarian control of President Fremont. It makes liberal references to the collected works of Philip K. Dick.
spacetime coordinates: 1980’s beach town of Santa Carla, California The Lost Boys is a 1987 American horror thriller comedy film directed by Joel Schumacher and starring Jason Patric, Corey Haim, Kiefer Sutherland, Jami Gertz, Corey Feldman, Dianne Wiest, Edward Herrmann, Alex Winter, Jamison Newlander, and Barnard Hughes.The film is about two Arizona brothers who move to California and end up fighting a gang of young vampires. The title is a reference to the Lost Boys in J. M. Barrie‘s stories about Peter Pan and Neverland, who, like the vampires, never grow up.
spacetime coordinates: remote Cumbrian mountain village 1348 >> 1980s New ZealandThe Navigator: A Medieval Odyssey is a 1988 feature film, an official Australian-New Zealand co-production, directed by Vincent Ward.
Ward and his production team based the look of the film on extensive research into the Middle Ages, particularly the mining industry, although this was then rendered imaginatively. The colours of the film are based on medieval art and, in particular, medieval and renaissance artists’ ideas about heaven and hell. The blues in many of the modern-day sequences are based on the inks in the Très Riches Heures du Duc de Berry, while the reds and oranges of the motorway lights and furnace fires evoke images of hell in the works of Hieronymous Bosch, Pieter Bruegel and Matthias Grünewald. Ward later said he had not achieved what he wanted to with the colour of the modern-day scenes due to the film’s short shooting schedule. Ironically, the colour in the medieval scenes, which were turned into black and white, was far better than that in the 20th century scenes. Some of the mining scenes were inspired by engravings from the German mining manual De re metallica, although it dates from two centuries after the time of those scenes. The angel of death seen flying across the moon at one point is based on a medieval engraving in Paris’ Père Lachaise Cemetery.
Drowning by Numbers is a 1988 British-Dutch film directed by Peter Greenaway. The film’s plot centres on three married women — a grandmother, her daughter, and her niece — each named Cissie Colpitts. As the story progresses, each woman successively drowns her husband. The three Cissie Colpittses are played by Joan Plowright, Juliet Stevenson and Joely Richardson, while Bernard Hill plays the coroner, Madgett, who is cajoled into covering up the three crimes.The structure, with similar stories repeated three times, is reminiscent of a fairy tale, most specifically ‘The Billy Goats Gruff‘, because Madgett is constantly promised greater rewards as he tries his luck with each of the Cissies in turn. The link to folklore is further established by Madgett’s son Smut, who recites the rules of various unusual games played by the characters as if they were ancient traditions. Many of these games are invented for the film, including:
- Bees in the Trees
- Dawn Card Castles
- Deadman’s Catch
- Flights of Fancy (or Reverse Strip Jump)
- The Great Death Game
- Hangman’s Cricket
- The Hare and Hounds
- Sheep and Tides
In Drowning by Numbers, number-counting, the rules of games and the repetitions of the plot are all devices which emphasise structure and symmetry. Through the course of the film each of the numbers 1 to 100 appear, the large majority in sequence, often seen in the background, sometimes spoken by the characters.
The film is set and was shot in and around Southwold, Suffolk, England, with key landmarks such as the Victorian water tower, Southwold Lighthouse, and the estuary of the River Blyth clearly identifiable.