timespace coordinates: 1980’s New Jersey
The Adventures of Buckaroo Banzai Across the 8th Dimension, often shortened to Buckaroo Banzai, is a 1984 American science fiction action/adventure film produced and directed by W. D. Richter and written by Earl Mac Rauch. The premise centers upon the efforts of the polymath Dr. Buckaroo Banzai, a physicist, neurosurgeon, test pilot, and musician, to save the world by defeating a band of inter-dimensional aliens called Red Lectroids from Planet 10. The film is a cross between the action/adventure and science fiction film genres and also includes elements of comedy and romance.
In Welcome to the Greenhouse, award-winning editor Gordon Van Gelder has brought together sixteen speculative [climate fiction (cli-fi)] stories by some of the most imaginative writers of our time. Terrorists, godlike terraformers, and humans both manipulative and hapless populate these pages. The variety of stories reflects the possibilities of our future: grim, hopeful, fantastic and absurd.
Included is new work by Brian W. Aldiss, Jeff Carlson, Judith Moffett, Matthew Hughes, Gregory Benford, Michael Alexander, Bruce Sterling, Joseph Green, Pat MacEwen, Alan Dean Foster, David Prill, George Guthridge, Paul Di Filippo, Chris Lawson, Ray Vukcevich and M. J. Locke.
timespace coordinates: Elea is a surreal sci-fi adventure game in which you play as space scientist Elea. In 2073, Earth was struck by a horrid childhood disease and Elea’s husband Ethan joined an expedition to colonize Solace, a habitable exoplanet, to save humanity from extinction. The interstellar ship he was on, Pilgrimage, went radio silent shortly after it reached planet Solace. Thirteen years later, Elea joins a recovery mission to investigate the faith of the expedition. What follows is a wondrous journey through space.
Elea is a first-person Sci-Fi interactive storytelling adventure developed by a two-person team from Bulgaria, Kyodai Ltd.
SYSTEM REQUIREMENTS (MINIMUM): Requires a 64-bit processor and operating system / OS: Windows 7 64-bit / Processor: Intel Core i3-4130 or AMD FX – 8320 / Memory: 6 GB RAM / Graphics: Nvidia GTX 650 Ti 2GB / AMD Radeon HD 7970 3GB / DirectX: Version 11 / Storage: 6 GB available space
timespace coordinates: 2010’s MassachusettsColor Out of Space is a 2020 horror film directed by Richard Stanley, based on the short story “The Colour Out of Space” by H. P. Lovecraft. It stars Nicolas Cage, Joely Richardson, Madeleine Arthur, Q’orianka Kilcher and Tommy Chong. This is Stanley’s first feature film directed since his firing from The Island of Dr. Moreau (1996). (wiki)
“A story of cosmic terror about The Gardners, a family who moves to a remote farmstead in rural New England to escape the hustle of the 21st century. They are busy adapting to their new life when a meteorite crashes into their front yard. The mysterious aerolite seems to melt into the earth, infecting both the land and the properties of space-time with a strange, otherworldly color. To their horror, the Gardner family discover that this alien force is gradually mutating every life form that it touches…including them.” (imdb)
timespace coordinates: early 23rd century, mining station O.I. Infini
An elite ‘search and rescue’ team transport onto an off-world mining-facility to rescue Whit Carmichael, the lone survivor of a biological outbreak.Oliver Pfeiffer of SciFiNow rated it 4/5 stars and called it “bold, gut-wrenching” with the “real masterstroke at play…the menacingly immersive production design and deeply atmospheric soundtrack”. (wiki)
«The Romans stole the alphabeta system from the Greeks through war», explains Rammellzee. «Then, in medieval times, monks ornamented letters to hide their meaning from the people. Now, the letter is armored against further manipulation.»
New York graffiti artist and B-boy theoretician Rammellzee (the artist encases himself during gallery performances in Gasholeer, a 148-pound, gadgetry-encrusted exoskeleton inspired by an android he painted on a subway train in 1981. Four years in the making, Rammellzee’s exuberantly low-tech costume bristles with rocket launchers, nozzles that gush gouts of flame, and an all-important sound system.)
«From both wrists, I can shoot seven flames, nine flames from each sneaker’s heel, and colored flames from the throat. Two girl doll heads hanging from my waist and in front of my balls spit fire and vomit smoke… The sound system consists of a Computator, which is a system of screws with wires. These screws can be depressed when the keyboard gun is locked into it. The sound travels through the keyboard and screws, then through the Computator, then the belt, and on up to the four mid-range speakers (with tweeters). This is all balanced by a forward wheel from a jet fighter plane. I also use an echo chamber, Vocoder, and system of strobe lights. A coolant device keeps my head and chest at normal temperature. A 100-watt amp and batteries give me power.»
«slanguage» – a heavily encrypted hip-hop argot – is the linguistic equivalent of graffiti «tags» all over the mother tongue. In an essay on English as the imperial language of the Internet, the cultural critic McKenzie Wark argues for the willful, viral corruption of the lingua franca of global corporate monoculture as a political act.