The Gleaners and I (French: Les glaneurs et la glaneuse; “The gleaners and the female gleaner”, a reference to the director herself) is a 2000 French documentary film by Agnès Varda that features various kinds of gleaning. It was entered into competition at the 2000 Cannes Film Festival (“Official Selection 2000”), and later went on to win awards around the world. In a 2014 Sight and Sound poll, film critics voted The Gleaners and I the eighth best documentary film of all time. In 2016, the film appeared at No. 99 on BBC’s list of the 100 greatest films of the 21st century. / Cinematic significance (wiki)
timespace coordinates: 2000’s New JerseyThe Wrestler is a 2008 American sports drama film produced and directed by Darren Aronofsky, written by Robert D. Siegel, and starring Mickey Rourke (plays an aging professional wrestler), Marisa Tomei (as a stripper), and Evan Rachel Wood.
Promotion: WWE helped promote it through an on-screen angle (a fictional storyline used in wrestling). This involved the heel Chris Jericho criticizing legendary retired wrestlers such as Ric Flair, who he felt were embarrassing themselves, as well as Mickey Rourke for his portrayal in The Wrestler. At the 15th Screen Actors Guild Awards, Rourke announced he would be competing at WrestleMania XXV, specifically targeting Jericho. The announcement led to a confrontation between the two on Larry King Live, which showed signs of second thoughts from Rourke. On January 28, it was announced through Rourke’s spokesperson that the actor would not compete at the event, and he was soon after announced instead as a guest. Rourke was also invited to the 2009 WWE Hall of Fame induction ceremony the night before WrestleMania. The angle culminated the following night where Jericho faced Ricky Steamboat, Roddy Piper, and Jimmy Snuka in a handicap match. After his victory, Jericho dismantled Flair and challenged Rourke, who finally entered the ring and punched him out. (wiki)
Where the Wild Things Are is a 2009 “self-consciously sad” fantasy drama film directed by Spike Jonze. Written by Jonze and Dave Eggers, it is adapted from Maurice Sendak‘s 1963 children’s book of the same name. It combines live-action, performers in costumes, animatronics, and computer-generated imagery (CGI).
The film stars Max Records and features the voices of James Gandolfini, Paul Dano, Lauren Ambrose, Forest Whitaker, Catherine O’Hara, and Chris Cooper. The film centers on a lonely boy named Max who sails away to an island inhabited by creatures known as the “Wild Things,” who declare Max their king.
timespace coordinates: (S01) “Star Wars” 1977 – / “Barbie” 1959 – / “He-Man” 1982 – / “G.I. Joe” 1964 – // (S02) “Star Trek” 1966 – / “Transformers” 1983 – / “LEGO” 1949 – / “Hello Kitty” 1960 – // USA – Japan – Denmark
The Toys That Made Us is an American documentary web television series created by Brian Volk-Weiss. The first four episodes of the series began streaming on Netflix on December 22, 2017, and the next four were released in May 25, 2018.
“The minds behind history’s most iconic toy franchises discuss the rise — and sometimes fall — of their billion-dollar creations.” rottentomatoes
timespace coordinates: Texas, 2001 – 2013
Boyhood is a 2014 American epic coming-of-age drama film written and directed by Richard Linklater, and starring Patricia Arquette, Ellar Coltrane, Lorelei Linklater, and Ethan Hawke. Filmed from 2001 to 2013, Boyhood depicts the childhood and adolescence of Mason Evans Jr. (Coltrane) from ages six to eighteen as he grows up in Texas with divorced parents (Arquette and Hawke). Richard Linklater’s daughter Lorelei plays Mason’s sister, Samantha. (wiki)
As Edith, you’ll explore the colossal Finch house, searching for stories as she explores her family history and tries to figure out why she’s the last one in her family left alive. Each story you find lets you experience the life of a new family member on the day of their death, with stories ranging from the distant past to the present day.
The gameplay and tone of the stories are as varied as the Finches themselves. The only constants are that each is played from a first-person perspective and that each story ends with that family member’s death.
Ultimately, it’s a game about what it feels like to be humbled and astonished by the vast and unknowable world around us.