spacetime coordinates: 19th-century England, Yorkshire > the Amazon and its tributaries > the Andes of Peru and Ecuador
” Pushing against its scientific reputation as downright boring, moss in particular served to create some botanical, aesthetic sense of a setting that allowed for illicit sexual encounters and for primal yearnings. The reasons for this strange dual identity of bryophytes as both mundane and as primal are relatively clear: realistically, moss provided a soft bed for sexual romps that had to take place outside of stuffy Victorian homes. Serving, perhaps predictably, as a slang term for pubic hair, moss was understood to be consistently moist and jewel-like, glittering like emerald colonies under light. (…) Although tropes of sexual encounters occurring in gardens and forests far predated the nineteenth century, both realistically and literarily, these hidden moss grottoes conjured up an image of something semi-religious, some secret refuge from the trials of urban — and overwhelming imperial tropical — life.”
spacetime coordinates: 18th – 19th century Easter Island
“According to one early commentator, Rapanui songs expressed ‘the surprise of being alive and also the sadness of life.’”
spacetime coordinates: abandoned space station Theseus – remote outpost on uninhabitable desert planet Chori V
The Swapper is a puzzle-platform video game for Microsoft Windows, Mac OS X and Linux. It was developed and published by Facepalm Games, a small independent company based in Helsinki, Finland.
The Swapper was a project made by two University of Helsinki students Otto Hantula and Olli Harjola in their spare time – backed by the Indie Fund, the 6th indie game title the fund has supported. Rather than digital textures, the game features handcrafted art assets and clay which forms the various game levels.
SYSTEM REQUIREMENTS: OS:Windows XP SP3 or later, 64/32bit // Processor:Dual Core CPU (2.2+ GHz Dual Core CPU or better) // Memory:1 GB RAM // Graphics:GeForce® 8800 or Radeon® HD4800 series, 512 MB of memory, OpenGL 3.0 support required // Hard Drive:1 GB HD space
read “The Fairy Tale of the Green Snake and the Beautiful Lily” by Johann Wolfgang von Goethe HERE
read Two lectures given by Rudolf Steiner at Berlin and Cologne on Goethe’s Tale of the Green Snake and the Beautiful Lily HERE
(…) “Now in this chasm lay the fair green Snake, who was roused from her sleep by the gold coming chinking down. No sooner did she fix her eye on the glittering coins, than she ate them all up, with the greatest relish, on the spot; and carefully picked out such pieces as were scattered in the chinks of the rock.
Scarcely had she swallowed them, when, with extreme delight, she began to feel the metal melting in her inwards, and spreading all over her body; and soon, to her lively joy, she observed that she was grown transparent and luminous. Long ago she had been told that this was possible; but now being doubtful whether such a light could last, her curiosity and her desire to be secure against her future, drove her from her cell, that she might see who it was that had shaken in this precious metal. She found no one. The more delightful was it to admire her own appearance, and her graceful brightness, as she crawled along through roots and bushes, and spread out her light among her grass. Every leaf seemed of emerald, every flower was dyed with new glory. It was in vain that she crossed her solitary thickets; but her hopes rose high, when, on reaching her open country, she perceived from afar a brilliancy resembling her own. “Shall I find my like at last, then?” cried she, and hastened to the spot. The toil of crawling through bog and reeds gave her little thought; for though she liked best to live in dry grassy spots of the mountains, among the clefts of rocks, and for most part fed on spicy herbs, and slaked her thirst with mild dew and fresh spring water, yet for the sake of this dear gold, and in the hope of this glorious light, she would have undertaken anything you could propose to her.” (…)
At the end of the 22nd century Alisa Seleznyova, her father Professor Seleznyov and pilot Zeleny go on a space expedition to find rare animals for Moscow Zoo.The Mystery of the Third Planet (Russian: Тайна третьей планеты, Tayna tretyey planety), aka The Secret of the Third Planet is a 1981 Soviet traditionally animated feature film directed by Roman Kachanov and produced by the Soyuzmultfilm studio in Moscow. It is based on a children’s science fiction novella “Alice’s Travel” by Kir Bulychov, from Alisa (Alice) Selezneva book series.
The movie is considered a cult classic in Russia, a diafilm and a number of video games were based on The Mystery of the Third Planet, and spiritual successor film Alice’s Birthday was released in 2009.
” 12 billion miles away a tiny spaceship is leaving our Solar System and entering the void of deep space. It is the first human-made object ever to do so. Slowly dying within its heart is a plutonium generator that will beat for perhaps another decade before the lights on Voyager finally go out. But this little craft will travel on for millions of years, carrying a Golden Record bearing recordings and images of life on Earth. In all likelihood Voyager will outlive humanity and all our creations. It could be the only thing to mark our existence. Perhaps some day an alien will find it and wonder. The story of Voyager is an epic of human achievement, personal drama and almost miraculous success. Launched 16 days apart in Autumn 1977, the twin Voyager space probes have defied all the odds, survived countless near misses and almost 40 years later continue to beam revolutionary information across unimaginable distances. ”
“attentiveness alone can rival the most powerful magnifying lens.”
Living at the limits of our ordinary perception, mosses are a common but largely unnoticed element of the natural world. “Gathering Moss” is a beautifully written mix of science and personal reflection that invites readers to explore and learn from the elegantly simple lives of mosses.
In this series of linked personal essays, Robin Kimmerer leads general readers and scientists alike to an understanding of how mosses live and how their lives are intertwined with the lives of countless other beings. Kimmerer explains the biology of mosses clearly and artfully, while at the same time reflecting on what these fascinating organisms have to teach us.
Drawing on her experiences as a scientist, a mother, and a Native American, Kimmerer explains the stories of mosses in scientific terms as well as in the framework of indigenous ways of knowing. In her book, the natural history and cultural relationships of mosses become a powerful metaphor for ways of living in the world.
“the tiny pool of water held in a spoon-shaped leaf is the perfect resting place for a waterbear, as plump and gelatinous as a candy gummy bear. the moisture in a moss mat is as vital to the moss as it is to the waterbear. but, since mosses are non-vascular, their water content fluctuates with the amount of water in the environment. the moss leaves shrivel and contort as water evaporates, leaving them crisp and dry. the waterbears too, simply shrink when desiccated to as little as one-eight of their size forming barrel- shaped miniatures of themselves called tuns. metabolism is reduced to near zero and the tun can survive in this state for years. the tuns blow around in the dry winds like specks of dust, landing on new clumps of moss and dispersing farther than their short waterbear legs could ever carry them.”
Timewatch – The Bog Bodies (2006) on youtube (low-quality)
4000 Year Old Cold Case – The Body in the Bog