736 – Upgrade (2018)

timespace coordinates: near-future MelbourneUpgrade-poster-1Upgrade is a 2018 science fiction body horror film written and directed by Leigh Whannell. A co-production between Australia and the United States, it stars Logan Marshall-GreenBetty Gabriel, and Harrison Gilbertson. The film follows a man who is implanted with a chip that allows him to control his body after a mugging leaves him paralyzed. Critics called it “one part The Six Million Dollar Man, one part Death Wish revenge fantasy.” (wiki)

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733 – The Lure (2015)

timespace coordinates: 1980’s Warsaw Poland0dbb4f0b102419e1d02b1d36401715e6The Lure (Polish: Córki dancingu – “The Daughters of Dance Party”) is a 2015 Polish horror musical film directed by Agnieszka Smoczyńska. The story is a reworking of The Little Mermaid by Hans Christian Andersen, with inspiration from Smoczyńska’s experiences.

Smoczyńska likened the mermaids to immigrants, abused by the locals (used in the sex industry) on their way to their real goal—America. She added they represent innocence, yet their odour and slime recalled girls maturing, “they menstruate, they ovulate, their bodies start smelling and feeling different.” (wiki)

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730 – The Objective (2008)

timespace coordinates: 2001 Ghazni ProvinceAfghanistanMV5BMTM3OTkwNDg0Ml5BMl5BanBnXkFtZTcwMDE2MjkyMg@@._V1_

The Objective is a 2008 american-moroccan science fiction horror film directed by Daniel Myrick  starring Jonas Ball, Matthew R. Anderson, and Michael C. Williams. (wiki)

A team of U.S. Special Ops forces is dispatched to a remote mountain region of Afghanistan with the ostensible orders of locating an influential Muslim cleric. While on the mission they find themselves lost in a Middle Eastern “Bermuda Triangle” and faced with an enemy that none of them could have imagined. (rt)

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vimana // the vimana epics

725 – Låt den rätte komma in / Let the Right One In (2008)

timespace coordinates:  western Stockholm suburb of Blackeberg in 1981c3aa3267533c307013d8584f651b12d6

Let the Right One In (Swedish: Låt den rätte komma in) is a 2008 Swedish romantic horror film directed by Tomas Alfredson, based on the 2004 novel of the same title by John Ajvide Lindqvist, who also wrote the screenplay.

Dejameentrar_posterae8f8e44708273.581b4e16168ebThe film tells the story of a bullied 12-year-old boy who develops a friendship with a vampire child in Blackeberg, a suburb of Stockholm, in the early 1980s. Alfredson, unconcerned with the horror and vampire conventions, decided to tone down many elements of the novel and focus primarily on the relationship between the two main characters. Selecting the lead actors involved a year-long process with open castings held all over Sweden. In the end, the 11-year-olds Kåre Hedebrant and Lina Leandersson were chosen for the leading roles. They were subsequently commended by both Alfredson and film reviewers for their performances.

(Spoilers) The novel presents Eli as an androgynous boy, castrated centuries before by a sadistic vampire nobleman. The film handles the issue of Eli’s gender more ambiguously: a brief scene in which Eli changes into a dress offers a glimpse of a suggestive scar but no explicit elaboration.  When Oskar asks Eli to become his girlfriend, Eli tries to tell Oskar “I’m not a girl”. An actress plays Eli’s character, but her voice was considered to be too high pitched, so it was dubbed by voice actress Elif Ceylan. According to an interview with the director, as the film was originally conceived, flashbacks explained this aspect in more detail, but these scenes were eventually cut. (wiki)Magnet_R6_FULL_outlines

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Let Me In (2010 american version)

timespace coordinates: Los Alamos, New Mexico, 1983

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697 – Ghostland (2018)

Ghostland (also known as Incident in a Ghostland) is a 2018 post-torture-porn horror film directed by Pascal Laugierthe film is a Canadian-French co-production.

(DISTURBING CONTENT)

Ghostland-new-posterDennis Harvey of Variety declared the Ghostland “slick, intense, and unpleasant in the same hollow way “Martyrs” did, because all the cruelty is so meaningless. Replacing that film’s empty pseudo-mysticism are villains for whom Laugier doesn’t bother providing any motivation or backstory.”

imdb   villagevoice review


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kinopoisk.ru

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New French Extremity